Vision and Art (Updated and Expanded Edition)

Author: Margaret S. Livingstone

Publisher: Harry N. Abrams

ISBN: 9781419706929

Category: Art

Page: 240

View: 6990

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A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
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Art and Visual Perception

A Psychology of the Creative Eye

Author: Rudolf Arnheim

Publisher: Univ of California Press

ISBN: 9780520243835

Category: Psychology

Page: 508

View: 6844

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Gestalt theory and the psychology of visual perception form the basis for an analysis of art and its basic elements
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Color Science and the Visual Arts

A Guide for Conservators, Curators, and the Curious

Author: Roy S. Berns

Publisher: Getty Publications

ISBN: 1606064819

Category: Art

Page: 208

View: 5674

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“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.
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Visual Perception

An Introduction

Author: Nicholas J. Wade,Michael Swanston

Publisher: Psychology Press

ISBN: 1848720432

Category: Psychology

Page: 321

View: 3350

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Does the world appear the same to everyone? Does what we know determine what we see? Why do we see the world as we do? Vision is our most dominant sense. From the light that enters our eyes to the complex cognitive processes that follow, we derive most of our information about what things are, where they are, and how they move from our vision. Visual Perception takes a refreshingly different approach to this enigmatic sense. From the function that vision serves for an active observer, to the history of visual perception itself the third edition has been extensively revised, updated and expanded, while still preserving the essential features of historical context, neurophysiology and independent thought that made the earlier editions so engaging. Covering the perception of location, motion, object recognition and with up-to-date information on the workings of the visual brain, the 3rd edition looks at how our ideas have been shaped, not just by psychology, but by art, optics, biology and philosophy. The emphasis on understanding vision as a basis for action in the real world has also been expanded to cover seeing representations of all sorts, whether they are pictures or computer-generated displays. The 3rd Edition of Visual Perception is a readable, accessible and truly relevant introduction to the world of perception and will be welcomed by students of visual perception as well as anyone with a general interest in the mysteries and wonder of vision.
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Writing the Character-Centered Screenplay, Updated and Expanded edition

Author: Andrew Horton

Publisher: Univ of California Press

ISBN: 9780520924178

Category: Performing Arts

Page: 249

View: 6122

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"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.
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The Art of Natural Building

Design, Construction, Resources

Author: Catherine Wanek,Michael Smith,Joseph F. Kennedy

Publisher: New Society Publishers

ISBN: 1550925601

Category: House & Home

Page: 480

View: 3642

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The popularity of natural building has grown by leaps and bounds, spurred by a grassroots desire for housing that is healthy, affordable, and environmentally responsible. While there are many books available on specific methods such as straw-bale construction, cob, or timber framing, there are few resources which introduce the reader to the entire scope of this burgeoning field. Fully revised and updated, The Art of Natural Building is the complete and user-friendly introduction to natural building for everyone from the do-it-yourselfer to architects and designers. This collection of articles from over fifty leaders in the field is now stunningly illustrated with over two-hundred full-color photographs of natural buildings from around the world. Learn about: The case for building with natural materials, from the perspectives of sustainability, lifestyle, and health What you need to know to plan and design your own beautiful and efficient natural home Explanations of thirty versatile materials and techniques, with resources on where to go for further information on each How these techniques are being used to address housing crises around the world. Clearly written, logically organized, and beautifully illustrated, The Art of Natural Building is the encyclopedia of natural building. Joseph F. Kennedy is a designer, builder, writer, artist, educator, and co-founder of Builders Without Borders. Michael G. Smith is a respected workshop instructor, consultant, and co-author of the best-selling book The Hand-Sculpted House. Catherine Wanek is a co-founder of Builders Without Borders and author/photographer of The Hybrid House and The New Straw Bale Home.
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The Night Sky, Updated and Expanded Edition

Soul and Cosmos: The Physics and Metaphysics of the Stars and Planets

Author: Richard Grossinger

Publisher: North Atlantic Books

ISBN: 1583947116

Category: Science

Page: 840

View: 1798

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Ever since Homo sapiens first looked up at the stars, we as a species have been looking for meaning in the mysteries of the night sky. Over the millennia, as our knowledge, science, and technology developed, the stories we told ourselves about the universe and our place in it developed as well. In The Night Sky, Richard Grossinger traces those developments, covering multiple aspects of humanity's complex relationship to the cosmos. Covering not only astronomy but also cosmology, cosmogony, astrology, and science fiction, he offers us a revelatory look at the firmament through his own telescope, fitted with an anthropological lens. Throughout his explorations, Grossinger continually reflects on the deeper meaning of our changing concepts about the universe and creation, offering insight into how each new discovery causes us to redefine the values, moralities, and aesthetics by which we live. He also calls into question the self-aggrandizing notion that humanity can and will conquer all, and injects our strident confidence in science with a healthy dose of humility and wonder. Filled with poetic observation and profound questions, The Night Sky is a brilliant reflection of humanity's relationship with the cosmos--a relationship fed by longing, doubt, and awe.
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Visual Perception

An Introduction, 3rd Edition

Author: Nicholas Wade,Mike Swanston

Publisher: Psychology Press

ISBN: 1136178309

Category: Psychology

Page: 322

View: 9205

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Does the world appear the same to everyone? Does what we know determine what we see? Why do we see the world as we do? Vision is our most dominant sense. From the light that enters our eyes to the complex cognitive processes that follow, we derive most of our information about what things are, where they are, and how they move from our vision. Visual Perception takes a refreshingly different approach to this enigmatic sense. From the function that vision serves for an active observer, to the history of visual perception itself the third edition has been extensively revised, updated and expanded, while still preserving the essential features of historical context, neurophysiology and independent thought that made the earlier editions so engaging. Covering the perception of location, motion, object recognition and with up-to-date information on the workings of the visual brain, the 3rd edition looks at how our ideas have been shaped, not just by psychology, but by art, optics, biology and philosophy. The emphasis on understanding vision as a basis for action in the real world has also been expanded to cover seeing representations of all sorts, whether they are pictures or computer-generated displays. The 3rd Edition of Visual Perception is a readable, accessible and truly relevant introduction to the world of perception and will be welcomed by students of visual perception as well as anyone with a general interest in the mysteries and wonder of vision.
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The Identity of Jesus Christ, Expanded and Updated Edition

The Hermeneutical Bases of Dogmatic Theology

Author: Hans W. Frei

Publisher: Wipf and Stock Publishers

ISBN: 1630874612

Category: Religion

Page: 262

View: 6998

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This is a book about Jesus of Nazareth. It is not a book about story, nor about narrative theology. Hans Frei was not a theologian of story or of narrative in any general way, and this book is neither about the narrative quality of our existence and the gospel's relation to that quality, nor about the narrative shape of the Scriptures as a whole and the call on us to place ourselves within that narrative. Rather, this is a book about the way in which Jesus of Nazareth's identity is rendered by the Gospels--largely the Synoptic Gospels, particularly the Gospel of Luke, and especially in the passion and resurrection sequences--by means of a certain kind of narrative. --from the Foreword by Mike Higton
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Introduction to Autonomous Mobile Robots

Author: Roland Siegwart,Illah Reza Nourbakhsh,Davide Scaramuzza

Publisher: MIT Press

ISBN: 0262015358

Category: Computers

Page: 453

View: 4595

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Machine generated contents note: |g 1. |t Introduction -- |g 1.1. |t Introduction -- |g 1.2. |t An Overview of the Book -- |g 2. |t Locomotion -- |g 2.1. |t Introduction -- |g 2.1.1. |t Key issues for locomotion -- |g 2.2. |t Legged Mobile Robots -- |g 2.2.1. |t Leg configurations and stability -- |g 2.2.2. |t Consideration of dynamics -- |g 2.2.3. |t Examples of legged robot locomotion -- |g 2.3. |t Wheeled Mobile Robots -- |g 2.3.1. |t Wheeled locomotion: The design space -- |g 2.3.2. |t Wheeled locomotion: Case studies -- |g 2.4. |t Aerial Mobile Robots -- |g 2.4.1. |t Introduction -- |g 2.4.2. |t Aircraft configurations -- |g 2.4.3. |t State of the art in autonomous VTOL -- |g 2.5. |t Problems -- |g 3. |t Mobile Robot Kinematics -- |g 3.1. |t Introduction -- |g 3.2. |t Kinematic Models and Constraints -- |g 3.2.1. |t Representing robot position -- |g 3.2.2. |t Forward kinematic models -- |g 3.2.3. |t Wheel kinematic constraints -- |g 3.2.4. |t Robot kinematic constraints -- |g 3.g 3.3. |t Mobile Robot Maneuverability -- |g 3.3.1. |t Degree of mobility -- |g 3.3.2. |t Degree of steerability -- |g 3.3.3. |t Robot maneuverability -- |g 3.4. |t Mobile Robot Workspace -- |g 3.4.1. |t Degrees of freedom -- |g 3.4.2. |t Holonomic robots -- |g 3.4.3. |t Path and trajectory considerations -- |g 3.5. |t Beyond Basic Kinematics -- |g 3.6. |t Motion Control (Kinematic Control) -- |g 3.6.1. |t Open loop control (trajectory-following) -- |g 3.6.2. |t Feedback control -- |g 3.7. |t Problems -- |g 4. |t Perception -- |g 4.1. |t Sensors for Mobile Robots -- |g 4.1.1. |t Sensor classification -- |g 4.1.2. |t Characterizing sensor performance -- |g 4.1.3. |t Representing uncertainty -- |g 4.1.4. |t Wheel/motor sensors -- |g 4.1.5. |t Heading sensors -- |g 4.1.6. |t Accelerometers -- |g 4.1.7. |t Inertial measurement unit (IMU) -- |g 4.1.8. |t Ground beacons -- |g 4.1.9. |t Active ranging -- |g 4.1.10. |t Motion/speed sensors -- |g 4.1.11. |t Vision sensors -- |g 4.2. |t Fundameng 4.2.5. |t Structure from stereo -- |g 4.2.6. |t Structure from motion -- |g 4.2.7. |t Motion and optical flow -- |g 4.2.8. |t Color tracking -- |g 4.3. |t Fundamentals of Image Processing -- |g 4.3.1. |t Image filtering -- |g 4.3.2. |t Edge detection -- |g 4.3.3. |t Computing image similarity -- |g 4.4. |t Feature Extraction -- |g 4.5. |t Image Feature Extraction: Interest Point Detectors -- |g 4.5.1. |t Introduction -- |g 4.5.2. |t Properties of the ideal feature detector -- |g 4.5.3. |t Corner detectors -- |g 4.5.4. |t Invariance to photometric and geometric changes -- |g 4.5.5. |t Blob detectors -- |g 4.6. |t Place Recognition -- |g 4.6.1. |t Introduction -- |g 4.6.2. |t From bag of features to visual words -- |g 4.6.3. |t Efficient location recognition by using an inverted file -- |g 4.6.4. |t Geometric verification for robust place recognition -- |g 4.6.5. |t Applications -- |g 4.6.6. |t Other image representations for place recognition -- |g 4.7. |t Feature Extraction Based ong 4.7.3. |t Range histogram features -- |g 4.7.4. |t Extracting other geometric features -- |g 4.8. |t Problems -- |g 5. |t Mobile Robot Localization -- |g 5.1. |t Introduction -- |g 5.2. |t The Challenge of Localization: Noise and Aliasing -- |g 5.2.1. |t Sensor noise -- |g 5.2.2. |t Sensor aliasing -- |g 5.2.3. |t Effector noise -- |g 5.2.4. |t An error model for odometric position estimation -- |g 5.3. |t To Localize or Not to Localize: Localization-Based Navigation Versus Programmed Solutions -- |g 5.4. |t Belief Representation -- |g 5.4.1. |t Single-hypothesis belief -- |g 5.4.2. |t Multiple-hypothesis belief -- |g 5.5. |t Map Representation -- |g 5.5.1. |t Continuous representations -- |g 5.5.2. |t Decomposition strategies -- |g 5.5.3. |t State of the art: Current challenges in map representation -- |g 5.6. |t Probabilistic Map-Based Localization -- |g 5.6.1. |t Introduction -- |g 5.6.2. |t The robot localization problem -- |g 5.6.3. |t Basic concepts of probability theory -- |gg 5.6.6. |t Classification of localization problems -- |g 5.6.7. |t Markov localization -- |g 5.6.8. |t Kalman filter localization -- |g 5.7. |t Other Examples of Localization Systems -- |g 5.7.1. |t Landmark-based navigation -- |g 5.7.2. |t Globally unique localization -- |g 5.7.3. |t Positioning beacon systems -- |g 5.7.4. |t Route-based localization -- |g 5.8. |t Autonomous Map Building -- |g 5.8.1. |t Introduction -- |g 5.8.2. |t SLAM: The simultaneous localization and mapping problem -- |g 5.8.3. |t Mathematical definition of SLAM -- |g 5.8.4. |t Extended Kalman Filter (EKF) SLAM -- |g 5.8.5. |t Visual SLAM with a single camera -- |g 5.8.6. |t Discussion on EKF SLAM -- |g 5.8.7. |t Graph-based SLAM -- |g 5.8.8. |t Particle filter SLAM -- |g 5.8.9. |t Open challenges in SLAM -- |g 5.8.10. |t Open source SLAM software and other resources -- |g 5.9. |t Problems -- |g 6. |t Planning and Navigation -- |g 6.1. |t Introduction -- |g 6.2. |t Competences for Navigation: Planning and Reactig 6.4. |t Obstacle avoidance -- |g 6.4.1. |t Bug algorithm -- |g 6.4.2. |t Vector field histogram -- |g 6.4.3. |t The bubble band technique -- |g 6.4.4. |t Curvature velocity techniques -- |g 6.4.5. |t Dynamic window approaches -- |g 6.4.6. |t The Schlegel approach to obstacle avoidance -- |g 6.4.7. |t Nearness diagram -- |g 6.4.8. |t Gradient method -- |g 6.4.9. |t Adding dynamic constraints -- |g 6.4.10. |t Other approaches -- |g 6.4.11. |t Overview -- |g 6.5. |t Navigation Architectures -- |g 6.5.1. |t Modularity for code reuse and sharing -- |g 6.5.2. |t Control localization -- |g 6.5.3. |t Techniques for decomposition -- |g 6.5.4. |t Case studies: tiered robot architectures -- |g 6.6. |t Problems -- |t Bibliography -- |t Books -- |t Papers -- |t Referenced Webpages.
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