Towards a Philosophy of Photography

Author: Vilém Flusser

Publisher: Reaktion Books

ISBN: 1780232446

Category: Photography

Page: 94

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Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Flusser showed how the transformation of textual into visual culture (from the linearity of history into the two-dimensionality of magic) and of industrial into post-industrial society (from work into leisure) went hand in hand, and how photography allows us to read and interpret these changes with particular clarity.
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Toward a Philosophy of Perception

The Magnitude of Human Potential - Cloud Optics

Author: Margaret A. Harrell

Publisher: AuthorHouse

ISBN: 1463457731

Category: Art

Page: 124

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SYNOPSIS: Lavishly illustrated with 33 color cloud photographs, this coffeetable-sized book introduces the Love in Transition series, published originally in Romania, to the United States. Midwest Book Review calls it “an enthusiastically recommended reading experience,” Kirkus Discoveries identifies “the premise that all human beings, through our individual life experiences, have the potential to make an impact on the collective consciousness of humanity.” It recommends the “nuggets of brilliant insight into life, death and the collective human consciousness”; and the Mindquest Review publisher notes that “Margaret Harrell has produced one of the most perceptive works available for our time.” Some of the photography is on view at the Gallery Gora,Montreal in the summer 2010. See book illustrations in the on-line Le Portail des Antiquaires Galerie des Artistes, Paris, http://www.leportaildesantiquaires.com/index.asp?ID=2379. And Marquis Who's Who of American Art. NEW: Also at http://www.lightangel.net. And http://www.cloudgiclee.com. CRITICAL COMMENTS: “A thoughtful and thought-provoking text illustrating a powerful and extended journey into a higher consciousness ... a seminal work of wit, wisdom, and imagination.” Midwest Book Review, “Reviewer’s Choice,” Small Press Bookwatch June “A book to be read and savored and reflected upon time and time again.” MBR, July “This is Margaret A. Harrell’s gift, . . . the images and the writing that goes with them. . . . [She is] an energy manifester and she’s bringing it through these energies. . . . This is not only an art book, it’s not only an intellectual book, it’s about raising consciousness. . . . [The images are] something uniquely different . . . aren’t in the Earth archetypes.” Mariah Martin Intuitive, Light Path coach, Channel for Light Beings, Educator, Minister and Author
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Photography: History and Theory

Author: Jae Emerling

Publisher: Routledge

ISBN: 1136521151

Category: Art

Page: 288

View: 1898

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Photography: History and Theory introduces students to both the history of photography and critical theory. From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them. While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory. Particular attention is paid to key thinkers, such as Baudelaire, Barthes and Sontag. In addition, the centrality of photography to contemporary art practice is addressed through the theoretical work of Allan Sekula, John Tagg, Rosalind Krauss, and Vilém Flusser. The text also includes readings of many canonical photographers and exhibitions including: Atget, Brassai, August Sander, Walker Evans, The Family of Man, Diane Arbus, Lee Friedlander, Cindy Sherman, Bernd and Hilla Becher, Sebastaio Salgado, Jeff Wall, and others. In addition, Emerling provides close readings of key passages from some major theoretical texts. These glosses come between the chapters and serve as a conceptual line that connects them. Glosses include: Roland Barthes, "The Rhetoric of the Image" (1964) Susan Sontag, Regarding the Pain of Others (2002) Michel Foucault on the archive (1969) Walter Benjamin, "Little History of Photography" (1931) Vilém Flusser, Towards a Philosophy of Photography (1983) A substantial glossary of critical terms and names, as well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography.
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The Freedom of the Migrant

Objections to Nationalism

Author: Vilém Flusser,Anke K. Finger

Publisher: University of Illinois Press

ISBN: 9780252028175

Category: Philosophy

Page: 106

View: 4704

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Vilm Flusser was one of the most fascinating and original European thinkers of the latter half of the twentieth century. In this volume, a collection of his essays on emigration, nationalism, and information theory, he raises questions about the viability of ideas of national identity in a world whose borders are becoming increasingly arbitrary and permeable. Flusser argues that modern societies are in flux, with traditional linear and literary epistemologies being challenged by global circulatory networks and a growth in visual stimulation. He posits that these changes will radically alter the ways cultures define themselves and deal with each other. Not just theories of globalization, however, Flusser's ideas about communication and identity have their roots in the Judeo-Christian concept of self-determination and self-realization through the recognition of the other.Vilm Flusser (1920-91) was a German-Jewish philosopher from Prague who fled to Brazil in 1940. In 1963 he was appointed professor of philosophy of communication at Sao Paulo University; while there he also wrote a daily newspaper column. In 1972, he moved to France, and wrote books in both German and Portuguese, including The Shape of Things: A Philosophy of Design, Toward a Philosophy of Photography, and From Subject to Project: Becoming Human.
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Photography and Its Violations

Author: John Roberts

Publisher: Columbia University Press

ISBN: 0231538243

Category: Philosophy

Page: 240

View: 9493

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Theorists critique photography for "objectifying" its subjects and manipulating appearances for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers of disclosure and aesthetic technique as part of a complex "social ontology" that exposes the hierarchies, divisions, and exclusions behind appearances. The photographer must "arrive unannounced" and "get in the way of the world," Roberts argues, committing photography to the truth-claims of the spectator over the self-interests and sensitivities of the subject. Yet even though the violating capacity of the photograph results from external power relations, the photographer is still faced with an ethical choice: whether to advance photography's truth-claims on the basis of these powers or to diminish or veil these powers to protect the integrity of the subject. Photography's acts of intrusion and destabilization, then, constantly test the photographer at the point of production, in the darkroom, and at the computer, especially in our 24-hour digital image culture. In this game-changing work, Roberts refunctions photography's place in the world, politically and theoretically restoring its reputation as a truth-producing medium.
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Captive Images

Race, Crime, Photography

Author: Katherine Biber

Publisher: Routledge

ISBN: 113530808X

Category: Law

Page: 160

View: 702

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Captive Images examines the law’s treatment of photographic evidence and uses it to investigate the relationship between law, image and fantasy. Based around the scholarly examination of a bank robbery, in which a surveillance camera captures the robbery in progress, Katherine Biber draws upon critical writing from psychoanalysis, postcolonialism, art, law, literature and feminism to 'read' this crime, its texts and its images. The result is an interdisciplinary study of crime that unfolds a compelling narrative about race relations, national identity and fear. This book is an essential read for all levels of law students studying, or interested in, law, criminology and cultural studies.
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Vilém Flusser

An Introduction

Author: Anke K. Finger,Rainer Guldin,Gustavo Bernardo

Publisher: U of Minnesota Press

ISBN: 0816674787

Category: Philosophy

Page: 176

View: 775

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