Spectator The. from its roots . Think well on this , and remember . She had not
been long arnong her own people in thy neighbour in the mountains . " the
valleys , when she received new overtures , and Having here inserted this letter ,
which I ...
264 I. The following Dog Stories are taken from the pages of the Spectator , with
the permission of the editors and proprietors . It was suggested to me by Mr.
Fisher Unwin that the many strange and pleasant stories of dogs which from time
I of The Spectator appears ' To be Continued every Day . " Mar . 1 . It is a foolscap
folio , printed in two columns on each of its two pages ; advertisements occupying
the greater part of the fourth column . The serial continues for ninety - three ...
THE SPECTATOR . ' No. 1. THURSDAY , MARCH 1 , 1710-11 was Non fumum
ex fulgore , sed ex fumo dare lucem Cogitat , ut speciosa dehinc miracula promat
. Hor . I HAVE observed , that a reader seldom peruses a book with pleasure , till
While thinking remains a solitary activity, it does not cut itself off from all others.The essays in this book address the philosophical and moral questions raised by Arendt's attempt to draw out the political implications of "critical ...
Author: Joke J. Hermsen
Publisher: Peeters Publishers
Since early texts as "Thinking and Politics", Arendt had highlighted the contrast between philosophical and political thinking and compelled herself to find a satisfactory answer to the question: "how do philosophy and politics relate?". In her last work "Lectures on Kant's Political Philosophy" (1982), Arendt analyses the "political" dimensions of Kant's critical thinking. To think critically implies taking the viewpoints of others into account: one has to "enlarge" one's own mind by comparing our judgement with the possible judgements of others. While thinking remains a solitary activity, it does not cut itself off from all others.The essays in this book address the philosophical and moral questions raised by Arendt's attempt to draw out the political implications of "critical thinking" in Kant's sense. In one way or another, they all address the place of judgment in Arendt's thought. Arendt's turn to Kant and The Critique of Judgment was motivated by her desire to find a form of philosophizing that was not hostile to politics and the public realm. But did she really think that Kant's characterization of the judging spectator pointed the way out of the opposition between the universal and the particular, between looking at things sub specie aeternitatis and looking at things from a political point of view? To what extent did she think that Kant was successful in revealing a mode of thought oriented towards public persuasion, yet one which retained its critical independence?Each of the essays wrestles with the complexities of a complex thinker. They remind us that critical thinking or Selbstdenken is among the most difficult and rare arts, even though it is an art potentially accessible to everyone. They also remind us that Hannah Arendt was a virtuoso of this art, and of how her example points the way toward a renewal of judgment as the political faculty par excellence.
Inventing the Spectator reconstructs the theatre spectator's experience as it was understood in France between the Renaissance and the Revolution, raising numerous questions that strike at the very heart of human psychology, cognition, and ...
Author: Joseph Harris
Publisher: Oxford University Press
During the seventeenth and eighteenth centuries, France became notorious across Europe for its ambitious attempts to codify and theorise a system of universally valid 'rules' for successful theatre. Inventing the Spectator reads the period's dramatic theory against the grain, exploring not plays or playwrights but rather the spectator: the living, breathing individual in whose mind, senses, and experience the theatre comes to life. Bridging the gap betweenliterary and theatre studies, history of psychology, and intellectual history, Inventing the Spectator reconstructs the theatre spectator's experience as it was understood in France between the Renaissanceand the Revolution. As well as offering in-depth discussions of key dramatic theoreticians (d'Aubignac, Corneille, Dubos, Rousseau, and Diderot), this study raises numerous questions - of imagination and illusion, reason and emotion, pleasure and narrative, vision and hearing, interest and identification - that strike at the very heart of human psychology, cognition, and experience.
See also George A . Aitken ' s Life of Richard Steele , vol . 1 , p . 320 , note 1 . ( 2 )
Macaulay , Essay on Addison . ( 3 ) Note , in Swift ' s letters , references to the Spectator and to the Tatler as periodicals which Stella and her friends in Ireland ...