The Canterbury Tales

Author: Geoffrey Chaucer

Publisher: Penguin

ISBN: 9780140424386

Category: Poetry

Page: 504

View: 7997

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'Now as I've drunk a draught of corn-ripe ale, By God it stands to reason I can strike On some good story that you all will like' In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition within a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook. Rich and diverse, The Canterbury tales offers us an unrivalled glimpse into the life and mind of medieval England. Nevill Coghill's masterly and vivid modern English verse translation is rendered with consummate skill to retain all the vigour and poetry of Chaucer's fourteenth-century Middle English.
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The Canterbury Tales

A Retelling by Peter Ackroyd (Penguin Classics Deluxe Edition)

Author: Geoffrey Chaucer

Publisher: Penguin

ISBN: 1101466006

Category: Fiction

Page: 464

View: 6592

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David Wright's prose version of Chaucer's classic.
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The Wife of Bath

Author: Geoffrey Chaucer

Publisher: Penguin UK

ISBN: 0141398108

Category: Fiction

Page: 64

View: 6514

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'Those husbands that I had, Three of them were good and two were bad. The three that I call "good" were rich and old...' One of the most bawdy, entertaining and popular stories from The Canterbury Tales. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Geoffrey Chaucer (c.1343-1400). Chaucer's works available in Penguin Classics are The Canterbury Tales, Love Visions and Troilus and Criseyde.
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Penguin Classics: The Catalogue

Author: Penguin Classics

Publisher: Penguin UK

ISBN: 0718193474

Category: Reference

Page: 176

View: 446

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'From books, all I seek is to give myself pleasure by an honourable pastime' Michel de Montaigne In 1946, E. V. Rieu's groundbreaking translation of The Odyssey established a cultural legacy that would bring the world's most compelling and influential literature to millions of readers around the globe. For over sixty-five years, Penguin Classics have been making works that were once the sole preserve of academics accessible to everyone; this catalogue offers a complete list of all titles in print across the list - more than 1,200 books, from Aristotle and Austen, to Zola and Zamyatin. It also features Michel de Montaigne's enchanting essay 'On Books'. 'The Penguin Classics, though I designed them to give pleasure even more than instruction, have been hailed as the greatest educative force of the twentieth century. And far be it for me to quarrel with that encomium, for there is no one whom they have educated more than myself' E. V. Rieu
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The Canterbury Tales - Second Edition

Author: Geoffrey Chaucer

Publisher: Broadview Press

ISBN: 1554811066

Category: Poetry

Page: 550

View: 2652

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The Broadview Canterbury Tales is an edition of the complete tales in a text based on the famous Ellesmere Manuscript. Here one may read a Middle English text that is closer to what Chaucer’s scribe, Adam Pinkhurst, actually wrote than that in any other modern edition. Unlike most editions, which draw on a number of manuscripts to recapture Chaucer’s original intention, this edition preserves the text as it was found in one influential manuscript. A sampling of facsimile pages from the original manuscript is also included, along with a selection of other works that give the reader a rich sense of the cultural, political, and literary worlds in which Chaucer lived. The second edition includes a new Middle English glossary, a timeline of Chaucer’s life and times, and detailed page headers showing the fragment and line numbers to assist readers in finding a specific section of the poem.
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The Penguin Classics Book

In Search of the Best Books Ever Written

Author: Henry Eliot

Publisher: Penguin UK

ISBN: 0141990937

Category: Literary Criticism

Page: 480

View: 8591

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Penguin Classics is the largest and best-known classics imprint in the world. From The Epic of Gilgamesh to the poetry of the First World War, and covering all the greatest works of fiction, poetry, drama, history and philosophy in between, this reader's companion encompasses 500 authors, 1,200 books and 4,000 years of world literature. Stuffed full of stories, author biographies, book summaries and recommendations, and illustrated with thousands of historic Penguin Classic covers, this is an exhilarating and comprehensive guide for anyone who wants to explore and discover the best books ever written.
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Sir Gawain and the Green Knight

Author: J. A. Burrow

Publisher: Penguin

ISBN: 9780140422955

Category: Poetry

Page: 176

View: 5062

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The Green Knight, a mysteriously powerful creature, tests the honor and courage of King Arthur's youngest knight.
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Rewriting/Reprising

Plural Intertextualities

Author: Georges Letissier

Publisher: Cambridge Scholars Publishing

ISBN: 1443816140

Category: Literary Criticism

Page: 250

View: 8768

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This volume comprises sixteen essays, preceded by an introductory chapter focusing on the diverse modalities of textual, and more widely, artistic transfer. Whereas the first Rewriting-Reprising volume (coord. by C. Maisonnat, J. Paccaud-Huguet & A. Ramel) underscored the crucial issue of origins, the second purports to address the specificities of hypertextual, and hyperartistic (Genette, 1982) practices. Its common denominator is therefore second degree literature and art. A first section, titled “Pastiche, Parody, Genre and Gender,” delineates what amounts to a poetics of rewriting/reprising, by investigating a whole range of authorial stances, from homage – through a symphonic play of intertexts – to varying degrees of textual deviance, or dissidence. Some genres, like the fairy tale or the Gothic, through their very malleability, are indeed more apt to lend themselves to rewriting/reprising. However, hypertextuality is not merely ornamental, or purely aesthetic; its subversive potential is perceptible notably through its many attempts at emancipating the genre from the ideological fetters of gender. Over the past two decades, Victorian literature and culture has become an inescapable field of investigations to any study on intertextuality in the English-speaking world. In a second part, diversity has been preferred to any single, specific angle to approach the Victorian/neo-Victorian tropism. The purpose is to provide as complete a spectrum as is reasonably possible in such a volume. The practice of rewriting in the Victorian age is thus studied alongside contemporary appropriations of the Victorian canon. The question is raised of whether literary fetishism may not result in a form of counterfeit classicism, while the more challenging neo-Victorian rewritings would make a claim for the need to choose one’s literary heritage and ancestors. This is where the post-colonial agenda comes in. Precisely, the third part investigates the question of rewriting-reprising as a way of writing back. The myth of Frankenstein’s creature bent on wreaking vengeance on his creator is of course seminal as it offers a myth of transgression which, in its turn, becomes a “foundation myth.” Not only are post-colonial responses to their (disclaimed) parent-texts highly theory-informed, but they also evince an awareness of such contemporary issues which are direct consequences of the colonial past. In the last section of this volume, the scope of what comes within the range of intertextuality per se is widened to cover artistic dialogism. In the exchanges between theatrical texts, reprise may be construed as a metaphor standing for the pleasure inherent in the process of recreation. The interaction between embedded paintings and the embedding canvas offers yet another variation on the reprise motif, as does the meta-aesthetic discourse of the critic on the work of art. What begins as mere repetition is soon colored by the personal inflections of the interpreter. In operatic performances, updating a classical text to make it suitable to contemporary audiences, and in close harmony with the role assigned to music, is liable to spur on the creativity of recreation.
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An Introduction to Narratology

Author: Monika Fludernik

Publisher: Routledge

ISBN: 1134058772

Category: Literary Criticism

Page: 200

View: 7747

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An Introduction to Narratology is an accessible, practical guide to narratological theory and terminology and its application to literature. In this book, Monika Fludernik outlines: the key concepts of style, metaphor and metonymy, and the history of narrative forms narratological approaches to interpretation and the linguistic aspects of texts, including new cognitive developments in the field how students can use narratological theory to work with texts, incorporating detailed practical examples a glossary of useful narrative terms, and suggestions for further reading. This textbook offers a comprehensive overview of the key aspects of narratology by a leading practitioner in the field. It demystifies the subject in a way that is accessible to beginners, but also reflects recent theoretical developments and narratology’s increasing popularity as a critical tool.
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