Daniel Ingalls, “Sanskrit Poetry and Sanskrit Poetics,” introduction to An
Anthology of Sanskrit Court Poetry: Vidyākara's Subhā_sitaratnako_sa ( Cambridge, MA: Harvard University Press, 1945), 33–35. Ibid., 34. 12 For a fuller
discussion of ...
Author: Susan M. Felch
Publisher: Cambridge University Press
ISBN: 9781107097841
Category: Literary Criticism
Page: 289
View: 180
Each essay in this Companion examines literary texts and a particular religious tradition to better understand both literature and religion.
109 Sanskrit dharma, which I choose to leave untranslated, is a
semanticallymultifaceted notion, at the heart of which is 'order'. In the Introduction
to their translation of the Sanskrit Laws of Manu (the Manavadharma ́s ̄astra; on
which, see ...
Author: Roger D. Woodard
Publisher: Cambridge University Press
ISBN: 9781107495111
Category: History
Page: 552
View: 655
Professor Roger Woodard brings together a group of the world's most authoritative scholars of classical myth to present a thorough treatment of all aspects of Greek mythology. Sixteen original articles guide the reader through all aspects of the ancient mythic tradition and its influence around the world and in later years. The articles examine the forms and uses of myth in Greek oral and written literature, from the epic poetry of 8th century BC to the mythographic catalogues of the early centuries AD. They examine the relationship between myth, art, religion and politics among the ancient Greeks and its reception and influence on later society from the Middle Ages to present day literature, feminism and cinema. This Companion volume's comprehensive coverage makes it ideal reading for students of Greek mythology and for anyone interested in the myths of the ancient Greeks and their impact on western tradition.
RASHMI SADANA AND VASUDHA DALMIA Introduction On 25 February 2008 a
group of student activists, ... and Three Thoughts on Translation', an essay that
documents the array of tellings of Valmiki's great Sanskrit epic, The Ramayana.
Author: Vasudha Dalmia
Publisher: Cambridge University Press
ISBN: 9781139825467
Category: Literary Criticism
Page:
View: 534
India is changing at a rapid pace as it continues to move from its colonial past to its globalised future. This Companion offers a framework for understanding that change, and how modern cultural forms have emerged out of very different histories and traditions. The book provides accounts of literature, theatre, film, modern and popular art, music, television and food; it also explores in detail social divisions, customs, communications and daily life. In a series of engaging, erudite and occasionally moving essays the contributors, drawn from a variety of disciplines, examine not merely what constitutes modern Indian culture, but just how wide-ranging are the cultures that persist in the regions of India. This volume will help the reader understand the continuities and fissures within Indian culture and some of the conflicts arising from them. Throughout, what comes to the fore is the extraordinary richness and diversity of modern Indian culture.
The primal syllable is elaborated in three Sanskrit injunctions, Datta, Dayadhvam,
Damyata, translated as Give, Sympathize, Control. If this is the wisdom to be
gained by winning the holy shrine of pilgrimage, it seems that we may have
arrived ...
Author: John Xiros Cooper
Publisher: Cambridge University Press
ISBN: 113945790X
Category: Literary Criticism
Page:
View: 229
T. S. Eliot is not only one of the most important poets of the twentieth century; as literary critic and commentator on culture and society, his writing continues to be profoundly influential. Every student of English must engage with his writing to understand the course of modern literature. This book provides the perfect introduction to key aspects of Eliot's life and work, as well as to the wider contexts of modernism in which he wrote. John Xiros Cooper explains how Eliot was influenced by the intellectual climate of both twentieth-century Britain and America, and how he became a key cultural figure on both sides of the Atlantic. The continuing controversies surrounding his writing and his thought are also addressed. With a useful guide to further reading, this is the most informative and accessible introduction to T. S. Eliot.
Author: Mulakaluri Srimannarayana MurtiPublish On: 1984
Rapson , Edward James : The Cambridge History of India , vol . 1 - Ancient India ,
S . Chand & Co . , Delhi 1962 ( Indian reprint ) . Rask , Rasmus Kristian :
Undersoegelse om des gamle nordiske eller islandske sprogs oprindelse (
Danish ...
An episode from the Lalīta Vistăra in Muir's Metrical Translations from the Sanskrit ( Trübner ) , ccxli , which the translator calls The Indian Simeon , ' is of
exceptional interest . Compare for Northern Indian Buddhism E. Burnouf , Introduction à ...
Author: Anna Morpurgo DaviesPublish On: 2004-12-02
6 System , arbitrariness , value Claudine Normand Introduction This chapter
offers a historical and theoretical perspective . ... new data or discoveries about
such and such a language , as Saussure did for instance when teaching Sanskrit
...
the true etymology is from the Sanskrit pisita or pisi , THYINE - WOOD ( Rev. xviii .
12 ) is the wood of the “ fleshy , ” another name of the Jața - mānsi , or “ spike-
Callitris quadrivalvis , the citrum wood of the Ronard , ' and that this Indian name
...
Author: Indira Viswanathan PetersonPublish On: 2003-03-27
... Indo-European family of languages. For an excellent general introduction to Sanskrit kavya poetry, see D. H. H. Ingalls, An Anthology of Sanskrit Court Poetry:
Vidyakara's Subhasitaratnakosa, Harvard Oriental Series 44 (Cambridge, Mass.
Author: Indira Viswanathan Peterson
Publisher: SUNY Press
ISBN: 0791456137
Category: Religion
Page: 306
View: 350
Explores the earliest literary treatment of Arjuna's combat with the great god Siva, providing an introduction to the Sanskrit court epic.“Peterson proves that it is possible and fruitful to approach mahakavya such as ‘Arjuna and the Hunter’ through the aesthetic values it embodies. She succeeds in making one of the greatest works of literature accessible and meaningful to non-specialists, as well as useful for teachers of South Asian culture and religion.” — History of Religions
Author: Cambridge University LibraryPublish On: 1883
With Introductory Notices and Illustrations of the Palæography and Chronology of
Nepal and Bengal Cambridge ... the Use of the Italic Type made uniform , the
Marginal References remodelled , and a Critical Introduction prefixed , by the
Rev .
PUBLICATIONS OF ARABIC , SANSKRIT , SYRIAC , & c . THE DIVYÂVADÂNA ,
a Collection of . Early Buddhist Legends , now first edited from the Nepalese Sanskrit MSS . in Cambridge and Paris . By E . B . COWELL , M . A . , Professor of
...
... Introduction to Sanskrit Prose Poetry. New York: University Press of America.
Inden, Ronald. 1990. Imagining India. Oxford: Blackwell. Ingalls, Daniel H. H.
1965. Sanskrit Poetry from Vidyākara's “Treasury.” Cambridge, MA: Harvard ...
Author: Yigal Bronner
Publisher: Columbia University Press
ISBN: 9780231525299
Category: Literary Criticism
Page: 376
View: 111
Beginning in the sixth century C.E. and continuing for more than a thousand years, an extraordinary poetic practice was the trademark of a major literary movement in South Asia. Authors invented a special language to depict both the apparent and hidden sides of disguised or dual characters, and then used it to narrate India's major epics, the Ramayana and the Mahabharata, simultaneously. Originally produced in Sanskrit, these dual narratives eventually worked their way into regional languages, especially Telugu and Tamil, and other artistic media, such as sculpture. Scholars have long dismissed simultaneous narration as a mere curiosity, if not a sign of cultural decline in medieval India. Yet Yigal Bronner's Extreme Poetry effectively negates this position, proving that, far from being a meaningless pastime, this intricate, "bitextual" technique both transcended and reinvented Sanskrit literary expression. The poems of simultaneous narration teased and estranged existing convention and showcased the interrelations between the tradition's foundational texts. By focusing on these achievements and their reverberations through time, Bronner rewrites the history of Sanskrit literature and its aesthetic goals. He also expands on contemporary theories of intertextuality, which have been largely confined to Western texts and practices.
With an Introduction and Glossary , etc . , by his daughter , LUCY TOULMIN Smith
. And a Preliminary Essay , in Five ... Edited by J . RAWSON LUMBY , M . A . , late
Fellow of Magdalen College , Cambridge . 2s . 43 . Ratis RAVING , and other ...
With an Introduction and Glossary , etc. , by his daughter , Lucy Toulmin Smith .
And a Preliminary Essay , in Five ... 5 , in the Cambridge University Library .
Edited by J. RAWSON LUMBY , M.A. , late Fellow of Magdalen College , Cambridge .
With an Introduction and Glossary , etc. , by his daughter , Lucy Toulmin SMITH .
And a Preliminary Essay , in Five ... 5 , in the Cambridge University Library .
Edited by J. Rawson LUMBY , M.A. , late Fellow of Magdalen College , Cambridge .
Introduction Chinese shares with Sanskrit and Hebrew the privilege of being one
of the longest continuous literary traditions . The antiquity of each of these
traditions has murky origins that are to some degree shaped by later construction
...
Author: Kang-i Sun Chang
Publisher: Cambridge University Press
ISBN: 0521855586
Category: Chinese literature
Page: 1504
View: 490
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Edited by J. Rawsox LUMBY , M.A. , late Fellow of Magdalen College , Cambridge . 2s . 43. ... With an English translation , the Latin Text , Notes , and an Introduction Edited by HENRY Sweet , Esq . , of Balliol College , Oxford . Part I.
10s . 46.