Stephen Shore: Uncommon Places

The Complete Works

Author: Stephen Shore,Stephan Schmidt-Wulffen

Publisher: N.A

ISBN: 9781597113038

Category: Photography

Page: 208

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Originally published in 1982, Stephen Shore's legendary "Uncommon Places" has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape inaugurated a vital photographic tradition. "Uncommon Places: The Complete Works," published by Aperture in 2005, presented a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic. Now, for this lushly produced reissue, the artist has added nearly 20 rediscovered images and a statement explaining what it means to expand a classic series. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore retains precise systems of gestures in composition and light through which a hotel bedroom or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. An essay by critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by writer Lynne Tillman examine his methodology and elucidate his roots in Pop and Conceptual art. The texts are illustrated with reproductions from Shore's earlier series "American Surfaces" and "Amarillo: Tall in Texas." At age 14 Stephen Shore (born 1947) had his work purchased by Edward Steichen for The Museum of Modern Art, New York. At 17 Shore was a regular at Andy Warhol's Factory, producing an important photographic document of the scene, and in 1971 at the age of 23 he became the first living photographer since Alfred Stieglitz 40 years earlier to have a one-man show at the Met. He has had numerous one-man shows, among others at The Museum of Modern Art, New York; George Eastman House, Rochester; Hammer Museum, Los Angeles; and The Art Institute of Chicago. Since 1982 he has been Director of the Photography Program at Bard College, Annandale-on-Hudson, New York.
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Photographic Travel Books

Author: Danièle Méaux

Publisher: Université de Saint-Etienne

ISBN: 2862726958

Category: Art

Page: 295

View: 7944

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Since early in its history, photography has been used by a diversity of travellers, whose collected photographs have been compiled into albums. But Photographic Travel as a genre of art did not appear before the second half of the twentieth century, and had a singular fate and fortune in the US as well as in Europe. The initial objective of some itinerant photographers is to make a book; their shooting practice is conditioned by this objective, as well as their travel experience. Their books – designed as one coherent hole – refer to their wandering experience, even though their stories are never completely free from fiction. In these books, their travels are converged, and their subjectivity is revealed. It is is therefore relevant to call such books made of photographies, and possibly words about the travel experience, Photographic Travel books (comparably to Travel books). Danièle Méaux has tackled the task of characterizing this genre.
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What Do Artists Know?

Author: James Elkins

Publisher: Penn State Press

ISBN: 0271054247

Category: Art

Page: 228

View: 6051

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"Brings together historians, philosophers, critics, curators, artists, and educators to ask how art is and should be taught. Explores the theories that underwrite art education at all levels, the pertinent history of art education, and the most promising current conceptualizations"--Provided by publisher.
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American Democracy and the Pursuit of Equality

Author: Merlin Chowkwanyun,Randa Serhan

Publisher: Routledge

ISBN: 1317263871

Category: Education

Page: 278

View: 9476

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This collection assembles some of the country s foremost social scientists in one volume. It contains diverse investigations of metropolitan transformation, recent education policy, the (in)justice of disaster relief, the politics of aesthetics and design, immigration, the mass media, social movements, and the practice of social science itself, among others. Whatever their subjects, the writers investigate the promise and constraints of democratic practice in a time of disturbing growth in inequality and political disempowerment. Although they at times differ from one another, more often, they challenge popular received wisdom on a number of these topics. Cumulatively, the volume amounts to a critical sociological excavation of the United States from its leading social critics that will prove useful to specialists and general readers alike."
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Where We Live

Photographs of America from the Berman Collection

Author: Judith Keller,Anne Lacoste,J. Paul Getty Museum

Publisher: J Paul Getty Museum Publications

ISBN: 9780892368549

Category: Photography

Page: 227

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Where We Live presents more than 150 images from the Bruce and Nancy Berman collection of contemporary photographs. From Mitch Epstein's Holyoke, Massachusetts, to Camilo Vergara's Detroit, to John Divola's 29 Palms in Southern California, the images here concentrate on the American landscape and the people and structures that can be found in its vast vistas--and its backyards. The photographs that the Bermans have been drawn to often represent changing American communities recorded by artists whose vision is passionate but unsentimental--a vision that acknowledges the present as fleeting, desolate, and lyrical. Beautifully reproduced in this volume--which coincides with an exhibition to be held at the J. Paul Getty Museum from October 24, 2006, to February 25, 2007--are works from twenty-four contemporary photographers, the majority working in color, from William Christenberry and William Eggleston to Doug Dubois and Sheron Rupp. Accompanying the photographs are illuminating essays by Kenneth A. Breisch and Colin Westerbeck and an introduction by Judith Keller. An essay by novelist Bruce Wagner captures the mood that runs through this powerful assemblage of photographs.
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