The Sociology of Rock

Author: Simon Frith

Publisher: Constable & Robinson

ISBN: N.A

Category: Culture populaire

Page: 255

View: 5639

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The Blackwell Companion to the Sociology of Culture

Author: Mark D. Jacobs

Publisher: John Wiley & Sons

ISBN: 1119250684

Category: Social Science

Page: 520

View: 6971

This collection of original, state-of-the-art essays by prominent international scholars covers the most important issues comprising the sociology of culture. Provides an invaluable reference resource to all interested in the cultural structures and processes that animate contemporary life Contains 27 essays on the most important issues comprising the sociology of culture, including art, science, religions, race, class, gender, collective memory, institutions, and citizenship Reflects and analyzes the “cultural turn” that has transformed scholarship in the social sciences and humanities.
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Rockin' Out of the Box

Gender Maneuvering in Alternative Hard Rock

Author: Mimi Schippers

Publisher: Rutgers University Press

ISBN: 9780813530758

Category: Music

Page: 209

View: 1541

In Rockin' Out of the Box, Mimi Schippers, employing the crucial feminist insight that gender is a constantly shifting performance and not an essential quality related to sex, explores the gender roles, assumptions, and transgressions of the men and women involved in the alternative hard rock scene. The author focuses on this sizable section of rock music both because it is widely inclusive of men and women and because it explicitly adopted feminism as its point of departure from mainstream music. Schippers uses the innovative term gender maneuvering to explain her observations that gender and sexuality are negotiated and always changing features of social relations.
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Pop Music and the Press

Author: Steve Jones

Publisher: Temple University Press

ISBN: 9781566399661

Category: Music

Page: 270

View: 4809

Since the 1950s, writing about popular music has become a staple of popular culture.Rolling Stone,Vibe, andThe Sourceas well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution.Pop Music and the Presslooks at the major publications and journalists who have shaped this criticism, influencing the public's ideas about the music's significance and quality. The contributors to the volume include academics and journalists; several wear both hats, and some are musicians as well. Their essays illuminate the complex relationships of the music industry, print media, critical practice, and rock culture. (And they repeatedly dispel the notion that being a journalist is the next best thing to being a rock star.) Author note:Steve Jonesis Professor of Communication at the University of Illinois, Chicago. Among his books areCyberSociety: Computer-Mediated Communication and Community(editor) andRock Formation: Popular Music, Technology, and Mass Communication.
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The Routledge Reader on the Sociology of Music

Author: John Shepherd,Kyle Devine

Publisher: Routledge

ISBN: 1135007918

Category: Music

Page: 386

View: 9689

The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field’s history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on the Sociology of Music represents a broad reference work that will be a resource for the current generation of sociologically inclined musicologists and musically inclined sociologists, whether researchers, teachers or students.
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Lady Gaga and the Sociology of Fame

The Rise of a Pop Star in an Age of Celebrity

Author: Mathieu Deflem

Publisher: Springer

ISBN: 1137584688

Category: Social Science

Page: 245

View: 1485

This book investigates the stardom of Lady Gaga within a cultural-sociological framework. Resisting a reductionist perspective of fame as a commodity, Mathieu Deflem offers an empirical examination of the social conditions that informed Lady Gaga’s rise to fame. The book delves into topics such as the marketing of Lady Gaga; the legal issues that have dogged her career; the media; her audience; her activism; issues of sex, gender, and sexuality; and Lady Gaga’s unique artistry. By training a spotlight on this singular pop icon, Lady Gaga and the Sociology of Fame invites readers to consider the nature of stardom in an age of celebrity.
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Rock'n America

A Social and Cultural History

Author: Deena Weinstein

Publisher: University of Toronto Press

ISBN: 1442600187

Category: Music

Page: 368

View: 469

What is rock? This book offers a new and systematic approach to understanding rock by applying sociological concepts in a historical context. Deena Weinstein, a rock critic, journalist, and academic, starts by outlining an original approach to understanding rock, explaining how the form has developed through a complex and ever-changing set of relations between artists, fans, and mediators. She then traces the history of rock in America through its distinctive eras, from rock's precursors to rock in the digital age. The book includes suggested listening lists to accompany each chapter, a detailed filmography of movies about rock, and a wide range of visuals and fascinating anecdotes. Never separating rock music from the social, political, economic, and cultural changes in America's history, Rock'n America provides a comprehensive overview of the genre and a new way of appreciating its place in American society.
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Ageing and Youth Cultures

Music, Style and Identity

Author: Paul Hodkinson,Andy Bennett

Publisher: A&C Black

ISBN: 0857850377

Category: Social Science

Page: 208

View: 2694

What happens to punks, clubbers, goths, riot grrls, soulies, break-dancers and queer scene participants as they become older? For decades, research on spectacular 'youth cultures' has understood such groups as adolescent phenomena and assumed that involvement ceases with the onset of adulthood. In an age of increasingly complex life trajectories, Ageing and Youth Cultures is the first anthology to challenge such thinking by examining the lives of those who continue to participate into adulthood and middle-age. Showcasing a range of original research case studies from across the globe, the chapters explore how participants reconcile their continuing involvement with ageing bodies, older identities and adult responsibilities. Breaking new ground and establishing a new field of study, the book will be essential reading for students and scholars researching or studying questions of youth, fashion, popular music and identity across a wide range of disciplines.
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Understanding Deviance

A Guide to the Sociology of Crime and Rule-breaking

Author: David M. Downes,Paul Rock

Publisher: Oxford University Press, USA

ISBN: 0199569835

Category: Social Science

Page: 409

View: 7333

'Understanding Deviance' provides an indispensable guide to the major themes and theories which have come to form the sociology of crime and deviance, from their origins in the research of the University of Chicago sociology department in the 1920s to the most recent work in cultural criminology.
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Popular Music Matters

Essays in Honour of Simon Frith

Author: Lee Marshall,Dave Laing

Publisher: Routledge

ISBN: 1317078039

Category: Music

Page: 252

View: 4660

Simon Frith has been one of the most important figures in the emergence and subsequent development of popular music studies. From his earliest academic publication, The Sociology of Rock (1978), through to his recent work on the live music industry in the UK, in his desire to ’take popular music seriously’ he has probably been cited more than any other author in the field. Uniquely, he has combined this work with a lengthy career as a music critic for leading publications on both sides of the Atlantic. The contributions to this volume of essays and memoirs seek to honour Frith’s achievements, but they are not merely ’about Frith’. Rather, they are important interventions by leading scholars in the field, including Robert Christgau, Antoine Hennion, Peter J. Martin and Philip Tagg. The focus on ’sociology and industry’ and ’aesthetics and values’ reflect major themes in Frith’s own work, which can also be found within popular music studies more generally. As such the volume will become an essential resource for those working in popular music studies, as well as in musicology, sociology and cultural and media studies.
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