Sex Class and the Theatrical Archive

Sex  Class  and the Theatrical Archive

The book includes discussions of sodomitical closet dramas from the decades surrounding the English Glorious Revolution of 1688; the performances of 'Tribades and Amazons', public women of the French Revolution; the 'homophilic elitism' in ...

Author: Alan Sikes

Publisher: Palgrave Macmillan

ISBN: 3030231151

Category: Performing Arts

Page: 251

View: 136

In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history. The book includes discussions of sodomitical closet dramas from the decades surrounding the English Glorious Revolution of 1688; the performances of 'Tribades and Amazons', public women of the French Revolution; the 'homophilic elitism' in the early plays of Brecht and Hasenclever from the years just before and after the German Revolution that marked the founding of the short-lived Weimar Republic; and the utopian conception of a Soviet 'New Woman' set to take the stage after the Russian Revolution of 1917. Throughout, Sikes invokes the differences between past and present politicized performances in order to cast our own political imaginings into sharper and more critical relief.
Categories: Performing Arts

English Theatrical Anecdotes 1660 1800

English Theatrical Anecdotes  1660 1800

unsurprisingly also evident in theatrical anecdotes published in the eighteenth and nineteenth centuries. ... a large-scale, text-based digital archive of theatrical anecdotes about Restoration and eighteenth-century performers.

Author: Heather Ladd

Publisher: Rutgers University Press

ISBN: 9781644532621

Category: Literary Criticism

Page: 175

View: 101

The essays in English Theatrical Anecdotes, 1660-1800 explore the theatrical anecdote’s role in the construction of stage fame in England’s emergent celebrity culture during the long eighteenth century, as well as the challenges of employing such anecdotes in theatre scholarship today. This collection showcases scholarship that complicates the theatrical anecdote and shows its many sides and applications beyond the expected comic punch. Discussing anecdotal narratives about theatre people as producing, maintaining, and sometimes toppling individual fame, this book crucially investigates a key mechanism of celebrity in the long eighteenth century that reaches into the nineteenth century and beyond. The anecdote erases boundaries between public and private and fictionalizing the individual in ways deeply familiar to twenty-first century celebrity culture.
Categories: Literary Criticism

The Cambridge History of British Theatre

The Cambridge History of British Theatre

... Theatre, 198, 199 Scottish Referendum (1997), 226 Scottish Society of Playwrights, 216 Scottish Theatre Archive, ... 39 first Folio and gender, 175 Shakespearean productions, 28 and class conflict, 139–41 control of actors in, ...

Author: Baz Kershaw

Publisher: Cambridge University Press

ISBN: 9780521651325

Category: Drama

Page: 598

View: 261

Explores the rich and complex histories of English, Scottish and Welsh theatres in the 'long' twentieth century since 1895.
Categories: Drama

Colour Films in Britain

Colour Films in Britain

JH 3190, National Theatre Archive. Herron, K. (1988), 'Telling Stores With Light', ... Hill, J. (1986), Sex, Class and Realism: British Cinema, 1956–63, London: British Film Institute. Hill, J. (2011), Ken Loach: The Politics of Film ...

Author: Sarah Street

Publisher: Bloomsbury Publishing

ISBN: 9781911239598

Category: Performing Arts

Page: 400

View: 972

The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.
Categories: Performing Arts

Black British Drama

Black British Drama

For further information see the National Theatre Black Plays Archive website: ... this is achieved in relation to, or in spite of, differences in ethnicity, class, gender and sexuality is also of interest.

Author: Michael Pearce

Publisher: Routledge

ISBN: 9781317422174


Page: 228

View: 984

Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.

Modern and Contemporary Black British Drama

Modern and Contemporary Black British Drama

When discussing the impetus behind setting up the National Theatre's Black Plays Archive, Kwame Kwei-Armah, ... Stephen Lacey draws a connection between the critique of class in Kitchen-Sink-Drama and male sexual insecurity.

Author: Mary Brewer

Publisher: Bloomsbury Publishing

ISBN: 9781137506290

Category: Performing Arts

Page: 252

View: 302

This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.
Categories: Performing Arts

To Watch Theatre

To Watch Theatre

Theatre is therefore an archive of a material cultural history , its actors help us to know a lived past ... theatre might be a site for both public and private imagining about ideologies of gender , sex , race and class ( 1991 : 121 ) ...

Author: Rachel Fensham

Publisher: Peter Lang

ISBN: 9052010277

Category: Performing Arts

Page: 191

View: 860

This book is about watching theatre; and how to utilise a corporeal semiotics to read genres of contemporary theatre. It suggests that three key concepts interact: genre, the formal term that structures theatricality, including the textual grammar of a dramatic work, its performance style, theatrical frame, and mode of rhetorical address; corporeality, an assemblage of the troubling physical work of the actors, the figurative forms in the text, and the ambivalent bodies of the spectators; and performance, the presenting of theatre as symbolic action in the social world. In order to develop new models of embodied spectatorship, these essays examine canonical productions of Medea, King Lear, Miss Julie, Genesi: The Museum of Sleep directed by Deborah Warner, Barrie Kosky, Anne Bogart, and Romeo Castellucci. With close attention to bodies and texts in performance, the book argues that to watch theatre is an intimate, yet political, atunement to processes of human transfiguration. It concludes by offering a reinvigorated perspective on tragedy and tragic experience in the theatre.
Categories: Performing Arts

Sex for Sale

Sex for Sale

The Archive and the Repertoire: Performing Cultural Memory in the Americas. ... “The Theatre in Review. ... Staging the Slums, Slumming the Stage: Class, Poverty, Ethnicity, and Sexuality in American Theatre, 1890–1916.

Author: Katie N. Johnson

Publisher: University of Iowa Press

ISBN: 9781609383138

Category: Drama

Page: 277

View: 735

In early twentieth-century U.S. culture, sex sold. While known mainly for its social reforms, the Progressive Era was also obsessed with prostitution, sexuality, and the staging of women’s changing roles in the modern era. By the 1910s, plays about prostitution (or “brothel dramas”) had inundated Broadway, where they sometimes became long-running hits and other times sparked fiery obscenity debates. In Sex for Sale, Katie N. Johnson recovers six of these plays, presenting them with astute cultural analysis, photographs, and production histories. The result is a new history of U.S. theatre that reveals the brothel drama’s crucial role in shaping attitudes toward sexuality, birth control, immigration, urbanization, and women’s work. The volume includes the work of major figures including Eugene O’Neill, John Reed, Rachel Crothers, and Elizabeth Robins. Now largely forgotten and some previously unpublished, these plays were among the most celebrated and debated productions of their day. Together, their portrayals of commercialized vice, drug addiction, poverty, white slavery, and interracial desire reveal the Progressive Era’s fascination with the underworld and the theatre’s power to regulate sexuality. Additional plays, commentary, and teaching materials are available at Plays included: Ourselves (1913) by Rachel Crothers The Web (1913) by Eugene O’Neill My Little Sister (1913) by Elizabeth Robins Moondown (1915) by John Reed Cocaine (1916) by Pendleton King A Shanghai Cinderella (renamed East is West, 1918) by Samuel Shipman and John B. Hymer
Categories: Drama

Avant Garde Nationalism at the Dublin Gate Theatre 1928 1940

Avant Garde Nationalism at the Dublin Gate Theatre  1928 1940

Middle-Class Dreams and (Dis) illusions in Mary Manning's Happy Family (1934).” In Navigating Ireland's Theatre Archive: Theory, Practice, Performance, edited by Barry Houlihan, 141–57. Oxford: Peter Lang, 2019.

Author: Ruud van den Beuken

Publisher: Syracuse University Press

ISBN: 9780815654711

Category: Performing Arts

Page: 278

View: 521

In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.
Categories: Performing Arts

American Countercultures An Encyclopedia of Nonconformists Alternative Lifestyles and Radical Ideas in U S History

American Countercultures  An Encyclopedia of Nonconformists  Alternative Lifestyles  and Radical Ideas in U S  History

Archive of Folk Culture, American Folklife Center at the Library of Congress. ... “The Female Subject in Chicano Theatre: Sexuality, 'Race,' and Class.” Theatre Journal 38 (1986): 389–407. Yates, Brock.

Author: Gina Misiroglu

Publisher: Routledge

ISBN: 9781317477297

Category: History

Page: 1200

View: 478

Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. "American Countercultures" is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index.
Categories: History