Sangitaratnakara of Sarngadeva

Sangitaratnakara of Sarngadeva

Author: Shrangadeva Sarangadeva

Publisher: Рипол Классик

ISBN: 9785882091797

Category: History

Page:

View: 692

Categories: History

Sangitaratnakara Of Sarngadeva Text And English Translation With Comments And Notes Chapter Ii Iv Vol Ii

Sangitaratnakara Of Sarngadeva  Text And English Translation With Comments And Notes  Chapter Ii Iv  Vol Ii

This long awaited volume will be a welcome addition to the primary source-material for a study of the rich textual tradition of Indian music.

Author: R.K. Shringy (trans.)

Publisher:

ISBN: 812150466X

Category:

Page: 429

View: 664

Description: The present volume of the annotated translation of Sangitratnakara contains the second, third and fourth chapters of the text dealing with raga, miscellaneous topics pertaining to vocal music and prabandha (vocal compositional forms) respectively. These chapters deal with topics that are directly related to current practice. The format of the first volume has been followed in this volume, except a small deviation in the word-index, where a glossary has not been attempted on account of the special nature of the terms contained in the chapters presented here. The vast expanse of terms which is mostly comprised of nomenclature of raga-s, varieties of melodic rendering, prabandha-s and tala-s prescribed therein has been thoroughly scanned and thus the index is a mirror of the totality of contents. While the first volume was preceded by an earlier attempt at translation (without annotation), the second volume presents the above-noted three chapters in English for the first time. This long awaited volume will be a welcome addition to the primary source-material for a study of the rich textual tradition of Indian music.
Categories:

Sa g taratn kara of r gadeva Chapter on dancing

Sa   g  taratn  kara of     r   gadeva  Chapter on dancing

Classical work on Karnatic music and Indic dances.

Author: Śārṅgadeva

Publisher:

ISBN: UOM:39015029162073

Category: Carnatic music

Page: 262

View: 177

Classical work on Karnatic music and Indic dances.
Categories: Carnatic music

Sa g ta ratn kara of r gadeva

Sa   g  ta ratn  kara of     r   gadeva

The work fulfils the urgent need for a standard and authentic work on the theory and practice of ancient Indian music in English.

Author: Śārṅgadeva

Publisher: Munshirm Manoharlal Pub Pvt Limited

ISBN: 8121505089

Category: History

Page: 450

View: 926

Description: This monumental treatise from the 13th century sums up and organises what had gone before, and in doing so provides both master plan and basic topics for subsequent musicological work, even to the present day. The combination of Devanagari text (from the Adyar edition) running concurrently with English translation, commentary, and footnotes, makes the work very convenient. Dr. Shringy's English translation and commentary, prepared under the expert supervision of Dr. (Miss) Prem Lata Sharma, is more devoted to a direct explication of Sarngadeva's verses. Its guiding principles (as evidenced in this first volume) are two. First, terms and ideas in the treatise are set in the larger general frame of Indian Sanskritic culture-as for instance a presentation of the Tantric metaphysics behind the doctrine of sound which Sarngadeva took over and elaborated from Matanga's Brhaddesi. Second, complex technical principles are explicated in full-as for instance a demonstration of how to work with the 5040 permutations of kuta-tana note-series as Sarngadeva all too briefly set them forth. The work fulfils the urgent need for a standard and authentic work on the theory and practice of ancient Indian music in English. The translation provides English equivalents for technical terms, makes constant parenthetical reference to Sanskrit originals in transliteration. Contains a detailed word index, with multiple senses distinguished, and a glossary.
Categories: History

Musical Forms in Sa g taratn kara

Musical Forms in Sa   g  taratn  kara

Study of Sangeeta ratnakara of Sarangadeva, 12th cent.

Author: N. Ramanathan

Publisher:

ISBN: UOM:39015050537656

Category: Carnatic music

Page: 547

View: 979

Study of Sangeeta ratnakara of Sarangadeva, 12th cent.
Categories: Carnatic music

Sa g ta ratn kara of r gadeva

Sa   g  ta ratn  kara of     r   gadeva

The work fulfils the urgent need for a standard and authentic work on the theory and practice of ancient Indian music in English.

Author: Śārṅgadeva

Publisher: Munshirm Manoharlal Pub Pvt Limited

ISBN: 8121505089

Category: History

Page: 450

View: 629

Description: This monumental treatise from the 13th century sums up and organises what had gone before, and in doing so provides both master plan and basic topics for subsequent musicological work, even to the present day. The combination of Devanagari text (from the Adyar edition) running concurrently with English translation, commentary, and footnotes, makes the work very convenient. Dr. Shringy's English translation and commentary, prepared under the expert supervision of Dr. (Miss) Prem Lata Sharma, is more devoted to a direct explication of Sarngadeva's verses. Its guiding principles (as evidenced in this first volume) are two. First, terms and ideas in the treatise are set in the larger general frame of Indian Sanskritic culture-as for instance a presentation of the Tantric metaphysics behind the doctrine of sound which Sarngadeva took over and elaborated from Matanga's Brhaddesi. Second, complex technical principles are explicated in full-as for instance a demonstration of how to work with the 5040 permutations of kuta-tana note-series as Sarngadeva all too briefly set them forth. The work fulfils the urgent need for a standard and authentic work on the theory and practice of ancient Indian music in English. The translation provides English equivalents for technical terms, makes constant parenthetical reference to Sanskrit originals in transliteration. Contains a detailed word index, with multiple senses distinguished, and a glossary.
Categories: History

r gadeva s Sa gitaratn kara

    r   gadeva s Sa   gitaratn  kara

Contributed research papers on Saṅgītaratnākara by Śārṅgadeva, classical work on Karnatic music and Indic dance.

Author:

Publisher:

ISBN: 8193867947

Category:

Page: 526

View: 742

Contributed research papers on Saṅgītaratnākara by Śārṅgadeva, classical work on Karnatic music and Indic dance.
Categories:

Sa g taratn kara of r gad va

Sa   g  taratn  kara of     r   gad  va

Author: R. Rangaramanuja Iyengar

Publisher:

ISBN: 8187723149

Category: Music theory

Page: 520

View: 462

Categories: Music theory

Music and Musical Thought in Early India

Music and Musical Thought in Early India

Sangitaratnākara of Sãrngadeva, with [the commentaries] Kalānidhi of Kallinatha
and Sudhākara of Simhabhupala, Edited by S. Subrahmanya Śāstri. 4 vols.
Madras: Adyar Library, 1943–53. Sathyanarayana, R. “Sruti, Dhvani, and Sphota.

Author: Lewis Rowell

Publisher: University of Chicago Press

ISBN: 9780226730349

Category: Music

Page: 428

View: 430

Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.
Categories: Music

Sa g ta iroma i

Sa   g  ta  iroma   i

The Sangītaratnākara of Sārngadeva ( dated thirteenth century A.D. ) is the best
known medieval treatise , which is quoted as an ... Edition : S. Subrahmanya
Śāstrī , The Sangītaratnākara of Sārngadeva with the Kalānidhi of Kallinātha and
the ...

Author: Emmie Te Nijenhuis

Publisher: BRILL

ISBN: 9004094989

Category: Music

Page: 620

View: 417

The Sa g ta iroman i, "Crest-jewel of Music," is a major Sanskrit work on Indian musicology dealing with traditional musical theory and performance practice, composed in 1428 A.D. by a board of scholars.
Categories: Music

Silence Music Silent Music

Silence  Music  Silent Music

Three centuries earlier in the Indian treatise Sangîtaratnâkara, the Kashmiri
scholar Sârngadeva had described both sounding and non-sounding forms of
music. Âhata nâda - 'struck', or sounding music – was the manifested form of
music.

Author: Nicky Losseff

Publisher: Routledge

ISBN: 9781351548656

Category: Music

Page: 268

View: 388

The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.
Categories: Music

Combinatorics Ancient Modern

Combinatorics  Ancient   Modern

A later music treatise, the 13thcentury Saṅgītaratnākara of Śārṅgadeva, extends
the methods of combination and permutation to classify sequences of specified
numbers of rhythmic beats (tāla), as well as those of tāna or musical notes (see ...

Author: Robin Wilson

Publisher: OUP Oxford

ISBN: 9780191630637

Category: Mathematics

Page: 392

View: 503

Who first presented Pascal's triangle? (It was not Pascal.) Who first presented Hamiltonian graphs? (It was not Hamilton.) Who first presented Steiner triple systems? (It was not Steiner.) The history of mathematics is a well-studied and vibrant area of research, with books and scholarly articles published on various aspects of the subject. Yet, the history of combinatorics seems to have been largely overlooked. This book goes some way to redress this and serves two main purposes: 1) it constitutes the first book-length survey of the history of combinatorics; and 2) it assembles, for the first time in a single source, researches on the history of combinatorics that would otherwise be inaccessible to the general reader. Individual chapters have been contributed by sixteen experts. The book opens with an introduction by Donald E. Knuth to two thousand years of combinatorics. This is followed by seven chapters on early combinatorics, leading from Indian and Chinese writings on permutations to late-Renaissance publications on the arithmetical triangle. The next seven chapters trace the subsequent story, from Euler's contributions to such wide-ranging topics as partitions, polyhedra, and latin squares to the 20th century advances in combinatorial set theory, enumeration, and graph theory. The book concludes with some combinatorial reflections by the distinguished combinatorialist, Peter J. Cameron. This book is not expected to be read from cover to cover, although it can be. Rather, it aims to serve as a valuable resource to a variety of audiences. Combinatorialists with little or no knowledge about the development of their subject will find the historical treatment stimulating. A historian of mathematics will view its assorted surveys as an encouragement for further research in combinatorics. The more general reader will discover an introduction to a fascinating and too little known subject that continues to stimulate and inspire the work of scholars today.
Categories: Mathematics

Lists of Sanskrit Manuscripts in Private Libraries of Southern India

Lists of Sanskrit Manuscripts in Private Libraries of Southern India

( Agama ) ( Vikhanas ) . 8313 संख्यानिदानटीका
Sankhyānidanatika . ( Vaidya ) . . . | 8314 संगीतरत्नाकर
Sangītaratnākara . . ( Sangīta ) . . . ( śārngadēva ) . 8315
संगीतरत्नाकरटीका Sangitaratnākara ...

Author:

Publisher:

ISBN: HARVARD:32044004454112

Category: Manuscripts

Page:

View: 600

Categories: Manuscripts

Aryan Path

Aryan Path

Sangitaratnakara of SARNGADEVA. With Kalanidhi of KALLINATHA and
Sudhakara of SIMHABHUPALA. Vol. IV, Adhyaya 7. Edited by S.
SUBRAHMANYA SASTRI. (The Adyar Library Series No. 86. The Adyar Library,
Madras. 599 pp. 1953.

Author:

Publisher:

ISBN: UCAL:B2893873

Category:

Page:

View: 530

Categories:

Proceedings of the XIth World Sanskrit Conference Turin April 3rd 8th 2000

Proceedings of the XIth World Sanskrit Conference  Turin  April 3rd 8th  2000

For the Sangitaratnākara , I used the following edition : Sārngadeva ,
Sangitaratnākara , with Kalānidhi by Kallinātha and Sudhākara by Simhabhūpāla
, ed . by Pandit S . Subrahmanya Sastri , Madras 1943 - 1953 ; I also looked up at
the ...

Author:

Publisher:

ISBN: STANFORD:36105128336968

Category: India

Page:

View: 653

Categories: India