Punks

A Guide to an American Subculture

Author: Sharon M. Hannon

Publisher: ABC-CLIO

ISBN: 0313364567

Category: Music

Page: 181

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This history of the punk movement in the United States shows how punk music, fashion, art, and attitude clashed with and ultimately influenced mainstream culture. * Includes new interviews with Ian MacKaye and Jeff Nelson, founders of Dischord Records and the punk band Minor Threat, plus reprints of interviews with singers Jello Biafra and Kathleen Hanna, two well-known punks who spoke out frequently about politics and gender issues * Offers an annotated bibliography, including a variety of entries that are both scholarly and popular, grouped by format
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Punk Productions

Unfinished Business

Author: Stacy Thompson

Publisher: SUNY Press

ISBN: 0791484602

Category: Social Science

Page: 228

View: 775

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A history and social psychology of punk music.
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Punk; A Directory of Modern Subversive Culture

Author: James Bradshaw

Publisher: Lulu.com

ISBN: 1430321547

Category: Art

Page: 92

View: 3550

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What is contemporary punk culture and how are those that practice it attempting to define their generation? We are all aware of the cliches of the leather clad and mohawked figure spitting and snarling into the camera. It has been seen a thousand times on TV, in the press and even on London's souvenir postcards. This is the image that, while once feared by conservative societies across the globe, has become a cartoon or pastiche of itself. Rendered harmless by the corporate flogging of its music, style and art, in its previous state it can no longer be classed as a subversive movement. However, punk and its core values have survived. In most ways it has morphed and evolved into something unrecognisable as its former self but the sprit lives on. This book attempts express the very nature of modern punk by looking at those closest to it.
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Pretty in Punk

Girls' Gender Resistance in a Boys' Subculture

Author: Lauraine Leblanc

Publisher: Rutgers University Press

ISBN: 9780813526515

Category: Family & Relationships

Page: 286

View: 6901

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Pretty in Punk combines autobiography, interviews, and sophisticated analysis to create the first insider's examination of the ways punk girls resist gender roles and create strong identities. Why would an articulate, intelligent, thoughtful young women shave off most of her hair, dye the remainder green, shape it into a mohawk, and glue it onto her head? What attracts girls to male-dominated youth subcultures like the punk movement? What role does the subculture play in their perceptions of themselves, and in their self-esteem? How do girls reconcile a subcultural identity that is deliberately coded “masculine” with the demands of femininity? Research has focused on the ways media and cultural messages victimize young women, but little attention has been paid to the ways they resist these messages. In Pretty in Punk, Lauraine Leblanc examines what happens when girls ignore these cultural messages, parody ideas of beauty, and refuse to play the games of teenage femininity. She explores the origins and development of the punk subculture, the processes by which girls decide to “go punk,” patterns of resistance to gender norms, and tactics girls use to deal with violence and harassment. Pretty in Punk takes readers into the lives of girls living on the margins of contemporary culture. Drawing on interviews with 40 girls and women between the ages of 14-37, Leblanc examines the lives of her subjects, illuminating their forms of rebellion and survival. Pretty in Punk lets readers hear the voices of these women as they describe the ways their constructions of femininity—from black lipstick to slamdancing—allow them to reject damaging cultural messages and build strong identities. The price they pay for resisting femininity can be steep—girls tell of parental rejection, school expulsion, institutionalization, and harassment. Leblanc illuminates punk girls' resistance to adversity, their triumphs over tough challenges, and their work to create individual identities in a masculine world.
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Whistle Punk

Author: Alice Ross,Chapin Ross,Kent Ross

Publisher: TCU Press

ISBN: 9780875651231

Category: Juvenile Fiction

Page: 142

View: 6381

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An East Texan boy who has lost a brother in World War II seeks revenge on the Nazi prisoners of war working in the nearby lumber camps.
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Punk Slash! Musicals

Tracking Slip-Sync on Film

Author: David Laderman

Publisher: University of Texas Press

ISBN: 0292777914

Category: Performing Arts

Page: 200

View: 7273

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Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.
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Punk Rock Etiquette

The Ultimate How-to Guide for DIY, Punk, Indie, and Underground Bands

Author: Travis Nichols

Publisher: Roaring Brook Press

ISBN: 9781429918053

Category: Young Adult Nonfiction

Page: 144

View: 8222

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Looking to start an underground band? Don't make a move until you've read this book! So you KNOW you are destined to rock... well you're in luck -- all you need is this book! (Please note musical talent, bandmates, a car for touring, and an uncle who owns a record label might also help.) An original blend of nonfiction how-to's about all things DIY rock created by an indie-circuit veteran with a knack for hysterical snark, PUNK ROCK ETIQUETTE teaches you everything from how to pick your bandmates and choose a name (Never deliberately misspell your band's name. C how lame it lookz?), to detailed guides on screenprinting your own merch, and interviews and advice from studio owners about the do's and don'ts of recording. PUNK ROCK ETIQUETTE is an unfiltered peek backstage that will appeal to aspiring musicians and anyone who's curious about what goes on in the hours between the last chord and the next big show.
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A Cultural Dictionary of Punk

1974-1982

Author: Nicholas Rombes

Publisher: Bloomsbury Publishing USA

ISBN: 1441105050

Category: Music

Page: 336

View: 4886

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Neither a dry-as-dust reference volume recycling the same dull facts nor a gushy, gossipy puff piece, A Cultural Dictionary of Punk: 1974-1982 is a bold book that examines punk as a movement that is best understood by placing it in its cultural field. It contains myriad critical-listening descriptions of the sounds of the time, but also places those sounds in the context of history. Drawing on hundreds of fanzines, magazines, and newspapers, the book is-in the spirit of punk-an obsessive, exhaustively researched, and sometimes deeply personal portrait of the many ways in which punk was an artistic, cultural, and political expression of defiance. A Cultural Dictionary of Punk is organized around scores of distinct entries, on everything from Lester Bangs to The Slits, from Jimmy Carter to Minimalism, from 'Dot Dash' to Bad Brains. Both highly informative and thrillingly idiosyncratic, the book takes a fresh look at how the malaise of the 1970s offered fertile ground for punk-as well as the new wave, post-punk, and hardcore-to emerge as a rejection of the easy platitudes of the dying counter-culture. The organization is accessible and entertaining: short bursts of meaning, in tune with the beat of punk itself. Rombes upends notions that the story of punk can be told in a chronological, linear fashion. Meant to be read straight through or opened up and experienced at random, A Cultural Dictionary of Punk covers not only many of the well-known, now-legendary punk bands, but the obscure, forgotten ones as well. Along the way, punk's secret codes are unraveled and a critical time in history is framed and exclaimed. Visit the Cultural Dictionaryof Punk blog here.
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Punk Rockers' Revolution

A Pedagogy of Race, Class, and Gender

Author: Curry Malott,Milagros Peña

Publisher: Peter Lang

ISBN: 9780820461427

Category: Social Science

Page: 145

View: 5784

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For punk rockers, music and art have often been used as tools for resisting and accommodating the interests of society's dominant classes. During the late 1970s, a predominantly white, male working/middle-class counterculture began to develop what is now known as punk rock. This book shows how punk rock serves to both subvert and accommodate the interest of late-capitalist American society by looking at the trends in the ideas, values, and beliefs transmitted through punk lyrical messages, specifically through the content of three punk record labels and how they have evolved over time. The impact of punk will continue because it is a product of the changing face of alternative cultural spaces - spaces that impact and are impacted by increasingly hostile and exploitive relationships between and within oppressor and oppressed groups.
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Streetart

The Punk Poster in San Francisco, 1977-1981

Author: Peter Belsito

Publisher: Last Gasp of San Francisco

ISBN: N.A

Category: Art

Page: 128

View: 9404

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