This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed.
Author: Paul Hockings
Publisher: Walter de Gruyter
ISBN: 9783110290691
Category: Science
Page: 573
View: 270
This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.
This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.
This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.
This book provides reliable research methods from the systematic gathering of data through analysis of photographic records to transfer of insights to ethnographic records, with an emphasis on developing the skills of thorough observation ...
Author: John Collier
Publisher: UNM Press
ISBN: 0826308996
Category: Social Science
Page: 248
View: 227
This book provides reliable research methods from the systematic gathering of data through analysis of photographic records to transfer of insights to ethnographic records, with an emphasis on developing the skills of thorough observation rather than on technical skill.
Principles of Visual Anthropology, The Hague: Mouton. ——(1995) 'The
Subjective Voice in Ethnographic Film' in L. Devereaux and R. Hillman (eds),
Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography,
London: ...
Author: Sarah Pink
Publisher: Routledge
ISBN: 9781134247134
Category: Art
Page: 192
View: 686
From an eminent author in the field, The Future of Visual Anthropology develops a new approach to visual anthropology and presents a groundbreaking examination of developments within the field and the way forward for the subdiscipline in the twenty-first century. The explosion of visual media in recent years has generated a wide range of visual and digital technologies which have transformed visual research and analysis. The result is an exciting new interdisciplinary approach of great potential influence for the future of social/cultural anthropology. Sarah Pink argues that this potential can be harnessed by engaging visual anthropology with its wider contexts, including: the increasing use of visual research methods across the social sciences and humanities the growth in popularity of the visual as methodology and object of analysis within mainstream anthropology and applied anthropology the growing interest in 'anthropology of the senses' and media anthropology the development of new visual technologies that allow anthropologists to work in new ways. This book has immense interdisciplinary potential, and is essential reading for students, researchers and practitioners of visual anthropology, media anthropology, visual cultural studies, media studies and sociology.
Anja(1988) Selective index of Visual Anthropoloy Newsletters 1970-1983. SVA
Newsletter 4 (2). pp. 34-4O. 0313 Chatfen, Richard (1989) Native participation In
visual studies. From Pine Springs ... Principles of visual anthropology. The Hague
...
"--Bill Nichols, author of Introduction to Documentary and Representing Reality "This is a marvelous book, free of cant and jargon, by one of the most distinguished and reflective nonfiction filmmakers in the world today.
Author: David MacDougall
Publisher: Princeton University Press
ISBN: 9780691121567
Category: Performing Arts
Page: 312
View: 747
In ten chapters, MacDougall explores the relations between photographic images and the human body-the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography. In a landmark piece, he discusses the need for a new field of social aesthetics, further elaborated in his reflections on filming at an elite boys' school in northern India. The theme of the school is taken up as well in his discussion of fiction and nonfiction films of childhood. The book's final section presents a radical view of the history of visual anthropology as a maverick anthropological practice that was always at odds with the anthropology of words. In place of the conventional wisdom, he proposes a new set of principles for visual anthropology.
Visual Research and Representation in Ethnography Ana Isabel Alfonso, Laszlo
Kurti, Sarah Pink. (forthcoming b) ... Principles of Visual Anthropology, 2nd edn,
Berlin and New York: Mouton de Gruyter, 115- 32. (1997) 'The visual in ...
Author: Ana Isabel Alfonso
Publisher: Routledge
ISBN: 9781134401345
Category: Social Science
Page: 252
View: 795
Visual methods such as drawing, painting, video, photography and hypermedia offer increasingly accessible and popular resources for ethnographic research. In Working Images, prominent visual anthropologists and artists explore how old and new visual media can be integrated into contemporary forms of research and representation. Drawing upon projects undertaken both 'at home' in their native countries and abroad in locations such as Ethopia and Venezuela, the book's contributors demonstrate how visual methods are used in the field, and how these methods can produce and communicate knowledge about our own and other cultures. As well as focusing on key issues such as ethics and the relationship between word and image, they emphasize the huge range of visual methods currently opening up new possibilities for field research, from cartoons and graphic art to new media such as digital video and online technologies.
Margaret Mead , ' Visual Anthropology in a Discipline of Words , ' in Hockings , Principles of Visual Anthropology . . Hockings , Principles of Visual Anthropology
, 383 - 451 . S . J . Tambiah , Sri Lanka : Ethnic Fratricide and the Dismantling of ...
177 . 1974 : Anthropological Film : A Scientific and Humanistic Resource ,
Science , Vol . 186 , pp . 1079 - 1080 . 1975 : Visual Records , Human
Knowledge , and the Future , Principles of Visual Anthropology by Paul Hockings
( Ed . ) Mouton ...
Author: Keshari N. Sahay
Publisher: Gyan Books
ISBN: UOM:39015028900796
Category: Motion pictures
Page: 229
View: 909
In world anthropology different dimensions are fast emerging, and one of them is Visual Anthropology in which systematic and concerted efforts were made specially in sixties. However, sporadic efforts of people from anthropological as well as non-anthropological allied disciplines were precursors in this field. The new-wave films or parallel cinema were developed in Italy in post-war years, and later France and America followed suit. India did not remain immune to this movement. Satyajit Ray created a genere of films beginning from the Pather Panchali and others, and such Indian films show their relevance to Visual Anthropology. This book consists of nine important chapters which are mostly the trend-setters. It also includes the proceedings of the First International Symposium of Visual Anthropology. In all, it makes a formal beginning of Visual Anthropology in India. The five Appendices are fascinating and have references for supplementary readings. This book would be useful to the visual anthropologies, sociologists, historians, applied social scientists, Media people, those connected with social communication, development, and the enlightened laymen.
Unobservable ethnography and visual culture In the Introduction I have
described the realist view of visual technologies as tools ... However , as writers
such as Fabian ( 1983 ) have suggested , the epistemological and ethical principles of the ...
Author: Sarah Pink
Publisher: SAGE
ISBN: 0761960546
Category: Social Science
Page: 196
View: 110
Doing Visual Ethnography explores the use and potential of photography, video and hypermedia in ethnographic and social research. It sets out to offer a reflexive approach to theoretical, methodological, practical and ethical issues of using these media `in the field' and `in the academy'.
In P . Hockings ( ed . ) , Principles of Visual Anthropology . Pp . 383 - 384 . The
Hague : Mouton . HUSMANN , R . 1985 The Training of Anthropology Students in
Filmmaking : A Curriculum . International Journal of Visual Sociology , 1 : 30 - 34 .
David MacDougall , “ The Visual in Anthropology , " in Marcus Banks and Howard
Morphy , eds . , Rethinking Visual Anthropology ... Margaret Mead , “ Visible
Anthropology in a Discipline of Words , ” in Paul Hockings , ed . , Principles of Visual ...
Author: Maya Deren
Publisher: Univ of California Press
ISBN: 0520227328
Category: History
Page: 331
View: 700
Regarded as one of the founders of the postwar American independent cinema, Maya Deren was a poet, photographer, ethnographer and filmaker. These essays examine Deren's writings, films, and legacy from a variety of perspectives.
Composed of original papers submitted to the IXth International Congress of
Anthropological and Ethnological Sciences ... In the World Anthropology volume
entitled Principles of visual anthropology, edited by Paul Hockings, is discussed
the ...
Principles of Visual Anthropology. Second edition. Berlin: Mouton de Gruyter, pp.
335–60. Asch, Timothy, Patsy Asch, and Linda Connor (1980), “A Balinese
Trance Seance. Ethnography for the Film”. Watertown, Massachusetts:
Documentary ...
Author: E.D Lewis
Publisher: Routledge
ISBN: 9781134336883
Category: Social Science
Page: 328
View: 942
Timothy Asch (1932-1994) was probably the greatest ethnographic filmmaker of the latter twentieth century, and one of the best-known anthropologists of his generation. He worked with Margaret Mead, John Marshall and Napoleon Chagnon, lived and filmed on every continent except Antarctica, and won numerous international prizes. His work, which includes 'The Ax Fight' and more than 50 other films of the Yanomamö Indians of Venezuela, comprises the most widely used resource in the teaching of anthropology today. Timothy Asch and Ethnographic Film combines a biographical overview of Asch's life with theoretical and critical perspectives, giving a definitive guide to his background, aims and ideas, methodology and major projects. Beautifully illustrated with 60 photos, and featuring articles from many of Asch's friends, colleagues and collaborators as well as an important interview with Asch himself, it is an ideal introduction to his work and to a range of key issues in ethnographic film.
Visual anthropology : Photography as a research method . New York / London :
Holt , Rinehart and Winston . ... The film elicitation technique . In Principles of visual anthropology , edited by Paul Hockings . Den Haag / Paris : Mouton .
Lajoux ...
Author: Luc Pauwels
Publisher: Dartmouth College
ISBN: UOM:39015062518835
Category: Philosophy
Page: 299
View: 288
A new collection explores the complex role of visual representation in science.
Gerbrands , A. A. 1990 , Made by man , cultural anthropological reflections on the
theme of ethnocommunication ' , In P. ter Keurs and D. Smidt ( eds . ) ... Hockings
, P. ( Ed . ) 1975 , Principles of visual anthropology , The Hague : Mouton .
Author: Metje Postma
Publisher:
ISBN: UOM:39015064779641
Category: DVD-Video discs
Page: 428
View: 885
Renowned writing and filming anthropologists engage in a dialogue by which they explore new understandings of aspects of specific realities, that visual representation has made possible.
In Paul Hockings ( Ed . ) Principles of Visual Anthropology . The Hague , Paris :
Mouton Publishers . Leacock , Richard ( 1986 , November ) . Personal Thoughts
and Prejudices about the Documentary . Unpublished paper . Cambridge , MA ...
Visual Anthropology: Photography as a Research Method. Albuquerque:
University of New Mexico Press. Hall, E. (1959). The Silent Language. Garden
City, New York: Doubleday. Hockings, P. (ed.) (1995). Principles of Visual Anthropology.
Author: Michael R. Peres
Publisher: Taylor & Francis
ISBN: 9781136106132
Category: Photography
Page: 880
View: 936
*Searchable CD ROM containing the entire book (including images) *Over 450 color images, plus never before published images provided by the George Eastman House collection, as well as images from Ansel Adams, Howard Schatz, and Jerry Uelsmann to name just a few The role and value of the picture cannot be matched for accuracy or impact. This comprehensive treatise, featuring the history and historical processes of photography, contemporary applications, and the new and evolving digital technologies, will provide the most accurate technical synopsis of the current, as well as early worlds of photography ever compiled. This Encyclopedia, produced by a team of world renown practicing experts, shares in highly detailed descriptions, the core concepts and facts relative to anything photographic. This Fourth edition of the Focal Encyclopedia serves as the definitive reference for students and practitioners of photography worldwide, expanding on the award winning 3rd edition. In addition to Michael Peres (Editor in Chief), the editors are: Franziska Frey (Digital Photography), J. Tomas Lopez (Contemporary Issues), David Malin (Photography in Science), Mark Osterman (Process Historian), Grant Romer (History and the Evolution of Photography), Nancy M. Stuart (Major Themes and Photographers of the 20th Century), and Scott Williams (Photographic Materials and Process Essentials)
