The L.M. Montgomery Reader

Volume Three: A Legacy in Review

Author: Benjamin Lefebvre

Publisher: University of Toronto Press

ISBN: 1442644931

Category: History

Page: 464

View: 6887

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"An exciting new collection, The L.M. Montgomery Reader assembles significant rediscovered primary materials on one of Canada's most enduringly popular authors throughout her high-profile career as the author of the resoundingly successful Anne of Green Gables (1908) and after her death. Each of its three volumes gathers pieces published all over the world to set the stage for a much-needed reassessment of Montgomery's literary reputation. Much of the material is freshly unearthed from archives and digital collections and has never before been collected in book form. The ninety selections appearing in this first volume focus on Montgomery's role as a public celebrity, giving a strong impression of her as a writer and cultural critic as she discusses a range of topics with wit, wisdom, and humour, including the natural landscape of Prince Edward Island, her wide readership, anxieties about modernity, and the continued relevance of "old ideals." These essays and interviews are joined by a number of additional pieces that discuss her work's literary and cultural value in relation to an emerging canon of Canadian literature, with nearly one hundred selections in all. Each volume is accompanied by an extensive introduction and detailed commentary by leading Montgomery scholar Benjamin Lefebvre that trace the interplay between the author and the critic, as well as between the private and public Montgomery. This volume, and the Reader as a whole, adds tremendously to our understanding and appreciation of Montgomery?s legacy as a Canadian author and as a literary celebrity both during and beyond her lifetime." --Publisher's description.
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The New York Times Manual of Style and Usage

Author: Allan M. Siegal,William G. Connolly

Publisher: Three Rivers Press (CA)

ISBN: 081296389X

Category: Reference

Page: 368

View: 7380

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Offers more than six hundred alphabetically-arranged entries that provide guidelines on questions of spelling, punctuation, English usage, grammar, syntax, and style.
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Citizen Critics

Literary Public Spheres

Author: Rosa A. Eberly

Publisher: University of Illinois Press

ISBN: 9780252068676

Category: Literary Criticism

Page: 199

View: 7944

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In this revealing study of the links among literature, rhetoric, and democracy, Rosa A. Eberly explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored.In Citizen Critics Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psychoand Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates by shifting the focus from content to aesthetics and from social values to publicity. By asserting their authority to pass judgments - thus denying the authority of citizen critics - these professionals effectively removed the discussion from literary public spheres.A passionate advocate for treating reading as a public and rhetorical enterprise rather than solely as a private one, Eberly suggests the potential impact a work of literature may have on the social polity if it is brought into public forums for debate rather than removed to the exclusive rooms of literary criticism. Eberly urges educators to use their classrooms as protopublic spaces in which students can learn to make the transition from private reader to public citizen.
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Editor & Publisher

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Journalism

Page: N.A

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Directory of interactive products and services included as section 2 of a regular issue annually, 1995-
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Apocalypse Then

American Intellectuals and the Vietnam War, 1954-1975

Author: Robert R. Tomes

Publisher: NYU Press

ISBN: 0814783406

Category: History

Page: 298

View: 9322

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Prior to the Vietnam war, American intellectual life rested comfortably on shared assumptions and often common ideals. Intellectuals largely supported the social and economic reforms of the 1930s, the war against Hitler's Germany, and U.S. conduct during the Cold War. By the early 1960s, a liberal intellectual consensus existed. The war in Southeast Asia shattered this fragile coalition, which promptly dissolved into numerous camps, each of which questioned American institutions, values, and ideals. Robert R. Tomes sheds new light on the demise of Cold War liberalism and the development of the New Left, and the steady growth of a conservatism that used Vietnam, and anti-war sentiment, as a rallying point. Importantly, Tomes provides new evidence that neoconservatism retreated from internationalism due largely to Vietnam, only to regroup later with substantially diminished goals and expectations. Covering vast archival terrain, Apocalypse Then stands as the definitive account of the impact of the Vietnam war on American intellectual life.
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Understanding Colson Whitehead

Author: Derek C. Maus

Publisher: Univ of South Carolina Press

ISBN: 1611174090

Category: Literary Criticism

Page: 144

View: 1518

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Although 2002 MacArthur Fellowship recipient Colson Whitehead ardently resists overarching categorizations of his work, Derek C. Maus argues in this volume that Whitehead’s first six books are linked by a careful balance between adherence to and violation of the wisdom of past generations. Whitehead bids readers to come along with him on challenging, often open-ended literary excursions designed to reexamine accepted notions of truth. Understanding Colson Whitehead unravels the parallel structures found within Whitehead’s fiction from his 1999 novel The Intuitionist through 2011’s Zone One. In his choice of literary forms, Whitehead attempts to revitalize the limiting formulas to which they have been reduced by first imitating and then violating the conventions of those genres and sub-genres. Whitehead similarly tests subject matter, again imitating and then satirizing various forms of conventional wisdom as a means of calling out unexamined, ignored, and/or malevolent aspects of American culture. Although only one of many subjects that Whitehead addresses, race often takes a place of centrality in his works and, as such, serves as the prime example of how Whitehead asks his readers to revisit their assumptions about meanings and values. By jumbling the literary formulas of the detective novel, the heroic folktale, the coming-of-age story, and the zombie apocalypse, Whitehead reveals the flaws and shortcomings of many of the long-lasting stories through which Americans have defined themselves. Some of the stories Whitehead focuses on are explicitly literary in nature, but he more frequently directs his attention toward the historical and cultural processes that influence how race, class, gender, education, social status, and other categories of identity determine what an individual supposedly can and cannot do.
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