Smart Camera Design

Algorithms, Architectures, and Art

Author: Marilyn Wolf

Publisher: Springer

ISBN: 3319695231

Category: Technology & Engineering

Page: 226

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This book describes the algorithms and computer architectures used to create and analyze photographs in modern digital cameras. It also puts the capabilities of digital cameras into context for applications in art, entertainment, and video analysis. The author discusses the entire range of topics relevant to digital camera design, including image processing, computer vision, image sensors, system-on-chip, and optics, while clearly describing the interactions between design decisions at these different levels of abstraction. Readers will benefit from this comprehensive view of digital camera design, describing the range of algorithms used to compose, enhance, and analyze images, as well as the characteristics of optics, image sensors, and computing platforms that determine the physical limits of image capture and computing. The content is designed to be used by algorithm designers and does not require an extensive background in optics or electronics.
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The Camera

Author: Ansel Adams,Robert Baker

Publisher: Little Brown & Company

ISBN: 9780821210925

Category: Photography

Page: 203

View: 6145

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The noted photographer provides detailed descriptions of the basic equipment of photography, discussing the major camera formats, and of the techniques for using that equipment creatively
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Encyclopedia of Twentieth Century Photography, Lynne Warren

Photography

Author: Routledge, Taylor & Francis Group

Publisher: Bukupedia

ISBN: 1579583938

Category: Photography

Page: 1853

View: 3154

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Editor’s note : These definitions err on the side of succinctness and are intended to be beginning points for the serious student. An attempt to standardize terminology commonly found in the medium of fine arts photographs that avoids copyrighted term or trade names (‘‘dye-destruction print’’ in lieu of ‘‘Cibachrome’’ and so on) has been made using guidelines set forth by the J. Paul Getty Institute. In acknowledgment of the increase in collecting vintage prints and the perennial interest in historical processes, many nineteenth century processes and obsolete terms are included. Cross referencing within the glossary is indicated by italics; encyclopedia entries are indicated by small capitals. Additive colors The primary colors of red, green and blue which are mixed to form all other colors in photo- graphic reproduction. See entry COLOR THEORY: NATURAL AND SYNTHETIC . Agfacolor Trade name for a subtractive color film manufactured by the European company Agfa-Gevaert; analogous to Kodachrome and Ansocolor. Albumen print Prints obtained from a process in wide use during the nineteenth century in which paper is prepared with an albumen emulsion obtained from egg whites and made light sensitive with a silver nitrate solution. See also Collodion process ; Dry plate processes . Amberlith An orange acetate historically used for masking mechanicals during the process of preparing plates for commercial printing. The area so masked photographs as black to the camera, printing clear on the resulting positive film. See also Rubylith . Ambrotype An image created by the collodion process, historically on glass, which gives the illusion of being positive when placed against a dark backing, often a layer of black lacquer, paper, or velvet. Also see Ferrotype . Anamorphic image An image featuring differing scales of magnification across the picture plane, especially varying along the vertical and horizontal axes, with the result being extreme distortion. Aniline A rapid-drying oil-based solvent used in the preparation of dyes and inks for photographic applications. Aniline process A method of making prints directly from line art (drawings) on translucent materials bypassing the need for a negative. Also see Diazo process . Aniline printing See Flexography . Angle of incidence The measurement in degrees in terms of the deviation from the perpendicular of the angle at which light hits a surface. Angle of view The measurement in degrees of the angle formed by lines projected from the optical center of a lens to the edges of the field of view. This measurement is used to identify lenses and their appropriateness to capture various widths or degrees of actual space in a photographic representation, thus an extreme telephoto lens captures between 6 and 15
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Encyclopedia of Twentieth-Century Photography, 3-Volume Set

Author: Lynne Warren

Publisher: Routledge

ISBN: 1135205361

Category: Photography

Page: 2042

View: 5170

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The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
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Ansel Adams

Divine Performance

Author: Anne Hammond,Ansel Adams

Publisher: Yale University Press

ISBN: 9780300092417

Category: Photography

Page: 196

View: 1955

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Despite his significance, little scholarly attention has been paid to Adams's contributions as an artist or his place in photographic history. This handsome book addresses this gap by looking beyond his reputation as a Sierra Club environmentalist and examining in depth his life as an artist, and the complexities of his creative vision. 80 illustrations.
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The Print

Author: Ansel Adams

Publisher: Ansel Adams

ISBN: 0316485446

Category: Photography

Page: 224

View: 4470

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Ansel Adams (1902-1984) produced some of the 20th century's most iconic photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. The Print--the third volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to explore the artistic possibilities of printmaking. Examples of Adams' own work clarify the principles discussed. This classic handbook distills the knowledge gained through a lifetime in photography and remains as vital today as when it was first published. The Print takes you step-by-step--from designing and furnishing a darkroom to mounting and displaying your photographs, from making your first print to mastering advanced techniques, such as developer modifications, toning and bleaching, and burning and dodging. Filled with indispensable darkroom techniques and tips, this amply illustrated guide shows how printmaking--the culmination of photography's creative process--can be used expressively to enhance an image. "Adams is a clear-thinking writer whose concepts cannot but help the serious photographer." - New York Times "A master-class kind of guide from an undisputed master." - Publishers Weekly Over 1 million copies sold. Publisher's Note: This ebook of The Print works best as a digital companion to the print edition. The ebook was produced by electronically scanning and digitizing a print edition, and as a result, your reading device may display images with halftone or moiré patterns.
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Photography

The Concise Guide

Author: Bruce Warren

Publisher: Cengage Learning

ISBN: 9781401887452

Category: Business & Economics

Page: 248

View: 794

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Describes the basic and intermediate materials, techniques, and concepts used in black-and-white and color photography, covering such topics as film selection, printing photographs, and working with light.
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