Much Ado About Nothing

Cambridge School Shakespeare ( Annotated).

Author: William Shakespeare

Publisher: N.A

ISBN: 9781688317956

Category:

Page: 104

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Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare's best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics.By means of "noting" (which, in Shakespeare's day, sounded the same as "nothing," and which is gossip, rumour, and overhearing), Benedick and Beatrice are tricked into confessing their love for each other, and Claudio is tricked into rejecting Hero at the altar on the erroneous belief that she has been unfaithful. At the end, Benedick and Beatrice join forces to set things right, and the others join in a dance celebrating the marriages of the two couples.
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CliffsNotes on Shakespeare's Much Ado About Nothing

Author: Richard O Peterson

Publisher: Houghton Mifflin Harcourt

ISBN: 0544182855

Category: Literary Criticism

Page: 64

View: 6416

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One of Shakespeare's romantic comedies, this play is set in the seaport town of Messina, in Sicily. The drama concerns "the battle of the sexes" and focuses on the barbed wits and intrigues that two sets of lovers and their friends and family create. Brimming with wit and antagonism, the play has amused and provoked audiences for centuries.
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It's Nothing, Seriously

Author: John McGreal

Publisher: Troubador Publishing Ltd

ISBN: 1785892215

Category: Psychology

Page: 240

View: 7672

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It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole as well as by the complex variations in meaning of the dominant motifs – nothing/ness, absence and silence – which recur throughout the alphabetical entries that constitute the elements of each text. It’s Nothing, Seriously, for example, addresses the amusing paradox that so much continues to be written today about – nothing! The aleatory character of the entries in the texts encourage the modern reader to reflect on each theme and to read them in a new way. The reader is invited as well to examine their various inter-textual relations across given conventional boundaries in the arts and sciences at several levels of physical, psychical & social reproduction.
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Much Ado about Nothing

Author: Claire Crane,Juliet Walker

Publisher: Letts and Lonsdale

ISBN: 9781843153832

Category:

Page: 80

View: 9504

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This revision guide offers accessible content to help manage KS3 English revision. The content is broken into manageable sections and advice is given to help build confidence. Tips and techniques provide support throughout the revision process.
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Shakespeare’s Daughters

Author: Sharon Hamilton

Publisher: McFarland

ISBN: 0786480777

Category: Literary Criticism

Page: 191

View: 7386

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The father-daughter relationship was one that Shakespeare explored again and again. His typical pattern featured a middle-aged or older man, usually a widower, with an adolescent daughter who had spent most of her life under her father’s control, protected in his house. The plays usually begin when the daughter is on the verge of womanhood and eager to assert her own identity and make her own decisions, especially in matters of the heart, even if it means going against her father’s wishes. This work considers Capulet in Romeo and Juliet as an inept father to Juliet and Prospero in The Tempest as an able mentor to Miranda; Hermia in A Midsummer Night’s Dream, Jessica in The Merchant of Venice and Desdemona in Othello as daughters who rebel against their fathers; Hero in Much Ado About Nothing, Lavinia in Titus Andronicus and Ophelia in Hamlet as daughters who acquiesce; Bianca in The Taming of the Shrew and Goneril and Regan in King Lear as daughters who cunningly play the good girl role; Portia in The Merchant of Venice, Viola in Twelfth Night and Rosalind in As You Like It as daughters who act in their fathers’ places; and Marina in Pericles, Perdita in The Winter’s Tale and Cordelia in Lear as daughters who forgive and heal.
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