Marx, Durkheim, Weber

Formations of Modern Social Thought

Author: Ken Morrison

Publisher: SAGE

ISBN: 0761970568

Category: Social Science

Page: 465

View: 4644

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This Second Edition is a thoroughly revised, expanded version of the bestselling student text in classical social theory. Author Kenneth Morrison provides an authoritative, accessible undergraduate guide to the three pivotal figures in the classical tradition. Readable and stimulating, the Second Edition of Marx, Durkheim, Weber: Formations of Modern Social Thought explains the key ideas of these thinkers and situates them in their historical and philosophical contexts.
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Marx, Durkheim, Weber

formations of modern social thought

Author: Kenneth L. Morrison

Publisher: Sage Publications Ltd

ISBN: 9780803975620

Category: Political Science

Page: 361

View: 1548

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This study aims to provide students with an accessible guide to the key ideas of Marx, Durkheim and Weber, locating their writings in the appropriate historical context. It discusses the roots and contemporary relevance of the concepts and their relation t.
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Islands, Identity and the Literary Imagination

Author: Elizabeth McMahon

Publisher: Anthem Press

ISBN: 1783085355

Category: Architecture

Page: 312

View: 773

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Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity. This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers. It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind. The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research.
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I Wanna Wrock!

The World of Harry Potter-Inspired "Wizard Rock" and Its Fandom

Author: Paul A. Thomas

Publisher: McFarland

ISBN: 1476673039

Category: Music

Page: 258

View: 4372

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“Wizard rock”—music based on the Harry Potter series by J. K. Rowling—is an idiosyncratic subgenre, with band names like Harry and the Potters, Draco and the Malfoys and The Whomping Willows. Drawing on input from insiders and fans, and interviews with more than a dozen wizard rockers, this book explores the history and aesthetics of the movement. An appendix lists dozens of popular bands, members and discographies: a must-have for fandom scholars and wizard rock devotees alike.
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The Protestant Ethic Debate

Max Weber's Replies to His Critics, 1907-1910

Author: David J. Chalcraft,Austin Harrington

Publisher: Liverpool University Press

ISBN: 9780853239765

Category: Philosophy

Page: 149

View: 7785

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Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
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The Agricultural Revolution

Author: Eric Kerridge

Publisher: Taylor & Francis

ISBN: 9780415381468

Category: Business & Economics

Page: 428

View: 6560

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This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian "periods" that have so often been rather read as differences, the book demonstrate that the sublime mode enables the transition from a paradigm of overwhelming power exemplified by the body of the king to the pervasive power of surveillance utilized by the rising middle classes. While the domestic woman connected with the rise of the middle class is normally seen as beautiful, the book contends that the moral authority given to this icon of depth and interiority is actually sublime. The binary of the beautiful and the sublime seeks to contain the sublimity of womanhood by insisting on sublimity's masculine character. This is the book's most important claim: rather than exemplifying masculine strength, the sublime marks the transition to a system of power gendered as feminine and yet masks that transition because it fears the power it ostensibly accords to the feminine. This aesthetic is both an inheritance the Victorians receive from their romantic predecessors, and, more importantly, a broad historical phenomenon that questions the artificial boundaries between romantic and Victorian.
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