The Versatile Image: Photography, Digital Technologies and the Internet. Leuven
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Author: Andrea Pavoni
Publisher: University of Westminster Press
Vision traditionally occupies the height of the sensorial hierarchy. The sense of clarity and purity conveyed by vision, allows it to be explicitly associated with truth and knowledge. The law has always relied on vision and representation, from eye-witnesses to photography, to imagery and emblems. The law and its normative gaze can be understood as that which decrees what is permitted to be and become visible and what is not. Indeed, even if law’s perspectival view is bound to be betrayed by the realities of perception, it is nonetheless productive of real effects on the world. This first title in the interdisciplinary series ‘Law and the Senses’ asks how we can develop new theoretical approaches to law and seeing that go beyond a simple critique of the legal pretension to truth. This volume aims to understand how law might see and unsee, and how in its turn is seen and unseen. It explores devices and practices of visibility, the evolution of iconology and iconography, and the relation between the gaze of the law and the blindness of justice. The contributions, all radically interdisciplinary, are drawn from photography, legal theory, philosophy, and poetry.
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Publisher: Aspen Publishers
Category: Business & Economics
Newly expanded and updated to include over 1,000 software products, this latest edition is organized for easy reference by all health care providers and payers. Information for each product includes hardware requirements, memory and disk space needs, operating system and language, equipment required/supported, training, maintenance and technical support available, prices, installation history and a brief description. Complete vendor addresses and phone numbers are provided, plus a comprehensive tool For The first step in evaluating and selecting software.
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Author: James A Steintrager
Publisher: Indiana University Press
"An important contribution to studies of eighteenth-century culture and to literary history and theory and for those with an interest in horror, sentimentality, the invention of the modern individual, and ethics of 'the human.'" -Daniel Cottom, David A. Burr Chair of Letters, University of Oklahoma Cruel Delight: Enlightenment Culture and the Inhuman investigates the fascination with joyful malice in eighteenth-century Europe and how this obsession helped inform the very meaning of humanity. Steintrager reveals how the understanding of cruelty moved from an inexplicable, apparently paradoxical "inhuman" pleasure in the misfortune of others to an eminently human trait stemming from will and freedom. His study ranges from ethical philosophy and its elaboration of moral monstrosity as the negation of sentimental benevolence, to depictions of cruelty-of children mistreating animals, scientists engaged in vivisection, and the painful procedures of early surgery-in works such as William Hogarth's "The Four Stages of Cruelty," to the conflict between humane sympathy and radical liberty illustrated by the writings of the Marquis de Sade. In each instance, the wish to deny a place for cruelty in an enlightened world reveals a darker side: a deep investment in depravity, a need to reenact brutality in the name of combating it, and, ultimately, an erotic attachment to suffering.
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Author: Grant D. Taylor
Publisher: Bloomsbury Publishing USA
Category: Social Science
Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s. In fact, no other twentieth-century art form has elicited such a negative and hostile response. When the Machine Made Art examines the cultural and critical response to computer art, or what we refer to today as digital art. Tracing the heated debates between art and science, the societal anxiety over nascent computer technology, and the myths and philosophies surrounding digital computation, Taylor is able to identify the destabilizing forces that shape and eventually fragment the computer art movement.
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Author: Amanda Crabtree
Publisher: Academy Editions Limited
This volume looks at how artists react to the area of monumental art today, accentuating the relationship between art, politics and social activism. It includes coverage of developments in communication, such as the Internet, and examines community-based p
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. 2 Roland Barthes , Image Music Text , Fontana , London , 1984 , pp 188 - 189 .
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Author: Robert Russett
Publisher: JOHN LIBBEY PUBLISHING
Category: Performing Arts
A detailed review of digital animation in the artists' words
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