Art Market Research

A Guide to Methods and Sources, 2d ed.

Author: Tom McNulty

Publisher: McFarland

ISBN: 1476613974

Category: Art

Page: 332

View: 3772

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This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
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A World Art History and Its Objects

Author: David Carrier

Publisher: Penn State Press

ISBN: 0271036060

Category: Art

Page: 200

View: 1667

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Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
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A Dictionary of Japanese Loanwords

Author: Toshie M. Evans

Publisher: Greenwood Publishing Group

ISBN: 9780313287411

Category: Foreign Language Study

Page: 230

View: 3454

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Defines and illustrates the usage of hundreds of words borrowed from Japanese and now used in English-language publications.
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Stories of Art

Author: James Elkins

Publisher: Psychology Press

ISBN: 9780415939430

Category: Art

Page: 176

View: 4713

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In this intimate history, James Elkins demonstrates that there is - and can never be - only one story of art. He opens up the questions that traditional art history usually avoids.
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A History of East Asia

Author: Charles Holcombe

Publisher: Cambridge University Press

ISBN: 1107118735

Category: History

Page: 481

View: 9254

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The second edition of Charles Holcombe's acclaimed introduction to East Asian history from the dawn of history to the twenty-first century.
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Art history

Author: Marilyn Stokstad,David Cateforis,Stephen Addiss

Publisher: Prentice Hall

ISBN: N.A

Category: Art

Page: N.A

View: 9669

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Asian art history in the twenty-first century

Author: Vishakha N. Desai

Publisher: Clark Art Institute

ISBN: 9780300125535

Category: Art

Page: 253

View: 9956

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With essays by Frederick M. Asher, Melissa Chiu, John Clark, Gao Shiming, Yukio Lippit, Saloni Mathur, Kaja M. McGowan, Rana Mitter, Alexandra Munroe, Jerome Silbergeld, Kavita Singh, Nancy S. Steinhardt, Akira Takagishi, and Gennifer Weisenfeld Since its beginnings in the early 1900s, the study of Asian art has dramatically changed and has constantly been shaped by shifting world politics. Asian Art History in the Twenty-First Century explores the field of Asian art and its historiography, tensions, and possible future directions. It features essays by fourteen leading authors specializing in Chinese, East Asian, Indian, and Japanese art history. They consider what is meant by the term "Asian art"; how it is manifested in museums, exhibitions, and galleries; and how it should be understood in relation to shifting geopolitics. Among the many fascinating topics discussed are the Zen portrait in medieval Japan, the influence of Asian art on American art, and public art and memory of war in contemporary China. The authors also consider what new theoretical structures must be created to suit the realities of the twenty-first century and Asian art today.
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World Views

Topics in Non-Western Art

Author: Laurie Adams

Publisher: McGraw-Hill Humanities/Social Sciences/Languages

ISBN: N.A

Category: Art

Page: 160

View: 6658

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This text comprises eleven chapters, each focusing on a discrete area of non-Western or Native American art. With nearly 180 illustrations (many in full color) and an accessible 8 1/2 x 11 format, students are introduced to important subjects and artworks outside of the Western tradition.
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Guide to the Literature of Art History 2

Author: Max Marmor,Alex Ross

Publisher: Amer Library Assn

ISBN: N.A

Category: Art

Page: 899

View: 5425

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Among the most engaging genres of scholarly literature, art history and architecture history publications appeal to the eye as well as the intellect. In the late 20th century the literature of art history has been documented by two standard reference bibliographies published by the American Library Association: Mary Chamberlin's Guide to Art Reference Books (ALA 1959), and Guide to the Literature of Art History by Etta Arntzen and Robert Rainwater (ALA Editions, 1980). Now, a new supplementary volume, Guide to the Literature of Art History 2 (ALA Editions, 2004) has arrived to record and annotate the best art and architecture books and journals published worldwide in the last two decades of the 20th century. supplement its predecessor by recording important publications produced primarily in western languages. Adopting the chapter and numbering system of the first volume, GLAH 2 will help art scholars keep abreast of more recent publications in art and architectural history. An expert team of 24 contributors has come together with editors Max Marmor and Alex Ross to produce this significant work, featuring new titles, volumes, editions, and reprints, while providing ample cross referencing to GLAH 1. and Cultural Heritage, which covers the literature of art preservation and art law. Librarians and scholars will welcome the new collection development information, including: The best electronic art and architectural history sources. Cumulative 40-year bibliography of art history literature, with GLAH 1. Critical selection of nearly all literature in art history, primarily in Western European languages, since 1977. Resources for art historians outside their areas of specialization. architectural literature for the last two decades of the 20th century, Guide to the Literature of Art History 2 is the authoritative, must-have resource for all art history students, institutions, and agencies.
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