Glyph*: A Visual Exploration of Punctuation Marks and Other Typographic Symbols. London: Cicada Books, 2015. de Medeiros, Paulo. “Saramago and
Grass.” In In Dialogue with Saramago: Essays in Comparative Literature, edited
by Adrian ...
Author: Lee Clark Mitchell
Publisher: Bloomsbury Publishing USA
Category: Biography & Autobiography
Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why do that odd couple, the novelist Virginia Woolf and the short story specialist Andre Dubus II, both embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? More generally, what effect do such nonverbal marks (or their absence) have on an author's encompassing vision? The first book on modern literature to compare writers' punctuation, and to show how fully typographical marks alter our sense of authorial style, Mark My Words offers new ways of reading some of our most important and beloved writers as well as suggesting a fresh perspective on literary style itself.
The Designer's Guide to Professional Typography Ilene Strizver. Chapter Eight
Chapter Nine Chapter Ten Visual Alignment 167 Optical Margin Alignment 167
Techtip: Discretionary Hyphens 168 Techtip: ... 173 Typetip: Breaking for Sense
174 Techtip: Glyph Positioning and Baseline Shift 175 Exercise: Editorial Design,
Ilene Strizver 176 Spacing ... Frank Armstrong 212 Figures, Fractions, Signs, Symbols, and Dingbats 215 Figures 215 Techtip: Accessing Figures in OpenType
Author: Ilene Strizver
Publisher: John Wiley & Sons
Type Rules!, Fourth Edition is an up-to-date, thorough introduction to the principles and practices of typography. From the fundamentals to cutting-edge applications, this edition has everything today's serious designer needs to use type effectively. Dozens of exercises reinforce authoritative coverage on such topics as how to select the appropriate type for the job, how to set type like a pro, and how to design a typeface, as well as how to fully harness the power of major design packages including the Adobe Creative Suite.Includes video clips showing examples of projects discussed in Chapter 11- Type on the Web and Chapter 12- Type in Motion