Extreme Metal

Music and Culture on the Edge

Author: Keith Kahn-Harris

Publisher: Berg

ISBN: 1845203992

Category: Music

Page: 194

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Includes interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, this book demonstrates the power and subtlety of an often surprising and misunderstood musical form. It draws on first-hand research to explore the global extreme metal scene.
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Popular Music Culture: The Key Concepts

Author: Roy Shuker

Publisher: Routledge

ISBN: 1136577718

Category: Social Science

Page: 368

View: 9910

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Now in an updated 3rd edition this popular A-Z student handbook provides a comprehensive survey of key ideas and concepts in popular music culture. With new and expanded entries on genres and sub-genres the text comprehensively examines the social and cultural aspects of popular music, taking into account the digital music revolution and changes in the way that music is manufactured, marketed and delivered. New and updated entries include: social networking peer to peer American Idol video gaming genres and subgenres of blues, jazz, country, and world music music retail formats goth rock and emo electronic dance music. With further reading and listening included throughout, Popular Music Culture: The Key Concepts is an essential reference text for all students studying the social and cultural dimensions of popular music.
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Heavy Metal

Controversies and Countercultures

Author: Titus Hjelm,Keith Kahn-Harris,Mark LeVine

Publisher: Equinox

ISBN: 9781845539412

Category: Music

Page: 250

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The aim of this anthology is to analyse the relationship between heavy metal and society within a global context.
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Sound of the Beast

The Complete Headbanging History of Heavy Metal

Author: Ian Christe

Publisher: Harper Collins

ISBN: 9780062042989

Category: Music

Page: 416

View: 6353

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The definitive history of the first 30 years of heavy metal, containing over 100 interviews with members of Black Sabbath, Metallica, Judas Priest, Twisted Sister, Slipknot, Kiss, Megadeth, Public Enemy, Napalm Death, and more. More than 30 years after Black Sabbath released the first complete heavy metal album, its founder, Ozzy Osbourne, is the star of The Osbournes, TV's favourite new reality show. Contrary to popular belief, headbangers and the music they love are more alive than ever. Yet there has never been a comprehensive book on the history of heavy metal - until now. Featuring interviews with members of the biggest bands in the genre, Sound of the Beast gives an overview of the past 30-plus years of heavy metal, delving into the personalities of those who created it. Everything is here, from the bootlegging beginnings of fans like Lars Ulrich (future founder of Metallica) to the sold-out stadiums and personal excesses of the biggest groups. From heavy metal's roots in the work of breakthrough groups such as Black Sabbath and Led Zeppelin to MTV hair metal, courtroom controversies, black metal murderers and Ozzfest, Sound of the Beast offers the final word on this elusive, extreme, and far-reaching form of music.
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Meaning and λόγος

Proceedings from the Early Professional Interdisciplinary Conference

Author: Erica Hughes

Publisher: Cambridge Scholars Publishing

ISBN: 1443873500

Category: Social Science

Page: 260

View: 4856

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The Early Professional Interdisciplinary Conference was designed to bring together graduate students, post-docs, and lecturers within the first five years of appointment from any of the Humanities, Arts and Social Sciences. Its goals included the facilitation of professional development through interdepartmental idea exchange and collaboration, as well as the application of annual themes to better the understanding of teaching and learning within and between disciplines. This volume brings together approaches from Archaeology, Art History, Assyriology, Cinema, Cultural Anthropology, Egyptology, History, Literary Criticism, Marketing, Medieval Studies, Music, Philosophy, Psychology and Sociology to the theme of “meaning and λόγος.” Topics range from Urartian archaeology, Egyptian religious practice and Roman sculpture to Peppa Pig, brain imaging, heavy metal and the murals of Belfast. Thematic introductions ensure a coherence among and between the various chapters. The word λόγος had many meanings in Ancient Greek: word, opinion, expectation, speech, principle, rhetorical argument, reason, and even meaning. Investigating how the meaning of a word links ideas and affects pedagogical issues began with Herakleitos and continues today. Logos is also the root of the suffix “–logy”, which is used to describe many of the fields in the Humanities and Social Sciences. As such, it provides an appropriate link between the many branches of investigation and scholarship included here.
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Heavy Metal Music in Britain

Author: Dr Gerd Bayer

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409493857

Category: Music

Page: 214

View: 9495

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Heavy metal has developed from a British fringe genre of rock music in the late 1960s to a global mass market consumer good in the early twenty-first century. Early proponents of the musical style, such as Black Sabbath, Deep Purple, Judas Priest, Saxon, Uriah Heep and Iron Maiden, were mostly seeking to reach a young male audience. Songs were often filled with violent, sexist and nationalistic themes but were also speaking to the growing sense of deterioration in social and professional life. At the same time, however, heavy metal was seriously indebted to the legacies of blues and classical music as well as to larger literary and cultural themes. The genre also produced mythological concept albums and rewritings of classical poems. In other words, heavy metal tried from the beginning to locate itself in a liminal space between pedestrian mass culture and a rather elitist adherence to complexity and musical craftsmanship, speaking from a subaltern position against the hegemonic discourse. This collection of essays provides a comprehensive and multi-disciplinary look at British heavy metal from its beginning through The New Wave of British Heavy Metal up to the increasing internationalization and widespread acceptance in the late 1980s. The individual chapter authors approach British heavy metal from a textual perspective, providing critical analyses of the politics and ideology behind the lyrics, images and performances. Rather than focus on individual bands or songs, the essays collected here argue with the larger system of heavy metal music in mind, providing comprehensive analyses that relate directly to the larger context of British life and culture. The wide range of approaches should provide readers from various disciplines with new and original ideas about the study of this phenomenon of popular culture.
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The Lure of the Dark Side

Satan and Western Demonology in Popular Culture

Author: Christopher H. Partridge,Eric S. Christianson

Publisher: Routledge

ISBN: 1317490789

Category: Religion

Page: 256

View: 3885

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Demons, devils, spirits and vampires are present throughout popular Western culture in film, music and literature. Their religious significance has only recently begun to be explored. 'The Lure of the Darkside' brings together the work of some of the most important and creative scholars in the field of Biblical and Religious Studies. The essays explore demonology in popular culture from a range of perspectives: Satanism within contemporary music; the relationship between hymn and horror film; the career of Hannibal Lecter; the portrayal of Satan in films about Christ; and spiritual perversion in the Harry Potter Stories. This fresh and ground-breaking volume will be of interest to students of religious studies and theology, as well as literary and popular culture.
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Making Music in Japan’s Underground

The Tokyo Hardcore Scene

Author: Jennifer Milioto Matsue

Publisher: Routledge

ISBN: 1135898464

Category: Social Science

Page: 188

View: 2034

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Grounded in the fields of Ethnomusicology, Anthropology, Popular Music Studies, and Japanese Studies, this book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. Further drawing on theories of play, identity building, and the construction of gender, all informed by the increasingly influential field of Performance Studies, the book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the 21st century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style.
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New Critical Essays on H.P. Lovecraft

Author: D. Simmons

Publisher: Springer

ISBN: 1137320966

Category: Fiction

Page: 259

View: 5477

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The last ten years have witnessed a renewed interest in H.P. Lovecraft in academic and scholarly circles. New Critical Essays on H.P. Lovecraft seeks to offer an expansive and considered account of a fascinating yet challenging writer; both popular and critically valid but also problematic in terms of his depictions of race, gender and class.
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Religion and Popular Music in Europe

New Expressions of Sacred and Secular Identity

Author: Thomas Bossius,Andreas Häger,Andreas Hager,Keith Kahn-Harris

Publisher: I.B.Tauris

ISBN: 1848858094

Category: Music

Page: 192

View: 5409

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Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernisation and globalisation in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation in recent years. The authors show that, in the midst of such change, rock, pop and dance music may in their various forms be used by their practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements, the book explores such topics as Norwegian Black Metal and Neo-paganism, contemporary Jewish Music in the UK, the French hip hop scene, the musical thinking of Muslim convert Cat Stevens/Yusuf Islam and European dance music culture. It offers an ideal introduction to leading-edge thinking at the exciting interface of 'music and religion'.
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