Film Genre Reader IV

Author: Barry Keith Grant

Publisher: University of Texas Press

ISBN: 0292745745

Category: Performing Arts

Page: 784

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From reviews of the third edition: "Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology's consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview." —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film's most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
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Reading a Japanese Film

Cinema in Context

Author: Keiko I. McDonald

Publisher: University of Hawaii Press

ISBN: 9780824829391

Category: Drama

Page: 292

View: 1382

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Keiko McDonald presents a historical overview and outlines a unified approach to Japanese film theory. She analyses a wide range of work, from familiar classics by Ozu and Kurosawa to the films of a younger generation of directors.
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Japanese Cinema

Texts and Contexts

Author: Alastair Phillips,Julian Stringer

Publisher: Routledge

ISBN: 1134334222

Category: Performing Arts

Page: 384

View: 995

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Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.
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Colonialism and Nationalism in Asian Cinema

Author: Wimal Dissanayake

Publisher: Indiana University Press

ISBN: 9780253116475

Category: Performing Arts

Page: N.A

View: 300

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"... an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and of the promotion of nationalism through communication." -- Media Asia "... a momentous contribution to the study of colonialism and postcoloniality in Asia... " -- The Journal of Asian Studies "This is an excellent model for studies in how the popular, art, and experimental cinemas function in the consideration of nationhood as a configuration of symbols.... This anthology provides an interesting discussion by offering a theoretical framework from which to examine the complex topics of nation, state, identity formation, and collective history in the realm of cinema. It becomes an even more effective tool by playing itself out within a diverse Asian context." -- Afterimage Essays examine the representation of the interlocking discourses of nationhood and history in Asian cinema, dealing with film traditions in Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka, and Australia.
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Indian Popular Cinema

A Narrative of Cultural Change

Author: K. Moti Gokulsing,Wimal Dissanayake,Adjunct Fellow East-West Center Hawaii Scholar in Residence Wimal Dissanayake

Publisher: Stylus Publishing, LLC.

ISBN: 9781858563299

Category: Performing Arts

Page: 161

View: 4022

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The book reviews nine decades of Indian popular cinema and examines its immense influence on people in India and its diaspora. Since it was published in 1998, Indian film has developed in new directions. As films today vie with Indian soap operas for popularity, film making in India has acquired 'industry status' and consequently has greater accountability to its public. All this is reflected in this new and extensively revised edition of "Indian Popular Cinema". It tracks the rise of "designer cinema," reviews the increasingly significant Tamil cinema, and considers films made by Indians in the diaspora.
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Multiculturalism, Postcoloniality, and Transnational Media

Author: Ella Shohat,Robert Stam

Publisher: Rutgers University Press

ISBN: 9780813532356

Category: Performing Arts

Page: 335

View: 4161

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Reflecting academic interests in nation, race, gender, sexuality and other axes of identity, this text gathers these concerns under the same umbrella, contending that these issues must be discussed in relation to each other because communities, societiesand nations do not exist autonomously.
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Cinema and Urban Culture in Shanghai, 1922-1943

Author: Yingjin Zhang

Publisher: Stanford University Press

ISBN: 9780804735728

Category: Performing Arts

Page: 369

View: 3506

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This volume establishes cinema as a vital force in Shanghai culture, focusing on early Chinese cinema. It surveys the history and historiography of Chinese cinema and examines the development of the various aspects affecting the film culture.
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The South Korean Film Renaissance

Local Hitmakers, Global Provocateurs

Author: Jinhee Choi

Publisher: Wesleyan University Press

ISBN: 0819569860

Category: Performing Arts

Page: 264

View: 1241

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For the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis—triggered in part by globalizing processes in the world film industry—into a fiscal and cultural boom. Jinhee Choi examines the ways in which Korean film production companies, backed by affluent corporations and venture capitalists, concocted a variety of winning production trends. Through close analyses of key films, Choi demonstrates how contemporary Korean cinema portrays issues immediate to its own Korean audiences while incorporating the transnational aesthetics of Hollywood and other national cinemas such as Hong Kong and Japan. Appendices include data on box office rankings, numbers of films produced and released, market shares, and film festival showings.
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New Chinese Cinema

Challenging Representations

Author: Sheila Cornelius,Ian Haydn Smith

Publisher: Wallflower Press

ISBN: 9781903364130

Category: Performing Arts

Page: 133

View: 661

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New Chinese Cinema: Challenging Representations examines the 'search for roots' films that emerged from China in the aftermath of the Cultural Revolution. The authors contextualise the films of the so-called Fifth Generation directors who came to prominence in the 1980s and 1990s such as Chen Kaige, Zhang Yimou and Tian Zhuangzhuang. Including close analysis of such pivotal films as Farewell My Concubine, Raise the Red Lantern and The Blue Kite, the book also examines the rise of contemporary Sixth Generation underground directors whose themes embrace the disaffection of urban youth.
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