Dracula

Author: Bram Stoker

Publisher: Simon and Schuster

ISBN: 1476788103

Category: Fiction

Page: 450

View: 3834

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Dracula is the ultimate horror story, producing one of literature’s most lasting villains: Count Dracula. A harrowing, memorable, and enduring story about the world’s most famous vampire. A true masterwork of storytelling, Dracula has transcended generation, language, and culture to become one of the most popular novels ever written. It is a quintessential tale of suspense and horror, boasting one of the most terrifying characters ever born in literature: Count Dracula, a tragic, night-dwelling specter who feeds upon the blood of the living, and whose diabolical passions prey upon the innocent, the helpless, and the beautiful. But Dracula also stands as a bleak allegorical saga of an eternally cursed being whose nocturnal atrocities reflect the dark underside of the supremely moralistic age in which it was originally written—and the corrupt desires that continue to plague the modern human condition.
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Dracula

Author: N.A

Publisher: Libresa

ISBN: 9789978808153

Category:

Page: N.A

View: 7440

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Post/modern Dracula

From Victorian Themes to Postmodern Praxis

Author: John S. Bak

Publisher: John S Bak

ISBN: N.A

Category: Literary Criticism

Page: 162

View: 8608

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Post/modern Dracula explores the postmodern in Bram Stoker's Victorian novel and the Victorian in Francis Ford Coppola's postmodern film to demonstrate how the century that separates the two artists binds them more than it divides them. What are the postmodern elements of Stoker's novel? Where are the Victorian traits in Coppola's film? Is there a postmodern gloss on those Victorian traits? And can there be a Victorian directive behind postmodernism in general? The nine essays compiled in this collection address these and other relevant questions per the novel and the film at three distinct periods: (post)modern Victorianism, post/modernism, and finally postmodernism. Part I on (post)modernist issues in Stoker's novel establishes the link between Victorian themes and postmodern praxes that begins with colonialist concerns and ends with poststructuralist signification. Part II looks at the post/modernist traits in Stoker's Dracula, those obviously influenced by modernism but also, with the help of the novel's plasticity vis-a-vis the media over the last century, by postmodernism. Part III examines more closely the novel's postmodern characteristics, particularly with respect to Coppola's 1992 film, Bram Stoker's Dracula. Dracula defies time and promises to undermine any critical study of it that precisely tries to situate it within a given epoch, including a postmodernist one. Given its relationship to late-capitalist economy, to post-Marxist politics, and to commodity culture, and given its universal appeal to human fears and anxieties, fetishes and fantasies, lusts and desires, Stoker's novel will forever remain post/modern-always haunting our future, as it has repeatedly done so our past. Though scholars of Dracula and Gothic literature in general will find some of the essays innovative and engaging per today's literary criticism, the book is also intended for both an informed general reader and a novice student of the novel and of the film. As such, a few essays are highly specialized in postmodern theory, whereas others are more centered around the sociohistorical context of the novel and film and use various postmodern theories as inroads into the novel's or the film's study.
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Bram Stokeräó»s Notes for Dracula

A Facsimile Edition

Author: Bram Stoker,Robert Eighteen-Bisang,Elizabeth Miller

Publisher: McFarland

ISBN: 0786451866

Category: Literary Criticism

Page: 342

View: 9845

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"Bram Stoker's initial notes and outlines for his landmark horror novel Dracula were auctioned at Sotheby's in London in 1913 and eventually made their way to the Rosenbach Museum and Library, where they are housed today. This comprehensive work reproduces the handwritten notes both in facsimile and in annotated transcription. It also includes Stoker's typewritten research notes"--Provided by publisher.
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Dracula's Crypt

Bram Stoker, Irishness, and the Question of Blood

Author: Joseph Valente

Publisher: University of Illinois Press

ISBN: 9780252026966

Category: Fiction

Page: 173

View: 4536

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Dracula's Crypt unearths the Irish roots of Bram Stoker's gothic masterpiece, offering a fresh interpretation of the author's relationship to his novel and to the politics of blood that consumes its characters. An ingenious reappraisal of a classic text, Dracula's Crypt presents Stoker's novel as a subtly ironic commentary on England's preoccupation with racial purity. Probing psychobiographical, political, and cultural elements of Stoker's background and milieu, Joseph Valente distinguishes Stoker's viewpoint from that of his virulently racist, hypermasculine vampire hunters, showing how the author's dual Anglo-Celtic heritage and uncertain status as an Irish parvenu among London's theatrical elite led him to espouse a progressive racial ideology at odds with the dominant Anglo-Saxon supremacism. In the light of Stoker's experience, the shabby-genteel Count Dracula can be seen as a doppelgnger, an ambiguous figure who is at once the blood-conscious landed aristocrat and the bloodthirsty foreign invader.Stoker also confronts gender ideals and their implications, exposing the "inner vampire" in men like Jonathan Harker who dominate and absorb the women who become their wives. Ultimately, Valente argues, the novel celebrates a feminine heroism, personified by Mina Harker, that upholds an ethos of social connectivity against the prevailing obsession with blood as a vehicle of identity. Revealing a profound and heretofore unrecognized ethical and political message, Dracula's Crypt maintains that the real threat delineated in Dracula is not racial degeneration but the destructive force of racialized anxiety itself. Stoker's novel emerges as a powerful critique of the very anxieties it has previously been taken to express: anxieties concerning the decline of the British empire, the deterioration of Anglo-Saxon culture, and the contamination of the Anglo-Saxon race.
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Dracula

A British Film Guide

Author: Peter Hutchings

Publisher: I.B.Tauris

ISBN: 9781860647482

Category: Performing Arts

Page: 110

View: 3523

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This insightful guide explores the strong sexuality and gender issues raised by the figure of Dracula.
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In Search of Dracula

The History of Dracula and Vampires

Author: Raymond T. McNally,Radu Florescu

Publisher: Houghton Mifflin Harcourt

ISBN: 9780395657836

Category: Biography & Autobiography

Page: 297

View: 4855

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Traces the history and folklore of vampires
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Legends of Dracula

Author: Thomas Streissguth

Publisher: Twenty-First Century Books

ISBN: 9780822549420

Category: Juvenile Nonfiction

Page: 112

View: 8250

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Discusses Vlad the Impaler, the historical person behind Count Dracula, describes how Bram Stoker came to write his famous novel about him, and examines how the character has been portrayed on stage and screen.
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Bram Stoker's Dracula

A Reader's Guide

Author: William Hughes

Publisher: A&C Black

ISBN: 0826495362

Category: Literary Criticism

Page: 150

View: 2339

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A concise, readable and comprehensive introduction to Bram Stoker's classic Dracula (1897) for undergraduates.
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From Dickens to Dracula

Gothic, Economics, and Victorian Fiction

Author: Gail Turley Houston

Publisher: Cambridge University Press

ISBN: 9780521846776

Category: Literary Criticism

Page: 165

View: 9823

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Ranging from the realism of Dickens to the horror of Dracula, Gail Turley Houston examines how the language and imagery of economics, commerce and banking are transformed in Gothic fiction, and traces literary and uncanny elements in economic writings of the period. Houston pays particular attention to the term 'panic' as it moved between its double uses as a banking term and a defining emotion in sensational fiction.
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