Studies in Dance History

Studies in Dance History

LETTERS ON DANCING CONTENTS . ... which gave the Author the first idea of
attempting this work . . . . . . . . . . . . . . . . iii LETTER I . On the Origin of DANCING ,
with an abridged Historical Account of its Progress up to the PRESENT TIME .

Author:

Publisher:

ISBN: UCSC:32106019435707

Category: Dance

Page:

View: 206

Categories: Dance

History of Dance

History of Dance

In so doing, this text provides a number of ways to create, perceive, and respond to the history of dance through integrated arts and technology.

Author: Gayle Kassing

Publisher: Human Kinetics

ISBN: 0736060359

Category: Performing Arts

Page: 309

View: 921

History of Dance: An Interactive Arts Approachprovides an in-depth look at dance from the dawn of time through the 20th century. Using an investigative approach, this book presents the who, what, when, where, why, and how of dance history in relation to other arts and to historical, political, and social events. In so doing, this text provides a number of ways to create, perceive, and respond to the history of dance through integrated arts and technology. This study of dancers, dances, and dance works within an interactive arts, culture, and technology environment is supported by the National Standards in dance, arts education, social studies, and technology education. History of Dance: An Interactive Arts Approachhas four parts. Part Iexplains the tools used to capture dance from the past. Part IIbegins a chronological study of dance, beginning with its origins and moving through ancient civilizations and the Middle Ages through the Renaissance. Part IIIcovers dance from the 17th to the 20th century, including dance at court, dance from court to theater, romantic to classical ballet, and dance in the United States. Part IVfocuses on 20th-century American dance, highlighting influences on American ballet and modern dance as it emerged, matured, and evolved during that century. History of Dance: An Interactive Arts Approachincludes the following features: -Chapter outlines that present topics covered in each chapter -Opening scenarios to set the scene and introduce each time period -Explorations of dancers, choreographers, and other personalities -Explorations of the dances and significant choreography and dance literature of each time period -History Highlight boxes containing unusual facts, events, and details to bring history to life -History Trivia, providing insights into how dance relates to the history, art, and society of the time period -Web sites to encourage further exploration -Developing a Deeper Perspective sections that encourage students to use visual or aesthetic scanning, learn and perform period dances, observe and write performance reports, develop research projects and WebQuests (Internet-based research projects), and participate in other learning activities -Vocabulary terms at the end of each chapter Each chapter in parts II through IV provides an overview of the time period, including a time capsule and a historical and societal overview. Each chapter focuses on major dancers, choreographers, and personalities; dances of the period, including dance forms, dance designs, accompaniment, costuming, and performing spaces; and significant dance works and dance literature. The chapters also feature a series of eight experiential learning activities that help students dig deeper into the history of dance, dancers, and significant dance works and literature. These activities are presented as reproducible templates that include perceiving, creating, performing, writing, and presenting oral activities infused with technology. Teachers can use these activities as optional chapter assignments or as extended projects to help apply the information and to use technology and other integrated arts sources to make the history of dance more meaningful. History of Danceis an indispensable text for dance students who want to learn the history of dance and its relationship to other arts of the times using today's interactive technology.
Categories: Performing Arts

India s Dances

India s Dances

The Glossary Of Terms Germane To The Different Styles Is A Useful Adjunct As Is The Bibliography.In The Latter Part Of This Book The Achievements Of Leading Delhi-Based Dancers Are Recorded And, At The Same Time, New Talent Is Readily ...

Author: Reginald Massey

Publisher: Abhinav Publications

ISBN: 9788170174349

Category: History

Page: 315

View: 295

The Dances Of India Are Among The Oldest Dance Genres Still Widely Practiced Today. In Recent Years They Have Become Increasingly Known And Appreciated All Over The World. This Book Details The History Of The Several Styles Of Indian Dance And Gives An Account Of The Cultural, Religious, Social And Political Factors Which Influenced Their Growth And Development. There Are Fascinating Side-Lights On The Etiquette And Mores Of Indian Society. Many Of The Myths And Legends Which Form The Subject Matter Of The Dances Are Recounted And Theories Suggested To Explain Their Inspiration And Sources.This Is A Comprehensive Survey For Readers Who Want To Relate The Classical Dances To The Broader Background Of Indian Culture. For Students, Indian And Non- Indian, It Provides Valuable Historic And Technical Information; And For Dance Lovers It Serves As A Guide Telling Them What To Look For In A Performance. There Is, In Addition, An Overview Of India'S Many Folk Dances. The Glossary Of Terms Germane To The Different Styles Is A Useful Adjunct As Is The Bibliography.In The Latter Part Of This Book The Achievements Of Leading Delhi-Based Dancers Are Recorded And, At The Same Time, New Talent Is Readily Recognized.Written By An Acknowledged Authority, India'S Dances Is, Quite Simply, A Defmitive Volume On Some Of This Country'S Most. Enduring Contributions To World Culture.
Categories: History

History Dances

History Dances

History Dances proves to be a vital read for both undergraduate students and scholars in the fields of dance history, African history, performance studies, and cultural anthropology.

Author: Ofosuwa M. Abiola

Publisher: Routledge

ISBN: 9780429767845

Category: History

Page: 156

View: 458

The field of history is founded on the interrogation of written documents from the past. However, culture is the center of life in Africa. As a result, in the past – and to a degree in the present – the process for documenting events in Africa was not written, it was performed. History Dances: Chronicling the History of Traditional Mandinka Dance argues that a wealth of information is housed within traditional Mandinka dance and, consequently, the dances can be used as an African-derived primary source for writing African history. Ofosuwa M. Abiola highlights the overall value of studying Mandinka dance history specifically, and African dance history generally, as well as addressing the issue of scarcity with regard to primary sources for writing African history. History Dances proves to be a vital read for both undergraduate students and scholars in the fields of dance history, African history, performance studies, and cultural anthropology.
Categories: History

Moving History Dancing Cultures

Moving History Dancing Cultures

This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion.

Author: Ann Dils

Publisher: Wesleyan University Press

ISBN: 9780819574251

Category: Performing Arts

Page: 544

View: 934

This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history—particularly those with a cross-cultural, contemporary, or an American focus. The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text. Ebook Edition Note: Ebook edition note: Five essays have been redacted, including “The Belly Dance: Ancient Ritual to Cabaret Performance,” by Shawna Helland; “Epitome of Korean Folk Dance”, by Lee Kyong-Hee; “Juba and American Minstrelsy,” by Marian Hannah Winter; “The Natural Body,” by Ann Daly; and “Butoh: ‘Twenty Years Ago We Were Crazy, Dirty, and Mad’,”by Bonnie Sue Stein. Eleven of the 41 illustrations in the book have also been redacted.
Categories: Performing Arts

Rethinking Dance History

Rethinking Dance History

Encompassing ballet, South Asian, modern dance forms and much more, this book provides exciting new research on topics as diverse as: *the Victorian music hall *film musicals and popular music videos *the impact of Neoclassical fashion on ...

Author: Alexandra Carter

Publisher: Routledge

ISBN: 9781136485008

Category: Performing Arts

Page: 208

View: 650

By taking a fresh approach to the study of history in general, Alexandra Carter's Rethinking Dance History offers new perspectives on important periods in dance history and seeks to address some of the gaps and silences left within that history. Encompassing ballet, South Asian, modern dance forms and much more, this book provides exciting new research on topics as diverse as: *the Victorian music hall *film musicals and popular music videos *the impact of Neoclassical fashion on ballet *women's influence on early modern dance *methods of dance reconstruction. Featuring work by some of the major voices in dance writing and discourse, this unique anthology will prove invaluable for both scholars and practitioners, and a source of interest for anyone who is fascinated by dance's rich and multi-layered history.
Categories: Performing Arts

The History of Western Dance

The History of Western Dance

From soaring ballet leaps to the simple swaying at a high school prom, dance is the wedding of movement to music.

Author: Trenton Hamilton

Publisher: The Rosen Publishing Group, Inc

ISBN: 9781680480795

Category: Juvenile Nonfiction

Page: 224

View: 647

From soaring ballet leaps to the simple swaying at a high school prom, dance is the wedding of movement to music. It is a means of recreation, of communication--for the purpose of expressing an idea or emotion, releasing energy, or simply taking delight in the movement itself. This engaging narrative, with biographical profiles, discusses Western dance as an art form, a folk tradition, and an entertainment spectacle. It examines the wide ranging dance types, including some of ancient rituals, Christian dance ecstasies, court and folk dances, ballet, social dances, the waltz, ballroom, tap, modern dance, and break and hip-hop dancing.
Categories: Juvenile Nonfiction

History of France

History of France

A. D. The Dance Macabre , ORIGIN OF THE DANCE OF DEATH . or Dance of
Death . 117 . . round . Often those who at first laughied , or losophic and material .
It was no longer the looked coldly on , would feel their eyes grow Devil , offspring
 ...

Author: Jules Michelet

Publisher:

ISBN: CHI:23571760

Category: France

Page:

View: 457

Categories: France

History of Dance 2E

History of Dance  2E

History of Dance, Second Edition, examines dance from prehistoric times to today.

Author: Kassing, Gayle

Publisher: Human Kinetics

ISBN: 9781492536697

Category: Performing Arts

Page: 312

View: 299

History of Dance, Second Edition, examines dance from prehistoric times to today. It focuses on the dancers and choreographers, dances, and significant dance works from each time period and offers an instructor guide, test bank, PowerPoint presentation package, and student web resource to reinforce learning.
Categories: Performing Arts

Dance and Society in Eastern Africa

Dance and Society in Eastern Africa

This perception can only be achieved through a full-scale study of the total dance
history of various eastern African societies. I have not myself made such a study
but other scholars have begun to do so and in what follows I am dependent on ...

Author: T O Ranger

Publisher:

ISBN: 9780520328358

Category:

Page: 194

View: 837

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.
Categories:

Proceedings Society of Dance History Scholars

Proceedings Society of Dance History Scholars

Society of Dance History Scholars (U.S.). Conference. cial functions , and
traditions . If we are to understand the varied roles dance has played in human
culture or in relation to religion , therapy , education or entertainment , such
research is ...

Author: Society of Dance History Scholars (U.S.). Conference

Publisher:

ISBN: UCSC:32106012269152

Category: Dance

Page: 302

View: 300

Categories: Dance

Dance Theory

Dance Theory

There are some excellent compilations of readings in dance history. The common
format is to devote each chapter to a historical period, with an introductory essay
followed by relevant readings. The number of readings tends to increase as ...

Author: Tilden Russell

Publisher: Oxford University Press, USA

ISBN: 9780190059750

Category: Performing Arts

Page: 322

View: 997

"This book began in 2014 as an introduction to the book I was then writing about a small group of dance theorists-five Germans and an Englishman-and their treatises published between 1703 and 1721: obviously a very narrow conspectus in subject and years. The aim of the introduction was to place these largely ignored writers (epecially the Germans) in a broad historical context that would demonstrate how essential and pivotal they were. As I read further in dance theory I found more and more sources on the subject that turned out to be far more interesting and complex than I had originally imagined. The introduction kept getting longer, until it became an albatross on the book's actual text, not only because of its ever-increasing length, but more gravely, because I had assumed it would trace a teleological ascent in dance theory culminating in my authors and their works, followed by a degenerative aftermath. This tendentious viewpoint threatened not only to deter readers from a sympathetic reading of the book as a whole; it turned out, the more I read and learned, to be simply wrong. The history of dance theory, as I gradually came to realize, is too interesting and important to be exploited for spurious purposes. Also, it's an untold story. Dance historians are familiar with many or most of the authors and titles, but not what they have to say about dance theory. That's the part usually at the beginning of books that is skimmed through in order to get to the more urgent preoccupations of historical dancers and dance historians: performance practice, reconstruction, technique, and repertoire. Viewed superficially, moreover, it can seem as if the same self-evident and obligatory themes keep getting repeated like clichés in these sections under the general rubric of theory: a definition of dance and/or dance theory, or at least a list of their basic components; the relation of dance to the other arts and other areas of knowledge; dance's origin and history; and its utility (i.e., health, social conduct and success, recreation). Finally, and contrary to what I had long believed, dance theory is not dead. In fact, it is thriving in the twenty-first century. Yes, I was fully aware that something called dance theory was being copiously written and talked about, and that "theory" and "theorizing" and "theorist" had become wildly ubiquitous in dance scholars' lexicon, but I believed that what they were talking about was no genuine dance theory, had no kinship with what was historically accepted as dance theory, and did not meet the criteria of what a theory should be. I was convinced that what I considered dance theory had been swept away in the iconoclastic, irreverent, and nonconformist spirit of postmodernism. Luckily, early readers tactfully convinced me to address my folly. As I wrote, I learned. Writing this book has already served as a textbook in my own learning experience. There are some excellent compilations of readings in dance history. The common format is to devote each chapter to a historical period, with an introductory essay followed by relevant readings. The number of readings tends to increase as history marches on, peaking in the nineteenth century. A sampling of such compilations follows. Each book differs from this one in different ways, but in general, and by intent, none of them does everything this book sets out to do: treat theory in depth and as a discrete topic; treat theatrical and social dance equally; include readings dating from classical Antiquity to the twenty-first century; and link the readings, through brief introductory essays, from end to end by a narrative thread based on salient topics as seen from evolving perspectives"--
Categories: Performing Arts

Keeping Together in Time

Keeping Together in Time

" DD--Robert N. Bellah, Commonweal "The title of this fascinating essay contains a pun that sums up its thesis" keeping together in time, or coordinated rhythmic movement and the shared feelings it evokes, has kept human groups together ...

Author: William Hardy MCNEILL

Publisher: Harvard University Press

ISBN: 9780674040878

Category: History

Page: 216

View: 371

Could something as simple and seemingly natural as falling into step have marked us for evolutionary success? In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement--and the shared feelings it evokes--has been a powerful force in holding human groups together. As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples to the latest findings of the life sciences, he discovers evidence that rhythmic movement has played a profound role in creating and sustaining human communities. The behavior of chimpanzees, festival village dances, the close-order drill of early modern Europe, the ecstatic dance-trances of shamans and dervishes, the goose-stepping Nazi formations, the morning exercises of factory workers in Japan--all these and many more figure in the bold picture McNeill draws. A sense of community is the key, and shared movement, whether dance or military drill, is its mainspring. McNeill focuses on the visceral and emotional sensations such movement arouses, particularly the euphoric fellow-feeling he calls "muscular bonding." These sensations, he suggests, endow groups with a capacity for cooperation, which in turn improves their chance of survival. A tour de force of imagination and scholarship, Keeping Together in Time reveals the muscular, rhythmic dimension of human solidarity. Its lessons will serve us well as we contemplate the future of the human community and of our various local communities. Table of Contents: Muscular Bonding Human Evolution Small Communities Religious Ceremonies Politics and War Conclusion Notes Index Reviews of this book: "In his imaginative and provocative book...William H. McNeill develops an unconventional notion that, he observes, is 'simplicity itself.' He maintains that people who move together to the same beat tend to bond and thus that communal dance and drill alter human feelings." DD--John Mueller, New York Times Book Review "Every now and then, a slender, graceful, unassuming little volume modestly proposes a radical rethinking of human history. Such a book is Keeping Together in Time...Important, witty, and thoroughly approachable, [it] could, perhaps, only be written by a scholar in retirement with a lifetime's interdisciplinary reading to ponder, the imagination to conceive unanswerable questions, and the courage, in this age of over-speculation, to speculate in areas where certainty is impossible. Its vision of dance as a shaper of evolution, a perpetually sustainable and sustaining resource, would crown anyone's career." DD--Penelope Reed Doob, Toronto Globe and Mail "McNeill is one of our greatest living historians...As usual with McNeill, Keeping Together in Time contains a wonderfully broad survey of practices in other times and places. There are the Greeks, who invented the flute-accompanied phalanx, and the Romans, who invented calling cadence while marching. There are the Shakers, who combined worship and dancing, and the Mormons, who carefully separated the functions but who prospered at least as much on the strength of their dancing as their Sunday morning worship." DD--David Warsh, Boston Sunday Globe "[A] wide-ranging and thought-provoking book...A mind-stretching exploration of the thesis that `keeping together in time'--army drill, village dances, and the like--consolidates group solidarity by making us feel good about ourselves and the group and thus was critical for social cohesion and group survival in the past." DD--Virginia Quarterly Review "[This book is] nothing less than a survey of the historical impact of shared rhythmic motion from the paleolithic to the present, an impact that [McNeill] finds surprisingly significant...McNeill moves beyond Durkheim in noting that in complex societies divided by social class muscular bonding may be the medium through which discontented and oppressed groups can gain the solidarity necessary for challenging the existing social order." DD--Robert N. Bellah, Commonweal "The title of this fascinating essay contains a pun that sums up its thesis" keeping together in time, or coordinated rhythmic movement and the shared feelings it evokes, has kept human groups together throughout history. Most of McNeill's pioneering study is devoted to the history of communal dancing...[This] volume will appeal equally to scholars and to the general reader." DD--Doyne Dawson, Military History "As with so many themes [like this one], whether in science or in symphonies, one wonders (in retrospect) why it has not been invented before...[T]he book is fascinating." DD--K. Kortmulder, Acta Biotheoretica (The Netherlands) "This scholarly and creative exploration of the largely unresearched phenomenon of shared euphoria aroused by unison movement moves across the disciplines of dance, history, sociology, and psychology...Highly recommended." DD--Choice
Categories: History

The Political Social and Literary History of France Brought Down to the Year 1863

The Political  Social  and Literary History of France  Brought Down to the Year 1863

OF HISTORY DANCING IN FRANCE . Before the Renaissance period there were
no national dances in France . Lower Brittany had its Passepieds , Auvergne its
Bourées , Provence its Rigaudons , and Dauphiné its Gavottes ; but Catherine ...

Author: Ebenezer Cobham Brewer

Publisher:

ISBN: BL:A0017991862

Category: France

Page: 463

View: 376

Categories: France

The pictorial history of Scotland A D 79 1746

The pictorial history of Scotland  A D 79 1746

He drew them furth intil a chenyie , And Belial with a bridle reinyie , Ever lashed
them on the lungie . s In dance they were sae slaw of feet , They gave them in the
fire a heat , And made them quicker of counyie . ' Or Februrar the fifteenth nicht ...

Author: James Taylor

Publisher:

ISBN: OXFORD:590965464

Category:

Page:

View: 113

Categories:

Dance History

Dance History

Author: Janet Adshead-Lansdale

Publisher: Princeton Book Company Pub

ISBN: UOM:39015012866805

Category: Performing Arts

Page: 216

View: 132

Categories: Performing Arts

A History of Music The music of the elder civilisations and the music of the Greeks cont d

A History of Music  The music of the elder civilisations and the music of the Greeks  cont d

to have single dancers in the centre , and the rest moving in a ring round them .
And we may also admire how the simple topós , as Homer describes it ,
resembled the Jing - ger - ring of our children to - day , for boys and girls holding
one ...

Author: John Frederick Rowbotham

Publisher:

ISBN: HARVARD:32044039653290

Category: Music

Page:

View: 183

Categories: Music

The Natural History of Man Being an Account of the Manners and Customs of the Uncivilized Races of Men by the Rev J G Wood

The Natural History of Man Being an Account of the Manners and Customs of the Uncivilized Races of Men by the Rev  J  G  Wood

Australia, New Zealand, Polynesia, America, Asia, and ancient Europe John
George Wood. DIFFERENT DANCES . 65 stooping position , and so on with all
the rest , until every dancer was brought to the spear , so forming a circular body .

Author: John George Wood

Publisher:

ISBN: IBNR:CR102019363

Category:

Page: 864

View: 515

Categories: