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About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
Publisher: Forgotten Books
Excerpt from The British Journal of Photography, Vol. 21 Mr. King has had two dialysers made after his own model, and, as he has left one of them at our cihoe to be used in our own experi ments and also to show to such as are interested, we here give a de scription of the instrument. A dialyser, we may state. Is a vessel made of any kind of material that cannot be acted upon by the liquid in which it is to be placed or which is to be contained in it, but it must be a vessel without a bottom it may, in short, consist of a deep frame alone. But it must have a bottom of a certain kind, and upon this depends its value. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Like the fast-selling past editions, this book features the full shortlist of 200 photographs alongside quotes from the photographers.
Author: Hoxton Mini Press
Coming at a pivotal time in UK politics, Portrait of Britain, the British Journal of Photography's annual photography exhibition, is back for 2019 and Hoxton Mini Press will once again be producing the accompanying publication. The winning photographs from this open-call competition are selected by a panel of expert judges and will be displayed on digital billboard screens nationwide at the same time as the book's launch where they are seen by over 10 million people. These captivating portraits celebrate the diversity, culture and identity of Britain at a critical time in its history.
It was for many years the alternative to the British Journal of Photography's
Photographic Almanac (1859-1963) but never quite grew in the same way or
gained the same following. By 1894 the Almanac numbered 1336 pages against
Author: John Hannavy
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
Author: T. A. Malone
Publisher: Sagwan Press
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Following the success of Portrait of Britain and Portrait of Humanity, this second edition of the latter brings together 200 new portraits taken by photographers of all levels from all over the world, selected from tens of thousands of ...
Following the success of Portrait of Britain and Portrait of Humanity, this second edition of the latter brings together 200 new portraits taken by photographers of all levels from all over the world, selected from tens of thousands of entries. The publication supports a world-touring exhibition which will visit USA, India, Hungary and among other places, bringing global exposure to the book. Each image in the book is accompanied by a short, telling story from each photographer, bringing home the humanity of those photographed.