Aliens in Pop Culture

Author: Hal Marcovitz

Publisher: Capstone

ISBN: 1601523653

Category: Extraterrestrial beings in popular culture

Page: 80

View: 7791

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For centuries, people have wondered about life on other planets but most aliens did not start showing up in literature and other forms of pop culture until the late 19th century. Since then, aliens have become familiar characters in books, films and video games. Given their overwhelming popularity, visitors from other worlds are sure to be featured in pop culture for many years to come.
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Aliens in Popular Culture

Author: Michael M. Levy,Farah Mendlesohn

Publisher: ABC-CLIO

ISBN: 144083833X

Category: Social Science

Page: 330

View: 605

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An indispensable resource, this book provides wide coverage on aliens in fiction and popular culture. • Provides cultural context in introductory essays on some of the key themes and contexts of alien representation • Covers a broad scope, with more than 130 entries on different topics, and is written by nearly 90 researchers with diverse expertise • Shows readers the varied ways that imagined aliens have become a part of popular culture • Presents both familiar topics and more obscure topics in popular culture to provide new scholarship
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Science in Popular Culture

A Reference Guide

Author: A. Bowdoin Van Riper

Publisher: Greenwood Publishing Group

ISBN: 9780313318221

Category: Science

Page: 314

View: 8162

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Spaceships travel through time at lightspeed, piloted by human clones and talking animals. Serious injuries are healed with the wave of a medical gizmo. The media make it all look so real. Can scientists hope to one day accomplish these feats? This book is a fun look at what can, and can't, be achieved with current technology.
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Aliens in America

Conspiracy Cultures from Outerspace to Cyberspace

Author: Jodi Dean

Publisher: Cornell University Press

ISBN: 9780801484681

Category: Body, Mind & Spirit

Page: 242

View: 8218

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Discusses the social and political implications of widespread belief in unidentified flying objects, extraterrestrials, and government cover-ups, and considers what they reveal in a culture of mass media and conflicting evidence
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The Invisible Hand in Popular Culture

Liberty vs. Authority in American Film and TV

Author: Paul A. Cantor

Publisher: University Press of Kentucky

ISBN: 0813140838

Category: Political Science

Page: 488

View: 9705

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Popular culture often champions freedom as the fundamentally American way of life and celebrates the virtues of independence and self-reliance. But film and television have also explored the tension between freedom and other core values, such as order and political stability. What may look like healthy, productive, and creative freedom from one point of view may look like chaos, anarchy, and a source of destructive conflict from another. Film and television continually pose the question: Can Americans deal with their problems on their own, or must they rely on political elites to manage their lives? In this groundbreaking work, Paul A. Cantor explores the ways in which television shows such as Star Trek, The X-Files, South Park, and Deadwood and films such as The Aviator and Mars Attacks! have portrayed both top-down and bottom-up models of order. Drawing on the works of John Locke, Adam Smith, Alexis de Tocqueville, and other proponents of freedom, Cantor contrasts the classical liberal vision of America -- particularly its emphasis on the virtues of spontaneous order -- with the Marxist understanding of the "culture industry" and the Hobbesian model of absolute state control. The Invisible Hand in Popular Culture concludes with a discussion of the impact of 9/11 on film and television, and the new anxieties emerging in contemporary alien-invasion narratives: the fear of a global technocracy that seeks to destroy the nuclear family, religious faith, local government, and other traditional bulwarks against the absolute state.
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Alien Abduction in Popular Culture

The X-Files, Ufo, Prey, the 4400, Cartman Gets an Anal Probe, Taken, Treehouse of Horror, Fire in the Sky, Night S

Author: Source Wikipedia

Publisher: University-Press.org

ISBN: 9781230607788

Category:

Page: 42

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 40. Chapters: The X-Files, UFO, Prey, The 4400, Cartman Gets an Anal Probe, Taken, Treehouse of Horror, Fire in the Sky, Night Skies, The Fourth Kind, Lifted, Alien Abduction, Little Green Men, Alien Abduction: Incident in Lake County, The 37's, Progeny, Communion, Anal probing, Prey Invasion, Beyond the Veil, Zuma: Tales of a Sexual Gladiator, The Cult of Alien Gods: H. P. Lovecraft and Extraterrestrial Pop Culture, The Janos People, Los Hombres De Negro y los OVNI, Transit, The McPherson Tape. Excerpt: The X-Files is an American science fiction television series and a part of The X-Files franchise, created by screenwriter Chris Carter. The program originally aired from September 10, 1993) to May 19, 2002). The show was a hit for the Fox network, and its characters and slogans (such as "The Truth Is Out There," "Trust No One," "I Want to Believe") became popular culture touchstones in the 1990s. Seen as a defining series of its era, The X-Files tapped into public mistrust of governments and large institutions, and embraced conspiracy theories and spirituality as it centered on efforts to uncover the existence of extraterrestrial life. The series spawned a spin-off show, The Lone Gunmen. In the series, FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) are the investigators of X-Files: marginalized, unsolved cases involving paranormal phenomena. Mulder is a believer in the existence of aliens and the paranormal, while Scully, a skeptic, is assigned to make scientific analyses of Mulder's discoveries. Early in the series both agents become pawns in a larger conflict, and come to trust only each other. They develop a close relationship, which begins as a platonic friendship, but develops into a romantic relationship by the end of the series' run. In addition to the series-spanning story arc, "monster of the...
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Tashlinesque

The Hollywood Comedies of Frank Tashlin

Author: Ethan de Seife

Publisher: Wesleyan University Press

ISBN: 0819572411

Category: Performing Arts

Page: 272

View: 5590

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Frank Tashlin (1913–1972) was a supremely gifted satirist and visual stylist who made an indelible mark on 1950s Hollywood and American popular culture—first as a talented animator working on Looney Tunes cartoons, then as muse to film stars Jerry Lewis, Bob Hope, and Jayne Mansfield. Yet his name is not especially well known today. Long regarded as an anomaly or curiosity, Tashlin is finally given his due in this career-spanning survey. Tashlinesque considers the director’s films in the contexts of Hollywood censorship, animation history, and the development of the genre of comedy in American film, with particular emphasis on the sex, satire, and visual flair that comprised Tashlin’s distinctive artistic and comedic style. Through close readings and pointed analyses of Tashlin’s large and fascinating body of work, Ethan de Seife offers fresh insights into such classic films as Will Success Spoil Rock Hunter?, The Girl Can’t Help It, Artists and Models, The Disorderly Orderly, and Son of Paleface, as well as numerous Warner Bros. cartoons starring Porky Pig, among others. This is an important rediscovery of a highly unusual and truly hilarious American artist. Includes a complete filmography.
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Alien Universe

Extraterrestrial Life in Our Minds and in the Cosmos

Author: Don Lincoln

Publisher: JHU Press

ISBN: 1421410737

Category: Science

Page: 208

View: 6902

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If extraterrestrials exist, where are they? What is the probability that somewhere out there in the universe an Earth-like planet supports an advanced culture? Why do so many people claim to have encountered Aliens? In this gripping exploration, scientist Don Lincoln exposes and explains the truths about the belief in and the search for life on other planets. In the first half of Alien Universe, Lincoln looks to Western civilization's collective image of Aliens, showing how our perceptions of extraterrestrials have evolved over time. The roots of this belief can be traced as far back as our earliest recognition of other planets in the universe—the idea of them supporting life was a natural progression of thinking that has fascinated us ever since. Our captivation with Aliens has, however, led to mixed results. The world was fooled in the nineteenth century during the Great Moon Hoax of 1835, and many people misunderstood, with calamitous results, Orson Welles's 1938 radio broadcast, The War of the Worlds. Our continuing interest in Aliens is reflected in entertainment successes such as E.T., The X-Files, and Star Trek. The second half of Alien Universe explores the scientific possibility of whether advanced Alien civilizations do exist. For many years, researchers have sought to answer Enrico Fermi’s great paradox—if there are so many planets in the universe and there is a high probability that many of those can support life, then why have we not actually encountered any Aliens? (Apologies to those who are sure we have.) Lincoln describes how modern science teaches us what is possible and what is not in our search for extraterrestrial civilizations. Whether you are drawn to the psychological belief in Aliens, the history of our interest in life on other planets, or the scientific possibility of Alien existence, Alien Universe is sure to hold you spellbound. -- Jocelyne DiRuggiero, Johns Hopkins University
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The Soul of Popular Culture

Looking at Contemporary Heroes, Myths, and Monsters

Author: Mary Lynn Kittelson

Publisher: Open Court Publishing

ISBN: 9780812693638

Category: Social Science

Page: 338

View: 8270

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In The Soul of Popular Culture, leading writers and critics, many of them influenced by the thought of C. G. Jung, draw upon the insights of depth psychology to delve into the meanings of TV programs like Star Trek and Fawlty Towers, movies such as The Piano and The Silence of the Lambs, and other contemporary media, as well as the public preoccupation with such issues as abortion, AIDS, the O.J. Simpson trial, and our enduring fascination with Elvis.
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Popular Culture

An Introduction

Author: Carla Freccero

Publisher: NYU Press

ISBN: 0814726704

Category: Social Science

Page: 202

View: 1487

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From Madonna and drag queens to cyberpunk and webzines, popular culture constitutes a common and thereby critical part of our lives. Yet the study of popular culture has been condemned and praised, debated and ridiculed. In Popular Culture: An Introduction, Carla Freccero reveals why we study popular culture and how it is taught in the classroom. Blending music, science fiction, and film, Freccero shows us that an informed awareness of politics, race, and sexuality is essential to any understanding of popular culture. Freccero places rap music, the Alien Trilogy and Sandra Cisneros in the context of postcolonialism, identity politics, and technoculture to show students how they can draw on their already existing literacies and on the cultures they know in order to think critically. Complete with a glossary of useful terms, a sample syllabus and extensive bibliography, this book is the concise introduction to the study of popular culture.
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