A L | A S C R A C E “Alias Grace is nothing less than literary quicksand—a rare and splendid novel that pulls you in and won't let go ... Atwood's 30th book is the work of a mature writer at the peak of her powers. Diamond-hard prose.
Author: Margaret Atwood
In Alias Grace, the bestselling author of The Handmaid's Tale takes readers into the life of one of the most notorious women of the nineteenth century—recently adapted into a 6-part Netflix original mini-series by director Mary Harron and writer/actress Sarah Polley. It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Captivating and disturbing, Alias Grace showcases bestselling, Booker Prize-winning author Margaret Atwood at the peak of her powers.
Genre: historical novel Reference edition: Atwood, M. (2017) Alias Grace. London: Virago. 1st edition: 1996 Themes: murder, guilt, class conflict, sexuality, dreams, mental illness Alias Grace is a work of historical fiction based on ...
Author: Bright Summaries
Category: Study Aids
Unlock the more straightforward side of Alias Grace with this concise and insightful summary and analysis! This engaging summary presents an analysis of Alias Grace by Margaret Atwood, a thought-provoking novel about the historical figure of Grace Marks, who was convicted of the double murder of her employers Thomas Kinnear and Nancy Montgomery in 1843. The novel opens 15 years later, when a young doctor hoping to establish his reputation as a pioneering psychiatrist is hired to interview Grace and ascertain whether or not she is truly guilty. Although the doctor, Simon Jordan, is determined to remain objective, he finds himself helplessly drawn into the narrative Grace weaves about her own past – and increasingly obsessed with his patient and the secrets she seems to be hiding. Alias Grace won the Canadian Giller Prize and was also shortlisted for the 1996 Booker Prize. It was adapted into a miniseries starring Sarah Gadon as Grace in 2017. Find out everything you need to know about Alias Grace in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
Author: Gale, Cengage LearningPublish On: 2016-06-29
Alias Grace begins with a recurrent dream that Grace Marks has. Grace narrates this chapter and states that it is 1851, she is twentyfour years old, and is in prison. She is a model prisoner, she claims, but it is difficult.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
Category: Literary Criticism
A Study Guide for Margaret Atwood's "Alias Grace," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
(Alias Grace 2017, ep. 1) With this rather powerful voice-over begins the telling of Grace Marks, by that time a 33-yearold maid that was convicted of murdering her former employer Thomas Kinnear and his house keeper Nancy Montgomery ...
Author: Nadine Henke
Publisher: GRIN Verlag
Category: Performing Arts
Essay from the year 2019 in the subject Communications - Movies and Television, grade: 1,7, , course: Gender in Film and the Visual Arts, language: English, abstract: The ambiguity of Grace herself is especially interesting about this series. Therefore, my attempt is to first analyze the narrative style, especially concerning the different timelines as well as Grace’s unreliability and ambiguity as a character and narrator. Furthermore, I will connect this way of narrating to Grace’s quilting which is omnipresent in the series and can be read as another form of communication and narration especially for women at a time where they usually had to stay silent. With a rather powerful voice-over begins the telling of Grace Marks, by that time a 33-year-old maid that was convicted of murdering her former employer Thomas Kinnear and his house keeper Nancy Montgomery together with the stable boy James McDermott. While he gets hanged, Grace is sentenced to life imprisonment. Now, 15 years after her conviction, psychologist Dr. Simon Jordan is hired to talk to Grace to find out if she really was guilty of the murders or not. These are true events that took once place in 1843 and then were adopted for a novel written by Margaret Atwood: Alias Grace. Based on this novel the canadian US-American Drama-mini-series Alias Grace, written by Margaret Atwood and Sarah Polley and directed by Mary Harron, was released in 2017. It is the story of Grace Marks, the question of her innocence and guilt, that is constantly being asked by Dr. Jordan as well as the audience.
... Open Publishing GmbH ISBN: 978-3-668-17462-7 This book at GRIN: http://www.grin.com/en/e-book/318286/postmodernism-in-margaret-atwoods-aliasgrace Nathalie Fiore Postmodernism in Margaret Atwoods "Alias Grace" GRIN Publishing.
Author: Nathalie Fiore
Publisher: GRIN Verlag
Category: Literary Collections
Seminar paper from the year 2015 in the subject Literature - Canada, grade: 2,0, , language: English, abstract: The aim of this term paper is to exemplify the central key features in Postmodernism and to analyse in how far Margaret Atwood manages to make use of them in her novel "Alias Grace". Besides, I will concentrate on Atwood’s strategies to integrate the postmodern features into the novel and to illustrate them to the reader. The first part of the term paper will be concerned with a general overview of Genette’s categories of discourse-oriented Narratology and the postmodern features Fragmentation, Subjectivity, Indeterminacy and Alienation. More precisely, I will define these features and will concentrate on the most important characteristics which can be linked to the novel. I will mention Genette’s Narrative Theory because it is especially important when dealing with Fragmentation. The second part will be concerned with these postmodern features with reference to "Alias Grace". Concerning Fragmentation, I am going to illustrate the interchanging narratives in the novel. When dealing with Subjectivity, I will analyse in how far different narratives of the story are subjective. By pointing out several passages in which open questions remain and the reader has to interpret on his own, I will discuss Indeterminacy. After doing so, I am going to point out in how far Fragmentation, Subjectivity and Indeterminacy lead to an Alienation of the reader. At the end of the term paper, a conclusion will be drawn in which one can see in how far Atwood uses postmodern elements in her novel.
Alias Grace BY MARGARET ATWOOD Nan A. Talese/Doubleday; 468 pages; $24.95 | ARGARET ATWOOD'S NEW NOVEL, Alias • • I Grace, is a laborious, reanimated research • fl I project. Set in Canada in the mid-nine- •M I teenth century, ...
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CHAPTER FOUR Amazing Space : Veils and Vogues in Alias Grace You can never tell with the dead whether it is they who wish to return or the living who want them to . The usual explanation is that they have something to tell us .
The power of storytelling to contest and alter history is given an even greater value in Alias Grace . First of all , the historical figure Grace , the real life murderess , whose alleged crimes are described by Atwood in the afterword ...
Author: Ellen McWilliams
Publisher: Ashgate Publishing, Ltd.
Category: Literary Criticism
In her study of Margaret Atwood, Ellen McWilliams explores how the Bildungsroman has been appropriated by women writers in the second half of the twentieth century. Early works by Atwood are placed in dialogue with more recent novels, thus furthering our
novel that neither Dr. Jordan , the reader ( and maybe not even Grace , given the possibility that she is truly insane and ... Circe , in Atwood's " Circe / Mud Poems , " can turn men into pigs , and so can Grace in Alias Grace .
Author: Reingard M. Nischik
Publisher: Camden House
Category: Biography & Autobiography
A collection of new essays on the multi-talented Canadian writer Margaret Atwood.
Alias Grace ( London : Virago , 1997 ) . In Search of Alias Grace ( Ottawa : U of Ottawa P , 1997 ) . Taylor , Jenny Bourne . “ Obscure Recesses : Locating the Victorial Unconscious , ” in Writing and the Victorians , ed .
Category: Literary Criticism
This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French, produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary, aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures, illustrated by works treating some of the different groups which make up Canadian society – English-Canadian, Québecois, Acadian, Native, and ethnic minorities. The emphasis is on the problematic representation of Canadianness, which is closely bound up with constructions of history and its legacies – dispossession, criminality, nomadism, Gothicism, the Maritime. The English/French language difference is emblematic of Canadian difference; the two-part arrangement, with one section on Literature and the other on Film, sets up the pattern of relationships between the two forms of cultural representation that these essays explore. Essays in the Literature section are on single texts by such writers as: Margaret Atwood, Tomson Highway, Ann-Marie MacDonald, Anne Michaels, and Alice Munro; Gabrielle Roy, Anne Hébert, Antonine Maillet, Bernard Assiniwi, and Régine Robin. The Film section with its mirror structure both supplements and amplifies this dialogue, extending notions of Canadianness with its emphasis on voices from Quebec and Acadia traditionally ‘othered’ in Canadian history. Filmmakers treated include: Phillip Borsos, Atom Egoyan, Ted Kotcheff, Mort Ransen, and Vincent Ward; Denys Arcand, Gilles Carle, Alanis Obomsawin, Léa Pool, and Jacques Savoie.