Against Voluptuous Bodies

Against Voluptuous Bodies

The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno.

Author: J. M. Bernstein

Publisher: Stanford University Press

ISBN: 0804748950

Category: Philosophy

Page: 400

View: 234

The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
Categories: Philosophy

The Philistine Controversy

The Philistine Controversy

AGAINST VOLUPTUOUS BODIES : OF SATIATION WITHOUT HAPPINESS J . M .
BERNSTEIN In their New Left Review article , ' Spectres of the Aesthetic ' , Dave
Beech and John Roberts critique what they call ' the new aestheticism ' ...

Author: Dave Beech

Publisher: Verso

ISBN: 1859848427

Category: Philosophy

Page: 314

View: 316

Dave Beech and John Roberts develop what they call a 'counter-intuitive' notion of the philistine, with insights on cultural division and exclusion.
Categories: Philosophy

Feeling Pleasures

Feeling Pleasures

'Four Bodies on the Beagle: Touch, Sight and Writing in a Darwin Letter', in Open
Fields: Science in Cultural ... Bernstein, J.M. 'Judging Life: From Beauty to
Experience, from Kant to Chaim Soutine', in Against Voluptuous Bodies: Late ...

Author: Joe Moshenska

Publisher: OUP Oxford

ISBN: 9780191022036

Category: Literary Criticism

Page: 384

View: 450

The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. Feeling Pleasures argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period—surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine—to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England.
Categories: Literary Criticism

Culture in the Anteroom

Culture in the Anteroom

Like Hansen, my aim is to argue against the view of Kracauer as a media
pessimist and instead highlight the extent to which his ... J. M. Bernstein, Against
Voluptuous Bodies: Late Modernism and the Meaning of Painting (Stanford:
Stanford ...

Author: Gerd Gemunden

Publisher: University of Michigan Press

ISBN: 9780472051670

Category: History

Page: 313

View: 562

An interdisciplinary approach to Kracauer's body of work
Categories: History

Beckett s Words

Beckett s Words

See Jay Bernstein, Against Voluptuous Bodies: Late Modernism and the
Meaning of Painting (Stanford: Stanford University Press, 2006), 46. I quote, as
bearing very much on my project, what Bernstein says about a painting by Chaim
Soutine: ...

Author: David Kleinberg-Levin

Publisher: Bloomsbury Publishing

ISBN: 9781474216883

Category: Philosophy

Page: 304

View: 547

At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
Categories: Philosophy

Sacred Exchanges

Sacred Exchanges

Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. Palo
Alto: Stanford University Press. Bersani, Leo. 1986. The Freudian Body:
Psychoanalysis and Art. New York: Columbia University Press. Biddle, Jennifer.
1991.

Author: Robyn Ferrell

Publisher: Columbia University Press

ISBN: 9780231504423

Category: Philosophy

Page: 176

View: 603

As the international art market globalizes the indigenous image, it changes its identity, status, value, and purpose in local and larger contexts. Focusing on a school of Australian Aboriginal painting that has become popular in the contemporary art world, Robyn Ferrell traces the influence of cultural exchanges on art, the self, and attitudes toward the other. Aboriginal acrylic painting, produced by indigenous women artists of the Australian Desert, bears a superficial resemblance to abstract expressionism and is often read as such by viewers. Yet to see this art only through a Western lens is to miss its unique ontology, logics of sensation, and rich politics and religion. Ferrell explores the culture that produces these paintings and connects its aesthetic to the brutal environmental and economic realities of its people. From here, she travels to urban locales, observing museums and department stores as they traffic interchangeably in art and commodities. Ferrell ties the history of these desert works to global acts of genocide and dispossession. Rethinking the value of the artistic image in the global market and different interpretations of the sacred, she considers photojournalism, ecotourism, and other sacred sites of the western subject, investigating the intersection of modern art and postmodern culture. She ultimately challenges the primacy of the "European gaze" and its fascination with sacred cultures, constructing a more balanced intercultural dialogue that deemphasizes the aesthetic of the real championed by western philosophy.
Categories: Philosophy

Blake Deleuzian Aesthetics and the Digital

Blake  Deleuzian Aesthetics  and the Digital

Critical Inquiry. 8.4(Summer): 723–742. Bergson, Henri. 2004. Matter and
Memory. New York: Dover. —. 1931. Creative Evolution. Trans. Arthur Mitchell.
New York: H. Holt and Company. Bernstein, J. M. 2006. Against Voluptuous
Bodies: Late ...

Author: Claire Colebrook

Publisher: Bloomsbury Publishing

ISBN: 9781441114372

Category: Literary Criticism

Page: 200

View: 270

Drawing on recent theories of digital media and on the materiality of words and images, this fascinating study makes three original claims about the work of William Blake. First, Blake offers a critique of digital media. His poetry and method of illuminated printing is directed towards uncovering an analogical language. Second, Blake's work can be read as a performative. Finally, Blake's work is at one and the same time immanent and transcendent, aiming to return all forms of divinity and the sacred to the human imagination, stressing that 'all deities reside in the human breast,' but it also stresses that the human has powers or potentials that transcend experience and judgement: deities reside in the human breast. These three claims are explored through the concept of incarnation: the incarnation of ideas in words and images, the incarnation of words in material books and their copies, the incarnation of human actions and events in bodies, and the incarnation of spirit in matter.
Categories: Literary Criticism

Feminist Readings of Antigone

Feminist Readings of Antigone

... 1992), Recovering Ethical Life: Jürgen Habermas and the Future of Critical
Theory (Routledge, 1995), Adorno: Disenchantment and Ethics (Cambridge
University Press, 2001), and most recently, Against Voluptuous Bodies: Late
Modernism ...

Author: Fanny Söderbäck

Publisher: SUNY Press

ISBN: 9781438432809

Category: Philosophy

Page: 272

View: 687

New and classic essays on Antigone and feminist philosophy.
Categories: Philosophy

Philosophical Romanticism

Philosophical Romanticism

Reflections on the End(s) of Art,” both forthcoming in my Against Voluptuous
Bodies: Adorno's Late Modernism and the Idea of Painting, Stanford, Stanford
University Press, and, from a wildly different angle, Rosalind E. Krauss, “
Reinventing ...

Author: Nikolas Kompridis

Publisher: Routledge

ISBN: 9781134519439

Category: Philosophy

Page: 306

View: 198

Philosophical Romanticism is one of the first books to address the relationship between philosophy and romanticism, an area which is currently undergoing a major revival. This collection of specially-written articles by world-class philosophers explores the contribution of romantic thought to topics such as freedom, autonomy, and subjectivity; memory and imagination; pluralism and practical reasoning; modernism, scepticism and irony; art and ethics; and cosmology, time and technology. While the roots of romanticism are to be found in early German idealism, Philosophical Romanticism shows that it is not a purely European phenomenon: the development of romanticism can be traced through to North American philosophy in the era of Emerson and Dewey, and up to the current work of Stanley Cavell and Richard Rorty. The articles in this collection suggest that philosophical romanticism offers a compelling alternative to both the reductionist tendencies of the naturalism in 'analytic' philosophy, and deconstruction and other forms of scepticism found in 'continental' philosophy. This outstanding collection will be of interest to those studying philosophy, literature and nineteenth and twentieth century thought.
Categories: Philosophy

Curriculum and the Cultural Body

Curriculum and the Cultural Body

Their brown voluptuous bodies bump up against and embrace white Western
notions of beauty and femininity , signify subalterneity , and highlight identity as
performance . Performing as black leather - clad Kill Bill - like karate sidekicks in
a ...

Author: Stephanie Springgay

Publisher: Peter Lang

ISBN: 0820486868

Category: Education

Page: 269

View: 999

Textbook
Categories: Education

Sublime Noise

Sublime Noise

Bernstein, J.M. Against Voluptuous Bodies: Late Modernism and the Meaning of
Painting. Palo Alto: Stanford University Press, 2006. Bernstein, Leonard. The
Unanswered Question: Six Talks at Harvard. Cambridge, Bibliography 303.

Author: Josh Epstein

Publisher: JHU Press

ISBN: 9781421415246

Category: Literary Criticism

Page: 384

View: 920

When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the "old favorites" of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the "new musicology," Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.
Categories: Literary Criticism

On Jean Am ry

On Jean Am  ry

... 2001); Against Voluptuous Bodies: Late Modernism and the Meaning of
Painting (Stanford University Press, 2006); he edited and wrote the introduction
for Classic and Romantic German Aesthetics (Cambridge University Press, 2003)
.

Author: Magdalena Zolkos

Publisher: Lexington Books

ISBN: 9780739147672

Category: Philosophy

Page: 344

View: 689

On Jean Améry provides a comprehensive discussion of one of the most challenging and complex post-Holocaust thinkers, Jean Améry (1912-1978), a Jewish-Austrian-Belgian essayist, journalist and literary author. In the English-speaking world Améry is known for his poignant publication, At the Mind's Limits, a narrative of exile, dispossession, torture, and Auschwitz. In recent years, there has been a renewed interest in Améry's writings on victimization and resentment, partly attributable to a modern fascination with tolerance, historical injustice, and reconciliatory ambitions. Many aspects of Améry's writing have remained largely unexplored outside the realm of European scholarship, and his legacy in English-language scholarship limited to discussions of victimization and memory. This volume offers the first English language collection of academic essays on the post-Holocaust thought of Jean Améry. Comprehensive in scope and multi-disciplinary in orientation, contributors explore central aspects of Améry's philosophical and ethical position, including dignity, responsibility, resentment, and forgiveness. What emerges from the pages of this book is an image of Amèry as a difficult and perplexing-yet exceptionally engaging-thinker, whose writings address some of the central paradoxes of survivorship and witnessing. The intellectual and ethical questions of Améry's philosophies are equally pertinent today as they were half-century ago: How one can reconcile with the irreconcilable? How can one account for the unaccountable? And, how can one live after catastrophe?
Categories: Philosophy

Feminist Aesthetics and the Politics of Modernism

Feminist Aesthetics and the Politics of Modernism

... MIT Press, 1994), 150–176. 28. Bernstein offers a philosophical account of “the
perpetual lateness” of modernism in Against Voluptuous Bodies: Late Modernism
and the Meaning of Painting (Stanford: Stanford University Press, 2006), 1–3.

Author: Ewa Płonowska Ziarek

Publisher: Columbia University Press

ISBN: 9780231530903

Category: Philosophy

Page: 288

View: 283

Ewa Ziarek fully articulates a feminist aesthetics, focusing on the struggle for freedom in women's literary and political modernism and the devastating impact of racist violence and sexism. She examines the contradiction between women's transformative literary and political practices and the oppressive realities of racist violence and sexism, and she situates these tensions within the entrenched opposition between revolt and melancholia in studies of modernity and within the friction between material injuries and experimental aesthetic forms. Ziarek's political and aesthetic investigations concern the exclusion and destruction of women in politics and literary production and the transformation of this oppression into the inaugural possibilities of writing and action. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women's literary modernism, particularly the writing of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender. By bringing seemingly apolitical, gender-neutral debates about modernism's experimental forms together with an analysis of violence and destroyed materialities, Ziarek challenges both the anti-aesthetic subordination of modern literature to its political uses and the appreciation of art's emancipatory potential at the expense of feminist and anti-racist political struggles.
Categories: Philosophy

Beautiful Circuits

Beautiful Circuits

... Against Voluptuous Bodies: Late Modernism and the Meaning of Painting (
Stanford, Calif.: Stanford University Press, 2006), 108. McLuhan, Understanding
Media, 238. 69 . William James, Essays in Radical Empiricism (Lincoln:
University.

Author: Mark Goble

Publisher: Columbia University Press

ISBN: 9780231518406

Category: Performing Arts

Page: 400

View: 820

Considering texts by Henry James, Gertrude Stein, James Weldon Johnson, F. Scott Fitzgerald, Ralph Ellison, Richard Wright, James Agee, and William Carlos Williams, alongside film, painting, music, and popular culture, Mark Goble explores the development of American modernism as it was shaped by its response to technology and an attempt to change how literature itself could communicate. Goble's original readings reinterpret the aesthetics of modernism in the early twentieth century, when new modes of communication made the experience of technology an occasion for profound experimentation and reflection. He follows the assimilation of such "old" media technologies as the telegraph, telephone, and phonograph and their role in inspiring fantasies of connection, which informed a commitment to the materiality of artistic mediums. Describing how relationships made possible by technology became more powerfully experienced with technology, Goble explores a modernist fetish for media that shows no signs of abating. The "mediated life" puts technology into communication with a series of shifts in how Americans conceive the mechanics and meanings of their connections to one another, and therefore to the world and to their own modernity.
Categories: Performing Arts

Uses of Literature

Uses of Literature

23 I borrow this term from J. M. Bernstein , Against Voluptuous Bodies : Late
Modernism and the Meaning of Painting ( Stanford , CA : Stanford University
Press , 2006 ) . Bernstein uses it , however , in the context of an Adorno - esque ...

Author: Rita Felski

Publisher: John Wiley & Sons

ISBN: 9781444359633

Category: Literary Criticism

Page: 160

View: 196

Uses of Literature bridges the gap between literary theory and common-sense beliefs about why we read literature. Explores the diverse motives and mysteries of why we read Offers four different ways of thinking about why we read literature - for recognition, enchantment, knowledge, and shock Argues for a new “phenomenology” in literary studies that incorporates the historical and social dimensions of reading Includes examples of literature from a wide range of national literary traditions
Categories: Literary Criticism

On Historicizing Epistemology

On Historicizing Epistemology

Bernstein, Against Voluptuous Bodies: Late Modernism and the Meaning of
Painting theodore W. Jennings, Jr., Reading Derrida /Thinking Paul: On Justice
richard rorty and Eduardo mendieta, Take Care of Freedom and Truth Will Take
Care ...

Author: Hans-Jörg Rheinberger

Publisher: Stanford University Press

ISBN: 9780804774208

Category: Philosophy

Page: 128

View: 511

Epistemology, as generally understood by philosophers of science, is rather remote from the history of science and from historical concerns in general. Rheinberger shows that, from the late nineteenth through the late twentieth century, a parallel, alternative discourse sought to come to terms with the rather fundamental experience of the thoroughgoing scientific changes brought on by the revolution in physics. Philosophers of science and historians of science alike contributed their share to what this essay describes as an ongoing quest to historicize epistemology. Historical epistemology, in this sense, is not so concerned with the knowing subject and its mental capacities. Rather, it envisages science as an ongoing cultural endeavor and tries to assess the conditions under which the sciences in all their diversity take shape and change over time.
Categories: Philosophy

After Taste

After Taste

... Ethics (2002); edited and introduced, Classic and Romantic German Aesthetics
(2003); Against Voluptuous Bodies: Late Modernism and the Meaning of Painting
(2006). He is currently working on a book tentatively titled Torture and Dignity.

Author: Kent Kleinman

Publisher: Chronicle Books

ISBN: 9781616891398

Category: Architecture

Page: 256

View: 954

What is taste? This well-curated collection documents new theories and emerging critical practices in the field of interior design. It investigates taste, a concept central to the formation of the discipline in the eighteenth century that was repudiated by architects in the early twentieth century, but which continues to play an important role in interior design today. Essays by historians and critics are complemented by interviews with practitioners on the margins of normative practice and portfolios of the work of contemporary designers.
Categories: Architecture

Arendt and Adorno

Arendt and Adorno

His books include Against Voluptuous Bodies: Late Modernism and the Meaning
ofPainting (Stanford: Stanford University Press, 2007), Classic and Romantic
German Aesthetics (New York: Cambridge University Press, 2003), Adorno: ...

Author: Lars Rensmann

Publisher: Stanford University Press

ISBN: 9780804782579

Category: Philosophy

Page: 368

View: 507

Hannah Arendt and Theodor W. Adorno, two of the most influential political philosophers and theorists of the twentieth century, were contemporaries with similar interests, backgrounds, and a shared experience of exile. Yet until now, no book has brought them together. In this first comparative study of their work, leading scholars discuss divergences, disclose surprising affinities, and find common ground between the two thinkers. This pioneering work recovers the relevance of Arendt and Adorno for contemporary political theory and philosophy and lays the foundation for a critical understanding of political modernity: from universalistic claims for political freedom to the abyss of genocidal politics.
Categories: Philosophy

Ethics and Images of Pain

Ethics and Images of Pain

... and Ethics (New York, 2001); Against Voluptuous Bodies: Late Modernism and
the Meaning of Painting (Stanford, 2006); and he edited and wrote the
introduction for Classic and Romantic German Aesthetics (New York, 2003).

Author: Asbjørn Grønstad

Publisher: Routledge

ISBN: 9780415893824

Category: Art

Page: 238

View: 682

Few phenomena are as formative of our experience of the visual world as displays of suffering. But what does it mean to have an ethical experience of disturbing or traumatizing images? What kind of ethical proposition does an image of pain mobilize? How may the spectator learn from and make use of the painful image as a source of ethical reflection? Engaging with a wide range of visual media--from painting, theatre, and sculpture, to photography, film, and video--this interdisciplinary collection of essays by leading and emerging scholars of visual culture offers a reappraisal of the increasingly complex relationship between images of pain and the ethics of viewing. Ethics and Images of Pain reconsiders the persistent and ever pertinent nexus of aesthetics and ethics, the role of painful images as generators of unpredictable forms of affect, the moral transformation of spectatorship, the ambivalence of the witness and the representation of afflication as a fundamental form of our shared scopic experience. The instructive and illuminating essays in the collection introduce a phenomenological context in which to make sense of our current ecology of excruciating images, one that accentuates notions of responsibility, empathy, and imagination. Contributors trace the images of pain across a miscellany of case studies, and amongst the topics addressed are: the work of artists as disparate as Doris Salcedo, Anselm Kiefer and Bendik Riis; photographs from Abu Ghraib and Rwanda; Hollywood war films and animated documentaries; performances of self-immolations and incidents of police brutality captured on mobile phones.
Categories: Art

New Left Review

New Left Review

Having concluded that ' philistine categories and values are not reducible to any
actual body of the meanings of the dominated ' , we took this to mean that the
philistine ... 19-22 ; J.M. Bernstein , Against Voluptuous Bodies ' , NLR 225 , pp .

Author:

Publisher:

ISBN: OSU:32435060005444

Category: Electronic journals

Page:

View: 885

Categories: Electronic journals