The Eclogues ; The Georgics

Author: Virgil

Publisher: Oxford University Press, USA

ISBN: 9780192837684

Category: Agriculture

Page: 148

View: 8736

The Eclogues, ten short pastoral poems, were composed between approximately 42 and 39 BC, during the time of the 'Second' Triumvirate of Lepidus, Anthony, and Octavian. In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil's art and charm and are among his mostdelightful achievements. Between approximately 39 and 29 BC, years of civil strife between Antony, and Octavian, Virgil was engaged upon the Georgics. Part agricultural manual, full of observations of animals and nature, they deal with the farmer's life and give it powerful allegorical meaning. These four books contain some of Virgil's finest descriptive writing and are generally held to be his greatest and most entertaining work, and C. Day Lewis's lyrical translations are classics in theirown right.
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Cézanne

A life

Author: Alex Danchev

Publisher: Profile Books

ISBN: 1847653448

Category: Art

Page: 956

View: 1224

Today we view Czanne as a monumental figure, but during his lifetime (1839-1906), many did not understand him or his work. With brilliant insight, drawing on a vast range of primary sources, Alex Danchev tells the story of an artist who was never accepted into the official Salon: he was considered a revolutionary at best and a barbarian at worst, whose paintings were unfinished, distorted and strange. His work sold to no one outside his immediate circle until his late thirties, and he maintained that 'to paint from nature is not to copy an object; it is to represent its sensations' - a belief way ahead of his time, with stunning implications that became the obsession of many other artists and writers, from Matisse and Braque to Rilke and Gertrude Stein. Beginning with the restless teenager from Aix who was best friends with Emile Zola at school, Danchev carries us through the trials of a painter tormented by self-doubt, who always remained an outsider, both of society and the bustle of the art world. Czanne: A life delivers not only the fascinating days and years of the visionary who would 'astonish Paris with an apple', with interludes analysing his self-portraits, but also a complete assessment of Czanne's ongoing influence through artistic imaginations in our own time. He is, as this life shows, a cultural icon comparable to Monet or Toulouse.
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Fifty Key Classical Authors

Author: Fellow and Tutor in Classics Rhiannon Ash,Rhiannon Ash,Alison Sharrock

Publisher: Routledge

ISBN: 1134709773

Category: History

Page: 448

View: 6377

A chronological guide to influential Greek and Roman writers, Fifty Key Classical Authors is an invaluable introduction to the literature, philosophy and history of the ancient world. Including essays on Sappho, Polybius and Lucan, as well as on major figures such as Homer, Plato, Catullus and Cicero, this book is a vital tool for all students of classical civilization.
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The Eclogues and Georgics

Author: Virgil,

Publisher: Oxford Paperbacks

ISBN: 9780199554096

Category: Poetry

Page: 192

View: 1261

The Eclogues, ten short pastoral poems, were composed between approximately 42 and 39 BC, during the time of the 'Second' Triumvirate of Lepidus, Anthony, and Octavian. In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil's art and charm and are among his most delightful achievements.
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Catalogues of Proper Names in Latin Epic Poetry

Lucretius - Virgil - Ovid

Author: Stratis Kyriakidis

Publisher: Cambridge Scholars Publishing

ISBN: 1443809004

Category: Literary Criticism

Page: 250

View: 9282

This book is divided into two main parts, namely “Structure and Contents” and “Catalogues in Context”. The main subject of the first part is an exploration of how a catalogue is organized internally. A number of structural patterns formed since Homer on the basis of the position the names held within the catalogue continued down to the period of Lucretius, Virgil and Ovid. Each pattern carries its own dynamism in the text and has its particular effects in the reading process. Particularly when the poetic work evolves in time, the fluctuation of the density in names per verse entails a corresponding fluctuation of the narrative tempo. On occasion, the reader may also recognize in the structure of the catalogue a visual parallel to the situation described. The widely-applied mirroring finds its place in the poetic catalogues of the period and can be distinguished in three major categories: the extratextual, the intertextual, and the intratextual. In Ovid, the technique becomes particularly sophisticated. The second part deals with the relation of the catalogue to its surrounding text. In this respect, catalogue-markers and the way a catalogue is introduced or completed are issues which are discussed in this part of the work, as they can be indicative of the way the poet views the contents of a catalogue. What becomes evident here is that the usual catalogue-markers are the products of the notion that whoever or whatever is included in a catalogue is listed there as an individual entity, even if some of its characteristics are neutralized. This proves to be true in Virgil where the items of a catalogue retain their value whereas frame and content function in support of each other. This also occurs in the greater part of the epic tradition. Before Virgil, however, in Lucretius, the frame was often the means of subverting the traditional function of a catalogue, since it usually called into question the very existence of the beings named, or undermined their value. On some occasions, a Virgilian catalogue does not close with a verbal frame but with a pause. This mode of closure proves to be the strongest boundary between a catalogue and the continuation of the narrative. On other occasions, a simile is used at the end of a catalogue. These closural devices stress the catalogue’s potentials as they affect the reading process. Things change in the Ovidian Metamorphoses. Ovid makes extensive use of various poetic techniques and devices which he draws from the tradition in general and Virgil in particular. In doing so, however, he often challenges their significance and forms catalogues that give the impression of delaying, by protracting the oncoming narrative. In Ovid’s work neither the pause nor the simile can easily constitute natural barriers to his catalogues. Everything in the Metamorphoses is in a continuous state of flux and the catalogue, too, has to adapt accordingly by acquiring new characteristics with novel values.
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Georgics

Author: Virgil,

Publisher: Oxford University Press

ISBN: 0199538832

Category: Literary Criticism

Page: 160

View: 6572

Part agricultural manual, part political poem and allegory, the Georgics' scenes are real and vivid, and the poet-farmer Peter Fallon restores to life the sights, sounds, and textures of the ancient Italian landscape.
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The Reader's Adviser

Author: Bessie Graham,Hester Rosalyn Jacoby Hoffman

Publisher: R. R. Bowker

ISBN: N.A

Category: Best books

Page: N.A

View: 9168

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British Book News

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Best books

Page: N.A

View: 8920

Includes no. 53a: British wartime books for young people.
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The Oxford Anthology of Roman Literature

Author: Peter E. Knox,J. C. McKeown

Publisher: Oxford University Press

ISBN: 0199910723

Category: History

Page: 656

View: 682

Though the wonders of ancient Roman culture continue to attract interest across the disciplines, it is difficult to find a lively, accessible collection of the full range of the era's literature in English. The Oxford Anthology of Roman Literature provides a general introduction to the literature of the Roman empire at its zenith, between the second century BC and the second century AD. Two features of this extraordinarily fertile period in literary achievement as evidenced by this anthology are immediately and repeatedly clear: how similar the Romans' view of the world was to our own and, perhaps even more obviously, how different it was. Most of the authors included in the anthology wrote in Latin, but as the anthology moves forward in time, relevant Greek texts that reflect the cultural diversity of Roman literary life are also included, something no other such anthology has done in the past. Roman literature was wonderfully creative and diverse, and the texts in this volume were chosen from a broad range of genres: drama, epic, philosophy, satire, lyric poetry, love poetry. By its very nature an anthology can abbreviate and thus obscure the most attractive features of even a masterpiece, so the two editors have not only selected texts that capture the essence of the respective authors, but also have included accompanying introductions and afterwords that will guide the reader in pursuing further reading. The presentations of the selections are enlivened with illustrations that locate the works within the contexts of the world in which they were written and enjoyed. The student and general reader will come away from this learned yet entertaining anthology with a fuller appreciation of the place occupied by literature in the Roman world.
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Tragedy: A Very Short Introduction

Author: Adrian Poole

Publisher: OUP Oxford

ISBN: 0191577626

Category: Literary Criticism

Page: 160

View: 6719

What do we mean by 'tragedy' in present-day usage? When we turn on the news, does a report of the latest atrocity have any connection with the masterpieces of Sophocles, Shakespeare and Racine? What has tragedy been made to mean by dramatists, story-tellers, critics, philosophers, politicians and journalists over the last two and a half millennia? Why do we still read, re-write, and stage these old plays? This book argues for the continuities between 'then' and 'now'. Addressing questions about belief, blame, mourning, revenge, pain, witnessing, timing and ending, Adrian Poole demonstrates the age-old significance of our attempts to make sense of terrible suffering. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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Landmarks in Classical Literature

Author: Philip Gaskell

Publisher: N.A

ISBN: N.A

Category: Literary Criticism

Page: 227

View: 6892

Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature. Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings -- and how they have been misconstrued by critics and admirers alike -- The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.
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Aeneis

Author: Virgil

Publisher: Cambridge University Press

ISBN: 052130881X

Category: History

Page: 363

View: 6000

The first detailed single-volume commentary in any language on the final book of Virgil's epic masterpiece, with an introduction discussing larger issues and situating the poem in its historical context. An invaluable resource for upper-level undergraduate and graduate students and with much of interest to scholars as well.
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Virgil: Oxford Bibliographies Online Research Guide

Author: Oxford University Press

Publisher: Oxford University Press, USA

ISBN: 9780199803231

Category: Literary Criticism

Page: 22

View: 7024

This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
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The Beggar's Opera and Polly

Author: John Gay

Publisher: OUP Oxford

ISBN: 0191645761

Category: Drama

Page: 256

View: 7032

'Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.' With The Beggar's Opera (1728), John Gay created one of the most enduringly popular works in English theatre history, and invented a new dramatic form, the ballad opera. Gay's daring mixture of caustic political satire, well-loved popular tunes, and a story of crime and betrayal set in the urban underworld of prostitutes and thieves was an overnight sensation. Captain Macheath and Polly Peachum have become famous well beyond the confines of Gay's original play, and in its sequel, Polly, banned in Gay's lifetime, their adventures continue in the West Indies. With a cross-dressing heroine and a cast of female adventurers, pirates, Indian princes, rebel slaves, and rapacious landowners, Polly lays bare a culture in which all human relationships are reduced to commercial transactions. Raucous, lyrical, witty, ironic and tragic by turns, The Beggar's Opera and Polly - published together here for the first time - offer a scathing and ebullient portrait of a society in which statesmen and outlaws, colonialists and pirates, are impossible to tell apart. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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