New Approaches to the Literary Art of Anne Brontë

Author: Barbara A. Suess

Publisher: Routledge

ISBN: 135191510X

Category: Literary Criticism

Page: 248

View: 2013

This new essay collection brings together some of the top Brontë scholars working today, as well as new critical voices, to examine the many layers of Anne Brontë's fiction and other writings and to restore Brontë to her rightful place in literary history. Until very recently, Brontë's literary fate has been to live in the critical shadow of her older sisters, Charlotte and Emily, in spite of the fact that her two published novels, Agnes Grey and The Tenant of Wildfell Hall were widely read and discussed during her lifetime. From a variety of fields-including psychology, religion, social criticism and literary tradition-the contributors to New Approaches to the Literary Art of Anne Brontë re-assess her works as those of an artist, which demand the rigorous scholarship and attention that they receive here.
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Literary Theology by Women Writers of the Nineteenth Century

Author: Rebecca Styler

Publisher: Routledge

ISBN: 1317104536

Category: Literary Criticism

Page: 190

View: 4830

Examining popular fiction, life writing, poetry and political works, Rebecca Styler explores women's contributions to theology in the nineteenth century. Female writers, Styler argues, acted as amateur theologians by use of a range of literary genres. Through these, they questioned the Christian tradition relative to contemporary concerns about political ethics, gender identity, and personal meaning. Among Styler's subjects are novels by Emma Worboise; writers of collective biography, including Anna Jameson and Clara Balfour, who study Bible women in order to address contemporary concerns about 'The Woman Question'; poetry by Anne Bronte; and political writing by Harriet Martineau and Josephine Butler. As Styler considers the ways in which each writer negotiates the gender constraints and opportunities that are available to her religious setting and literary genre, she shows the varying degrees of frustration which these writers express with the inadequacy of received religion to meet their personal and ethical needs. All find resources within that tradition, and within their experience, to reconfigure Christianity in creative, and more earth-oriented ways.
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The Peripheral Child in Nineteenth Century Literature and its Criticism

Author: N. Cocks

Publisher: Springer

ISBN: 1137452455

Category: Social Science

Page: 215

View: 5981

Established accounts of the child in nineteenth century literature tend to focus on those who occupy a central position within narratives. This book is concerned with children who are not so easily recognized or remembered, the peripheral or overlooked children to be read in works by Dickens, Brontë, Austen and Rossetti.
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Nineteenth-century Literature

Author: N.A

Publisher: N.A

ISBN: N.A

Category: American literature

Page: N.A

View: 375

Contains articles which focus on a broad spectrum of significant figures in fiction, philosophy, and criticism such as Austen, Carlyle, Dickens,Thackeray, the Brontes, Tennyson, Browning, Arnold, Emerson, Hawthorne, Thoreau, Whitman, Twain, and Henry James.
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Sublimer Aspects

Interfaces Between Literature, Aesthetics, and Theology

Author: Natasha Duquette

Publisher: Cambridge Scholars Publishing

ISBN: N.A

Category: Literary Criticism

Page: 228

View: 3835

How did eighteenth-century aesthetics come to so strongly influence not only the theology but also the practice of Christianity by the late nineteenth century? The twelve essays in Sublimer Aspects seek to answer this question by examining interfaces between literature, aesthetics, and theology from 1715-1885. In doing so, they consider the theological import of canonical writers-such as Daniel Defoe, Alexander Pope, Voltaire, and Immanuel Kant-as well as writers whose work is now experiencing a revival, namely women writers-including Mary Anne Schimmelpenninck, Anne Brontë, Frances Ridley Havergal, Elizabeth Stuart Phelps, and Adelaide Procter. The volume concludes with essays on the possibility for hope within the Christian Romanticism of Samuel Taylor Coleridge, Thomas Carlyle and George MacDonald, whose texts continue to cultivate a sense of wonder in new generations. Divided into five sections, essays by Ben Faber, Katherine Quinsey, Melora G. Vandersluis, Richard J. Lane, Natasha Duquette, Susan R. Bauman, Krista Lysack, Sandra Hagan, Roxanne Harde, Cheri Larsen Hoeckley, Franceen Neufeld, and Monika Hilder address mutually interdependent connections between providence and grace, sublimity and ethics, gender and hymnody, literature and activism, and finally, aesthetics and hope.
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The Serious Pleasures of Suspense

Victorian Realism and Narrative Doubt

Author: Caroline Levine

Publisher: University of Virginia Press

ISBN: 9780813922171

Category: Literary Criticism

Page: 237

View: 6389

Scholars have long recognized that narrative suspense dominates the formal dynamics of 19th-century British fiction. This study argues that various 19th-century thinkers - John Ruskin, Michael Faraday, Charlotte Bronte - saw suspense as a vehicle for a new approach to knowledge called "realism".
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British Women's Writing from Brontë to Bloomsbury, Volume 1

1840s and 1850s

Author: Adrienne E. Gavin,Carolyn W. de la L. Oulton

Publisher: Springer

ISBN: 3319782266

Category: Literary Criticism

Page: 278

View: 4439

This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s.
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Women Writing and Writing about Women

Author: Mary Jacobus

Publisher: Routledge

ISBN: 0415521696

Category: Literary Criticism

Page: 199

View: 789

This innovative collection of contemporary essays in feminist literary criticism provides a spectrum of approaches and positions, united by their common focus on writing by and about women. Spanning the novel, poetry, drama, film and criticism, the contributors emphasise some of the problems of theory and practice posed by writing as a woman and by women’s representation in literature. The subjects of individual essays range from the nineteenth and twentieth century novel to avant-gardefilm, and from Victorian women poets to Russian women poets of today. Drawing on disciplines as diverse as structuralism, psychoanalysis, semiotics, socio-linguistics and Marxist analyses of literature, the essays suggest the variety and vigour of contemporary feminist literary criticism, as well as representing some of the debates currently animating it. Topics of common concern range from the nature of a women’s tradition in literature to the scope and method of feminist literary criticism itself. Successfully bridging the gap between literary criticism and literary production, the scope of this collection will be of considerable interest to those concerned with current developments in literary criticism as well as to those in the field of women’s studies.
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Gothic Feminism

The Professionalization of Gender from Charlotte Smith to the Brontës

Author: Diane Long Hoeveler

Publisher: Penn State Press

ISBN: 0271072423

Category: History

Page: 272

View: 4652

As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Brontës to show how these writers helped define femininity for women of the British middle class. Hoeveler argues that a female-created literary ideology, now known as "victim feminism," arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that "professional femininity"—a cultivated pose of wise passiveness and controlled emotions—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters—and readers—fictitious mastery over an oppressive social and political system. Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.
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Subject Guide to Books in Print

An Index to the Publishers' Trade List Annual

Author: N.A

Publisher: N.A

ISBN: N.A

Category: American literature

Page: N.A

View: 4324

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Books in Series

Author: N.A

Publisher: N.A

ISBN: 9780835221092

Category: Monographic series

Page: 1756

View: 5810

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Nineteenth-century Literature Criticism

Author: Laurie Lanzen Harris

Publisher: N.A

ISBN: N.A

Category: Literature, Modern

Page: N.A

View: 3632

Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1800 and 1900, from the first published critical appraisals to current evaluations.
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The Library Journal

Chiefly Devoted to Library Economy and Bibliography

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Libraries

Page: N.A

View: 1427

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
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The Athenæum

A Journal of Literature, Science, the Fine Arts, Music, and the Drama

Author: N.A

Publisher: N.A

ISBN: N.A

Category:

Page: N.A

View: 1487

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The Athenaeum

Author: N.A

Publisher: N.A

ISBN: N.A

Category:

Page: N.A

View: 8232

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