Installation and the Moving Image

Author: Catherine Elwes

Publisher: Columbia University Press

ISBN: 0231850808

Category: Performing Arts

Page: 216

View: 1904

Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"
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Moving Image

Author: Omar Kholeif

Publisher: N.A

ISBN: 9780854882380

Category: Art, Modern

Page: 239

View: 2192

This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation, and site-specific art from the 1960s onwards.
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Taking Place

Location and the Moving Image

Author: John David Rhodes,Elena Gorfinkel

Publisher: U of Minnesota Press

ISBN: 1452932719

Category: Art

Page: 376

View: 6047

Explores how moving images both produce and are predicated on place
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Abstract Video

The Moving Image in Contemporary Art

Author: Gabrielle Jennings

Publisher: Univ of California Press

ISBN: 0520958136

Category: Art

Page: 304

View: 7837

Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle Jennings—a video artist herself—reveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, "pictures of nothing," but rather amorphous, ungovernable spaces that encourage contemplation and innovation. In explorations of the work of celebrated artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater, and Jennifer West, alongside emerging artists, this volume presents fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art.
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Between Film, Video, and the Digital

Hybrid Moving Images in the Post-Media Age

Author: Jihoon Kim

Publisher: Bloomsbury Publishing USA

ISBN: 1628922923

Category: Art

Page: 416

View: 1553

Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such. Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, Between Film, Video, and the Digital offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias MÃ1⁄4ller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.
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The Moving Image Workshop

Introducing animation, motion graphics and visual effects in 45 practical projects

Author: Heather D. Freeman

Publisher: Bloomsbury Publishing

ISBN: 1474253008

Category: Computers

Page: 280

View: 6395

If you need a fun, hands-on introduction to core animation techniques - then look no further! Heather Freeman guides you through a wide range of practical projects, helping you establish and build skills in narrative animation, motion graphics and visual effects. Each chapter begins by summarizing historical and theoretical concerns and connecting them with current practice and applications - all beautifully illustrated with stills from classic commercial and independent films, as well as contemporary examples from student work. Having established this context, the remainder of the chapter focuses on walking readers through their own creative projects. Topics covered include early animation technologies and techniques, scenes and staging, character animation, animated type, visual effects and motion graphics, pre- through post-production and experimental approaches to motion graphics. Dozens of sample files are available online, for experimentation and to get readers started on each exercise. The companion website also includes example animations as well as links to recommended software tutorials, recommended artist websites, blogs and animation channels.
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Music Video and the Politics of Representation

Author: Diane Railton

Publisher: Edinburgh University Press

ISBN: 0748633243

Category: Music

Page: 184

View: 3068

How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies.
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Death 24x a Second

Stillness and the Moving Image

Author: Laura Mulvey

Publisher: Reaktion Books

ISBN: 9781861892638

Category: Performing Arts

Page: 216

View: 2634

In Death 24 x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image and cinema’s narrative structure has also been fundamentally altered. These technologies give viewers the means to control both image and story, so that films produced to be seen collectively and followed in a linear fashion may be found to contain unexpected (even unintended) pleasures. The tension between the still frame and the moving image coincides with the cinema’s capacity to capture the appearance of life and preserve it after death. Mulvey proposes that with the arrival of new technologies and new ways of experiencing the cinematic image, film’s hidden stillness comes to the fore, thereby acquiring a new accessibility and visibility. The individual frame, the projected film’s best-kept secret, can now be revealed, by anyone, at the simple touch of a button. As Mulvey argues, easy access to repetition, slow motion and the freeze-frame may well shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in the cinematic object. The manipulation of the cinematic image by the viewer also makes visible cinema’s material and aesthetic attributes. By exploring how new technologies can give new life to ‘old’ cinema, Death 24 x a Secondoffers an original re-evaluation of film’s history and also its historical usefulness.
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Re-Imagining Animation: The Changing Face of the Moving Image

Author: Paul Wells,Johnny Hardstaff

Publisher: AVA Publishing

ISBN: 2940373698

Category: Computers

Page: 191

View: 9970

What’s new in animation? Find out! * Works from artists, animators, film-makers, scholars, archivists * Ideal for serious students of film making and animation In this detailed look at animation today, a series of intriguing case studies are explored from production to final outcome. Each one is considered in terms of meaning, purpose, and effect, then put into context as part of today’s animation culture. Hundreds of illustrations make it easy to follow experimental work from script to screen, exploring the intersections between animation, film, graphic design, and art. With insights from leading U.K. authors on animation, as well as Oscar-winning animators, artists, film makers, scholars, and archivists, Re-Imagining Animation offers the definitive look at animation today.
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Sofia Coppola

A Cinema of Girlhood

Author: Fiona Handyside

Publisher: I.B.Tauris

ISBN: 1786721600

Category: Literary Criticism

Page: 224

View: 1282

Sofia Coppola is widely regarded as one of the most astute, provocative and visionary directors in the contemporary film industry. She has received numerous accolades including an Academy Award and two Golden Globes, and in 2004 became the first ever American woman to be nominated for a Best Director Oscar. From The Virgin Suicides to The Bling Ring, her work carves out new spaces for the expression of female subjectivity that embraces rather than rejects femininity. Fiona Handyside here considers the careful counter-balance of vulnerability with the possibilities and pleasures of being female in Coppola’s films – albeit for the white and the privileged – through their recurrent themes of girlhood, fame, power, sex and celebrity. Chapters reveal a post-feminist aesthetic that offers sustained, intimate engagements with female characters. These characters inhabit luminous worlds of girlish adornments, light and sparkle and yet find homes in unexpected places from hotels to swimming pools, palaces to strip clubs: resisting stereotypes and the ordinary. In this original study, Handyside brings critical attention to a rare female auteur and in so doing contributes to important analyses of post-feminism, authorship in film, and the growing field of girlhood studies.
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Vulgar Modernism

Writing on Movies and Other Media

Author: J. Hoberman

Publisher: N.A

ISBN: 9780877228646

Category: Performing Arts

Page: 346

View: 2440

For the past dozen years, J. Hoberman has been publishing witty, impassioned, vivid film criticism in the pages of New York's alternative weekly, The Village Voice. His first collection includes a variety of these (mostly) movie reviews, as well as a number of longer essays and film-festival reports, all written during the 1980s. For Hoberman, film criticism is a form of social commentary, and his articles reflect a decade when an actor was president, the Vietnam War was refought on the nation's movie screens, and soundbites determined elections. The variety of Hoberman's interests and the intellectual depth of his critiques are remarkable. Writing from the perspective of Lower Manhattan, he places movies in the context of the other visual arts--painting, photography, comics, video, and TV--as well as that of postmodem theorists such as Leslie Fiedler and Jean Baudrillard. Demonstrating the widest range of any American film critic writing today, Hoberman is equally at home discussing the work of Steven Spielberg and Andrei Tarkovsky, films by cutting-edge artists Raul Ruiz and Yvonne Rainer, and historical figures as disparate as Charles Chaplin and Andy Warhol. Vulgar Modernism offers an entertaining, trenchant, informed, and informative view of the past decade's popular culture.
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Still Moving

Between Cinema and Photography

Author: Karen Beckman,Jean Ma

Publisher: Duke University Press

ISBN: 0822391430

Category: Performing Arts

Page: 323

View: 610

In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suárez
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Into the light

the projected image in American art, 1964-1977

Author: Chrissie Iles

Publisher: Whitney Museum of Art

ISBN: N.A

Category: Art

Page: 183

View: 1987

Ce livre a été publié à l'occasion de l' exposition "Into the Light" qui s'est déroulé au Whitney Museum of American Art à New York, du 18 octobre 2001 au 6 janvier 2002.
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The Films of Claire Denis

Intimacy on the Border

Author: Marjorie Vecchio

Publisher: I.B.Tauris

ISBN: 0857735993

Category: Art

Page: 264

View: 2569

The films of Claire Denis, one of the most challenging and respected of contemporary filmmakers, probe the psyche of global citizenship, tracing the borderlines of family, desire, nationality and power. With subtlety, depth and at times minimalism and abstraction, her films - including Chocolat, Beau travail and White Material - explore connections between national experience and individual circumstance, visualizing the complications of such dualities. Following a Foreword by Wim Wenders, with whom Denis worked prior to making her own movies, international contributors explore the themes she addresses in her films, such as kinship and landscape, Neo-Colonialism and New French Extremity. Original interviews with an editor, actor and two composers most familiar with the working style of Denis , and with Denis herself, also reveal fresh facets of this intrepid filmmaker. As Wim Wenders writes in his Foreword: ‘This book will hopefully throw many new lights on the amazing director that Klärchen [Claire Denis] became, a path she carved out all on her own.’
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Walkers

Hollywood Afterlives in Art and Artifact

Author: Robert Rubin

Publisher: N.A

ISBN: 9780692535042

Category: Art

Page: 290

View: 5189

Walkersexplores the reimagining and recycling of Hollywood iconography in contemporary art and the way that movies live on in our personal and cultural memories. Looking at a diverse range of artists and filmmakers, including Francis Al�s, Richard Avedon, Fiona Banner, Jean-Luc Godard, Michel Gondry, Douglas Gordon, Alex Israel, Martin Kippenberger, Richard Prince, Ed Ruscha, Leanne Shapton and Weegee, Walkerssurveys how art has appropriated and redefined some of the 20th century’s most iconic films. Artworks are joined by rare film ephemera ranging from costume designs for Rosemary’s Babyto the complete original key book stills from The 39 Steps. With a nod to the “walkers,” or zombies, from the TV series The Walking Dead, the catalogue’s title references the lingering power of film on the imagination of the living.
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Memory, Forgetting and the Moving Image

Author: Caterina Albano

Publisher: Springer

ISBN: 1137365889

Category: History

Page: 209

View: 8688

Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to contested histories. Through a consideration of artworks (film/video and sound installation) by artists whose practice has consistently engaged with issues surrounding memory, amnesia and trauma, the book brings to bear neuro-psychological insight and its implication with the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan.
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Between the Black Box and the White Cube

Expanded Cinema and Postwar Art

Author: Andrew V. Uroskie

Publisher: University of Chicago Press

ISBN: 022610902X

Category: Art

Page: 288

View: 6003

Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.
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Video Art, A Guided Tour

A Guided Tour

Author: Catherine Elwes

Publisher: I.B.Tauris

ISBN: 0857735950

Category: Art

Page: 224

View: 9728

Video art dominates the international art world to such an extent that its heady days on the radical fringes are sometimes overlooked - often unknown. 'Video Art, a Guided Tour' is an essential and highly entertaining guide to video art and its history. Elwes, herself a practicing artist and pioneer of early video, traces the story from the weighty Portapak equipment of the 60's and 70's to today’s digital technology, from early experiments in ‘real time’ to the ‘new narrative’ movement of the 80's. She also examines video’s love-hate relationship with television. Artists discussed include, amongst others, Nam June Paik, Nan Hoover, The Duvet Brothers, Dara Birnbaum, Bill Viola, Pipilloti Rist, David Hall, Stuart Marshall, Stan Douglas, Smith & Stewart, Steve McQueen and Sam Taylor-Wood. While 'Video Art, a guided tour' is truly international in scope, discussing a range of well-known work, from Bill Viola to Shirin Neshat, its real value lies in the central position it gives to British video art practice - something that previous tomes on the subject have signally failed to do.
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Lighting for Cinematography

A Practical Guide to the Art and Craft of Lighting for the Moving Image

Author: David Landau

Publisher: Bloomsbury Publishing USA

ISBN: 1628924748

Category: Performing Arts

Page: 336

View: 7790

We can't shoot good pictures without good lighting, no matter how good the newest cameras are. Shooting under available light gives exposure, but lacks depth, contrast, contour, atmosphere and often separation. The story could be the greatest in the world, but if the lighting is poor viewers will assume it's amateurish and not take it seriously. Feature films and TV shows, commercials and industrial videos, reality TV and documentaries, even event and wedding videos tell stories. Good lighting can make them look real, while real lighting often makes them look fake. Lighting for Cinematography, the first volume in the new CineTech Guides to the Film Crafts series, is the indispensable guide for film and video lighting. Written by veteran gaffer and cinematographer David Landau, the book helps the reader create lighting that supports the emotional moment of the scene, contributes to the atmosphere of the story and augments an artistic style. Structured to mimic a 14 week semester, the chapters cover such things as lighting for movement, working with windows, night lighting, lighting the three plains of action and non-fiction lighting. Every chapter includes stills, lighting diagrams and key advice from professionals in the field, as well as lighting exercises to help the reader put into practice what was covered. www.lightingforcinematography.com
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Dreamlands

Immersive Cinema and Art, 1905-2016

Author: Chrissie Iles,Karen Archey,John Canemaker,Brian Droitcour

Publisher: Yale University Press

ISBN: 0300221878

Category: Art and motion pictures

Page: 256

View: 4600

A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.
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