Author: Arthur Power Dudden
Publisher: Oxford University Press on Demand
Category: Literary Criticism
View: 7124These essays take a close look at American humor from revolutionary times to the present, focusing in particular on the neglected trends of the past fifty years.
Author: John J. Broesamle
Publisher: Greenwood Pub Group
View: 9087By employing historical examples and resurveying the chronological territory chapter by chapter, the study details the development and decline of liberal reform movements and focuses on the similarities between eras of reform and reactionary phases and the interrelationship of reform movements over the decades.
the therapeutic use of humor in health care
Author: Vera M. Robinson
View: 3737Extensive coverage of humor in interpersonal relationships, patient education and the work environment greatly enhance the value of this book to all health care professionals. Humor and the Health Professions introduces the benefits of humor not only as a healing tool for the patient, but as a stress management tool for the health professional as well.
Comedy and the Construction of Asian American Identities
Author: Minh-Hà T. Phạm
View: 3180This dissertation examines the ideological function of comedy and the strategies of comic racial representation---what I will be generally referring to as "race play". From the vast body of Asian American studies literature, we know that the prevalent stereotypes of Asians as foreign, grotesque, monstrous, and deviant have instigated many legal, social, and political anti-Asian actions. These "controlling images" are "generated by the dominant group to help justify the economic exploitation and social oppression of Asian American men and women over time" (Espiritu 87). And while these stereotypes often lead to tragic consequences like legal and social exclusion and bodily harm, the stereotypes themselves are often not solemn representations of Asians but comical ones. How comedy, particularly comical cultural representations, operates as an oppressive ideological discourse that has restricted the life choices of Asian Americans is one of the central concerns of this dissertation. The other is how and why Asian Americans are utilizing strategies of comic representation to negotiate, contest, and even reproduce the stereotypes imposed on them.
Author: Alleen Pace Nilsen,Don Lee Fred Nilsen
Publisher: Greenwood Publishing Group
View: 4521"This unique encyclopedia treats the concepts, persons, themes, and media of 20th-century American humor and humor studies. More than 100 alphabetically arranged entries highlight a broad range of humor-related topics from wit, understatement, and ambiguity to late-night talk shows and the Internet."--"Outstanding Reference Sources," American Libraries, May 2001.
Author: Victor Raskin
Publisher: Mouton De Gruyter
View: 836The book is intended to provide a definitive view of the field of humor research for both beginning and established scholars in a variety of fields who are developing an interest in humor and need to familiarize themselves with the available body of knowledge. Each chapter of the book is devoted to an important aspect of humor research or to a disciplinary approach to the field, and each is written by the leading expert or emerging scholar in that area. "
Author: Frank Bramlett
Category: Social Science
View: 558Do Irish superheroes actually sound Irish? Why are Gary Larson's Far Side cartoons funny? How do political cartoonists in India, Turkey, and the US get their point across? What is the impact of English on comics written in other languages? These questions and many more are answered in this volume, which brings together the two fields of comics research and linguistics to produce groundbreaking scholarship. With an international cast of contributors, the book offers novel insights into the role of language in comics, graphic novels, and single-panel cartoons, analyzing the intersections between the visual and the verbal. Contributions examine the relationship between cognitive linguistics and visual elements as well as interrogate the controversial claim about the status of comics as a language. The book argues that comics tell us a great deal about the sociocultural realities of language, exploring what code switching, language contact, dialect, and linguistic variation can tell us about identity – from the imagined and stereotyped to the political and real.
Author: Alan Havig
Publisher: Temple University Press
View: 9335"A notable example of radio at its best." --Back Stage/SHOOT In 1954, James Thurber wrote: "You can count on the thumb of one hand the American who is at once a comedian, a humorist, a wit, and a satirist, and his name is Fred Allen." Several decades after his death and more than forty years since his radio program left the air, Fred Allen's reputation as a respected humorist remains intact. In this book, Alan Havig explores the roots of his comedy, the themes it exploited, the problems and challenges that faced the radio comedy writer, and Allen's unique success with the one-dimensional medium of radio. Tracing a career that lasted from 1912 into the 1950s and encompassed vaudeville, Broadway revues, movies, radio, and television, Havig describes the "verbal slapstick" style that was Fred Allen's hallmark and legacy to American comedy. More than a biography of Fred Allen, this is a study of the development of the radio industry, a discussion of American humor, and the story of how one relates to the other. Using a wide variety of published and unpublished sources, including the Allen Papers, Havig analyzes Allen's radio comedy of the 1930s and 40s within the context of the peculiar advantages and limitations of radio as a medium for comedy. He argues that Allen did not merely transfer vaudeville routines to a non-visual medium as did Eddie Cantor, Ed Wynn, and others. Allen developed a comedic style that depended on word play, sound effects, and on his audience's ability and readiness to imagine a visual world in which his eccentric characters operated. Havig illustrates his story with numerous examples of Allen's humor, with fascinating anecdotes, and excerpts from radio broadcasts. In accounting for the comedian's success, he deals with vaudeville, comedy writing, sponsor's demands and censorship of material, and the organizational world of radio broadcasting companies. Describing radio as "an instrument of wit," Fred Allen wrote: "on radio you could do subtle writing because you had access to the imagination...that was why I liked radio. we had some fun." Readers will also have some fun remembering or discovering for the first time Allen's Alley and the magic of radio comedy in its prime. "Fred was one of the greatest of vaudeville and radio comedians. Anyone even casually concerned with the state of American humor will be well advised to give his work, as Mr. Havig presents it, careful study." --Steve Allen "Alan Havig has done an intelligent, careful and exhaustive research job. This is a well-written, solid performance-biography." --J. Fred MacDonald, Curator of the Museum of Broadcast Communication, Chicago
The Secularisation of Humour
Author: Russell Heddendorf
Publisher: The Lutterworth Press
View: 3339Abraham and Sarah were presented with a paradox when God told them they would have a son in their old age. Paradox in the Old Testament plays an important part in the dialogue between God and the Jews. In the New Testament, paradox is prominent in Jesus' teaching and helps to explain the Christian understanding of salvation. Today paradox arises when religious meaning of traditional culture conflicts with secular meaning of modern culture. Heddendorf argues that a subversive quality in humour gradually replaces traditional values with new cultural meanings. The resulting humour becomes a substitute for faith. 'As this secular humor becomes functional for society, it finds its way into many areas of the culture. This process of secularization in humor moves from faith to fun and, finally, to fun as faith. The result of this secularization could be called a 'fun culture'. Redemption of this culture, Heddendorf asserts, should be a continuing concern of the church.
Self and Laughter in Modern America
Author: Daniel B. Wickberg
Publisher: Cornell University Press
View: 4030Why do modern Americans believe in something called a sense of humor, and how did they come to that belief? Daniel Wickberg traces the relatively short cultural history of the concept to its British origins as a way to explore new conceptions of the self and social order in modern America. More than simply the history of an idea, Wickberg's study provides new insights into a peculiarly modern cultural sensibility. The expression "sense of humor" was first coined in the 1840s, and the idea that such a sense was a personality trait to be valued developed only in the 1870s. What is the relationship between medieval humoral medicine and this distinctively modern idea of the sense of humor? What has it meant in the past 125 years to declare that someone lacks a sense of humor? Why do modern Americans say it is a good thing not to take oneself seriously? How is the joke, as a twentieth-century quasi-literary form, different from the traditional folktale? Wickberg addresses these questions among others and in the process uses the history of ideas to throw new light on the way contemporary Americans think and speak about humor and laughter. The context of Wickberg's analysis is Anglo-American; the specifically British meanings of humor and laughter from the sixteenth century forward provide the framework for understanding American cultural values in the nineteenth and twentieth centuries. The genealogy of the sense of humor is, like the study of keywords, an avenue into a significant aspect of the cultural history of modernity. Drawing on a wide range of sources and disciplinary perspectives, Wickberg's analysis challenges many of the prevailing views of modern American culture and suggests a new model for cultural historians.
Rethinking the Race Question in Twentieth-Century America
Author: Jay Garcia
Publisher: JHU Press
View: 1598Departing from the largely accepted existence of a "Negro Problem," Wright and such literary luminaries as Ralph Ellison, Lillian Smith, and James Baldwin described and challenged a racist social order whose psychological undercurrents implicated all Americans and had yet to be adequately studied. Motivated by the elastic possibilities of clinical and academic inquiry, writers and critics undertook a rethinking of "race" and assessed the value of psychotherapy and psychological theory as antiracist strategies. Garcia examines how this new criticism brought together black and white writers and became a common idiom through fiction and nonfiction that attracted wide readerships.