Explorations in New Cinema History

Approaches and Case Studies

Author: Richard Maltby,Daniel Biltereyst,Philippe Meers

Publisher: John Wiley & Sons

ISBN: 1444396404

Category: Performing Arts

Page: 352

View: 3549

Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema
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The Routledge Companion to New Cinema History

Author: Daniel Biltereyst,Richard Maltby,Philippe Meers

Publisher: Routledge

ISBN: 1317353951

Category: Social Science

Page: 410

View: 4315

The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema’s business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries. With contributions from leading scholars in the field, The Routledge Companion to New Cinema History enlarges and refines our understanding of cinema’s place in the social history of the twentieth century.
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Die Narratologie des Kinobesuchs der 1930er bis 1950er Jahre

Formen des Erinnerns eines saarländischen Publikums

Author: Susanne Haake

Publisher: Vandenhoeck & Ruprecht

ISBN: 3847005650

Category: Social Science

Page: 173

View: 701

Remembrance and memory are enjoying a boom in Humanities research. In her study, Susanne Haake examines forms of remembering with respect to cinema-going in the Saarland, a German federal state, between the 1930s and 1950s. Closing a scholarly gap, her analysis of local cineastic history examines the viewing public and their film experiences. What cinema reminiscences are evoked from one’s youth and how are they conveyed from a narratological angle in the context of the living world and historic events? To answer these questions, Susanne Haake analyzes interviews using an interdisciplinary analytical instrument she herself developed.
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Locating the Moving Image

New Approaches to Film and Place

Author: Julia Hallam,Les Roberts

Publisher: Indiana University Press

ISBN: 0253011124

Category: Performing Arts

Page: 276

View: 2610

Leading scholars in the interdisciplinary field of geo-spatial visual studies examine the social experience of cinema and the different ways in which film production developed as a commercial enterprise, as a leisure activity, and as modes of expression and communication. Their research charts new pathways in mapping the relationship between film production and local film practices, theatrical exhibition circuits and cinema going, creating new forms of spatial anthropology. Topics include cinematic practices in rural and urban communities, development of cinema by amateur filmmakers, and use of GIS in mapping the spatial development of film production and cinema going as social practices.
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Cinema, Audiences and Modernity

New Perspectives on European Cinema History

Author: Daniel Biltereyst,Chairman of the School of American and Commonwealth Studies Richard Maltby, Jr,Richard Maltby,Philippe Meers

Publisher: Routledge

ISBN: 1136642005

Category: Social Science

Page: 232

View: 5788

This book sheds new light on the cinema and modernity debate by confronting established theories on the role of the modern cinematic experience with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition. The book provides a wide range of research methodologies and perspectives on these matters, including: the use of oral history methods questionnaires diaries audience letters as well as industrial, sociological and other accounts on historical film audiences. The collection’s case studies thus provide a "how to" compendium of current methodologies for researchers and students working on film and media audiences, film and media experiences, and historical reception. The volume is part of a ‘new cinema history’ effort within film and screen studies to look at film history not only as a history of production, textual relations or movies-as-artefacts, but rather to concentrate more on the receiving end, the social experience of cinema, and the engagement of film/cinema (history) ‘from below’. The contributions to the volume reflect upon the very different ways in which cinema has been accepted, rejected or disciplined as an agent of modernity in neighbouring parts of Europe, and how cinema-going has been promoted and regulated as a popular social practice at different times in twentieth-century European history.
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Explorations in Film Theory

Selected Essays from Ciné-tracts

Author: Ron Burnett

Publisher: Indiana University Press

ISBN: 9780253312822

Category: Performing Arts

Page: 289

View: 6265

Explorations in Film Theory is a selection of some of the most influential articles which originally appeared in CinA(c)-Tracts -- one of the journals which helped define contemporary film theory. The articles represent crucial ideas and theories in the areas of film and communications studies, feminist studies, and film history. They challenge the way theoreticians and filmmakers have not come to grips with sexual difference, and they raise questions about image and how images produce meaning. Bertolt Brecht, Walter Benjamin, Dziga-Vertov, pornography, educational television, and the New German Cinema of the 1970s are some of the topics covered.
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Mapping Cultures

Place, Practice, Performance

Author: L. Roberts

Publisher: Springer

ISBN: 1137025050

Category: Social Science

Page: 309

View: 8760

An interdisciplinary collection exploring the practices and cultures of mapping in the arts, humanities and social sciences. It features contributions from scholars in critical cartography, social anthropology, film and cultural studies, literary studies, art and visual culture, marketing, museum studies, architecture, and popular music studies.
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Cinema, Transnationalism, and Colonial India

Entertaining the Raj

Author: Babli Sinha

Publisher: Routledge

ISBN: 113676500X

Category: History

Page: 158

View: 8328

Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.
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The Lumière Galaxy

Seven Key Words for the Cinema to Come

Author: Francesco Casetti

Publisher: Columbia University Press

ISBN: 0231538871

Category: Performing Arts

Page: 304

View: 1753

Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.
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Moralizing Cinema

Film, Catholicism, and Power

Author: Daniel Biltereyst,Daniela Treveri Gennari

Publisher: Routledge

ISBN: 1134668384

Category: Art

Page: 312

View: 2831

This volume is part of the recent interest in the study of religion and popular media culture (cinema in particular), but it strongly differs from most of this work in this maturing discipline. Contrary to most other edited volumes and monographs on film and religion, Moralizing Cinema will not focus upon films (cf. the representation of biblical figures, religious themes in films, the fidelity question in movies), but rather look beyond the film text, content or aesthetics, by concentrating on the cinema-related actions, strategies and policies developed by the Catholic Church and Catholic organizations in order to influence cinema. Whereas the key role of Catholics in cinema has been well studied in the USA (cf. literature on the Legion of Decency and on the Catholic influenced Production Code Administration), the issue remains unexplored for other parts of the world. The book includes case studies on Argentina, Belgium, France, Ireland, Italy, Luxemburg, the Netherlands, and the USA.
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Phantom Ladies

Hollywood Horror and the Home Front

Author: Tim Snelson

Publisher: Rutgers University Press

ISBN: 0813575281

Category: Performing Arts

Page: 224

View: 7852

Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.
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Von Caligari zu Hitler

eine psychologische Geschichte des deutschen Films

Author: Siegfried Kracauer

Publisher: N.A

ISBN: 9783518583326

Category: Clerks

Page: 574

View: 9730

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Barrow's Boys.

Eine unglaubliche Geschichte von wahrem Heldenmut und bravourösem Scheitern.

Author: Fergus Fleming

Publisher: mareverlag

ISBN: 9783936384703

Category:

Page: 599

View: 7339

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Watching Films

New Perspectives on Movie-going, Exhibition and Reception

Author: Karina Aveyard,Albert Moran

Publisher: Intellect L & D E F A E

ISBN: N.A

Category: Performing Arts

Page: 418

View: 6556

With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this book centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean? --
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Hidden Figures - Unerkannte Heldinnen

Author: Margot Lee Shetterly

Publisher: HarperCollins

ISBN: 3959676433

Category: History

Page: 416

View: 7668

1943 stellt das Langley Memorial Aeronautical Laboratory der NACA,die später zur NASA wird, erstmalig afroamerikanische Frauen ein. "Menschliche Rechner" - unter ihnen Dorothy Vaughan, die 1953 Vorgesetzte der brillanten afroamerikanischen Mathematikerin Katherine Johnson wird. Trotz Diskriminierung und Vorurteilen, treiben sie die Forschungen der NASA voran und Katherine Johnsons Berechnungen werden maßgeblich für den Erfolg der Apollo-Missionen. Dies ist ihre Geschichte. "Mit dieser unglaublich mitreißenden und vielschichtigen Erzählung zeigt Shetterly ihr Können. Die Geschichte begeistert in allen Aspekten." Booklist
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Wechselnde Vorlieben

Über die Filmpräferenzen der Europäer 1896-1939

Author: Joseph Garncarz

Publisher: N.A

ISBN: 9783861092001

Category:

Page: N.A

View: 980

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Ein Klang - zwei Welten

Blues im geteilten Deutschland, 1945 bis 1990

Author: Michael Rauhut

Publisher: transcript Verlag

ISBN: 3839433878

Category: Music

Page: 368

View: 1780

Der Blues wird gern auf eine Handvoll Klischees und zwölf Takte reduziert. Doch tatsächlich verbergen sich hinter der scheinbar standardisierten Klangoberfläche mannigfaltige Formen des kulturellen Gebrauchs. Mittels umfangreicher Archivrecherchen illustriert Michael Rauhuts Vergleich der Entwicklung des Blues in Ost- und Westdeutschland, wie soziale und politische Verhältnisse den Sinn von Musik formen. Rauhut zeigt: Wenn auch die Sounds weltweit gültigen Mustern folgen und kaum Unterschiede erkennen lassen, sind doch die Bedeutungszusammenhänge, in denen sich der Blues realisiert, durchaus verschieden. Die Studie bietet nicht nur ein kultur- und musikgeschichtliches Resümee der Genese des Blues in Deutschland, sondern leistet auch einen Beitrag zur Globalisierungsdebatte.
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Dann schlaf auch du

Roman

Author: Leïla Slimani

Publisher: Luchterhand Literaturverlag

ISBN: 3641212901

Category: Fiction

Page: 224

View: 4726

Der Preis des Glücks Sie wollen das perfekte Paar sein, Kinder und Beruf unter einen Hut bringen, alles irgendwie richtig machen. Und sie finden die ideale Nanny, die ihnen das alles erst möglich macht. Doch wie gut kann man einen fremden Menschen kennen? Und wie sehr kann man ihm vertrauen? Sie haben Glück gehabt, denken sich Myriam und Paul, als sie Louise einstellen - eine Nanny wie aus dem Bilderbuch, die auf ihre beiden kleinen Kinder aufpasst, in der schönen Pariser Altbauwohnung im 10. Arrondissement. Wie mit unsichtbaren Fäden hält Louise die Familie zusammen, ebenso unbemerkt wie mächtig. In wenigen Wochen schon ist sie unentbehrlich geworden. Myriam und Paul ahnen nichts von den Abgründen und von der Verletzlichkeit der Frau, der sie das Kostbarste anvertrauen, das sie besitzen. Von der tiefen Einsamkeit, in der sich die fünfzigjährige Frau zu verlieren droht. Bis eines Tages die Tragödie über die kleine Familie hereinbricht. Ebenso unaufhaltsam wie schrecklich.
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Phantastische Tierwesen: Grindelwalds Verbrechen (Das Originaldrehbuch)

Author: J.K. Rowling

Publisher: Pottermore Publishing

ISBN: 1781102872

Category: Performing Arts

Page: 304

View: 2913

In »Phantastische Tierwesen und wo sie zu finden sind« wurde der mächtige schwarze Magier Gellert Grindelwald mit Unterstützung des Magizoologen Newt Scamander gefasst. Doch jetzt gelingt Grindelwald die Flucht und er beginnt Anhänger um sich zu scharen. Sein wahres Ziel – die Herrschaft von reinblütigen Hexen und Zauberern über alle nichtmagischen Wesen – ist nur den wenigsten von ihnen bekannt. Um diesen Plan zu durchkreuzen, wird Newt von Grindelwalds größtem Widersacher um Hilfe gebeten: Albus Dumbledore. Als Newt einwilligt, ahnt er noch nicht, welche Gefahren vor ihm liegen, denn die Kluft, die sich durch die magische Welt – selbst durch Familien und Freunde – zieht, wird immer tiefer. Das zweite Originaldrehbuch von J.K. Rowling, wunderschön gestaltet von MinaLima, wirft Licht auf Ereignisse, die die magische Welt geprägt haben, und spielt dabei des Öfteren auf die Harry-Potter-Geschichten an, was sowohl Fans der Bücher als auch der Filme überraschen und begeistern wird.
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Geschichte der Universität in Europa

Author: Walter Rüegg,Asa Briggs

Publisher: C.H.Beck

ISBN: 9783406369537

Category: Education, Higher

Page: 542

View: 8172

Dieses auf vier Bände angelegte Werk ist eine Geschichte der "Institution Universität" in Europa von ihrer Entstehung im Mittelalter bis in die heutige Zeit und zugleich eine vergleichende Geschichte der europäischen Universitäten sowie der außereuropäischen Universitäten, die nach europäischem Muster gegründet worden sind. Es wird auf Initiative der europäischen Rektorenkonferenz (CRE), der über 500 wissenschaftliche Hochschulen in 27 europäischen Staaten angehören, von einem internationalen Komitee namhafter Wissenschaftler unter dem Vorsitz von Walter Rüegg (Schweiz) herausgegeben. Absicht dieses Gemeinschaftswerkes ist es, die gesellschaftlichen Rahmenbedingungen und Aufgaben, die Merkmale geistiger und institutioneller Identität, die Strukturen, Gestaltungen und Hauptprobleme der europäischen Universitäten in ihren geschichtlichen Grundlagen und Veränderungen, aber auch in ihren regionalen Unterschieden, auf dem heutigen Forschungsstand vergleichend und zusammenfassend darzustellen.
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