Disidentifications

Queers of Color and the Performance of Politics

Author: José Esteban Muñoz

Publisher: U of Minnesota Press

ISBN: 9780816630158

Category: Social Science

Page: 227

View: 7925

There is more to identity than identifying with one's culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, Muñoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.Muñoz calls attention to the world-making properties found in performances by queers of color—in Carmelita Tropicana's “Camp/Choteo” style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's “Terrorist Drag,” Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of “disidentity,” and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.
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Disidentifications

Queers of Color and the Performance of Politics

Author: José Esteban Muñoz

Publisher: U of Minnesota Press

ISBN: 1452942544

Category: Performing Arts

Page: 248

View: 5011

There is more to identity than identifying with one’s culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, Muñoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.Muñoz calls attention to the world-making properties found in performances by queers of color—in Carmelita Tropicana’s “Camp/Choteo” style politics, Marga Gomez’s performances of queer childhood, Vaginal Creme Davis’s “Terrorist Drag,” Isaac Julien’s critical melancholia, Jean-Michel Basquiat’s disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres’s performances of “disidentity,” and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.
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Disidentifications

Queers of Color and the Performance of Politics

Author: José Esteban Muñoz

Publisher: U of Minnesota Press

ISBN: 9780816630141

Category: Social Science

Page: 227

View: 690

There is more to identity than identifying with one's culture or standing solidly against it. Jose Esteban Munoz looks at how those outside the racial and sexual mainstream negotiate majority culture -- not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Munoz calls this process "disidentification, " and through a study of its workings, he develops a new perspective on minority performance, survival, and activism. Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. Whether examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, or television, Munoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America. Munoz calls attention to the world-making properties found in performances by queers of color -- in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag, " Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity, " and the political performance of Pedro Zamora, with AIDS, within the otherwise artificial a person environment of the MTV serial The Real World.
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Cruising Utopia

The Then and There of Queer Futurity

Author: José Esteban Muñoz

Publisher: NYU Press

ISBN: 9780814796009

Category: Social Science

Page: 224

View: 4661

The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist. Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O’Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future. In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.
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The Queer Art of Failure

Author: Judith Halberstam

Publisher: Duke University Press

ISBN: 0822350459

Category: Performing Arts

Page: 211

View: 3396

The Queer Art of Failure is about finding alternatives - to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that has extensively theorized hegemony but paid little attention to counter-hegemony. Judith Halberstam proposes "low theory" as a means of recovering ways of being and forms of knowledge not legitimized by existing systems and institutions. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one's way. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children's films, contending that new forms of animation, especially CGI, have generated narratives filled with unexpected encounters between the childish, the transformative, and the queer. Dismantling contemporary logics of success, Halberstam demonstrates that failure sometimes offers more creative, cooperative, and surprising ways of being in the world.
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Queer Ricans

Cultures and Sexualities in the Diaspora

Author: Lawrence Martin La Fountain-Stokes

Publisher: U of Minnesota Press

ISBN: 1452914281

Category: History

Page: 242

View: 2716

Exploring cultural expressions of Puerto Rican queer migration from the Caribbean to New York, Philadelphia, Chicago, and San Francisco, Lawrence La Fountain-Stokes analyzes how artists have portrayed their lives and the discrimination they have faced. Proposing a radical new conceptualization of Puerto Rican migration, he reveals how sexuality has shaped and defined the Puerto Rican experience in the United States.
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Queering the Color Line

Race and the Invention of Homosexuality in American Culture

Author: Siobhan B. Somerville

Publisher: Duke University Press

ISBN: 9780822324430

Category: Psychology

Page: 259

View: 6009

The interconnected constructions of race and sexuality at the turn of the century.
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Cities of the Dead

Circum-Atlantic Performance

Author: Joseph Roach

Publisher: Columbia University Press

ISBN: 9780231104616

Category: Social Science

Page: 328

View: 2790

Artfully interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, re-creates, and restores history. Enriched with fifty-five illustrations, including spectacular photos of New Orleans's famed Mardi Gras Indians, Joseph Roach's work employs an entirely unique approach to the study of culture. Rather than focusing on one region, Cities of the Dead describes broad cultural connections over place and time, showing through myriad examples how performance can revise the unwritten past. Through illuminating discussions of social events ranging from burials to sacrifices, from auctions to parades, encompassing regional traditions as diverse as Haitian Voudon and British funerals, the book looks at the synchretic performance traditions of Europe, Africa, and the Americas. Exploring processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which we fill the voids left by death and departure. Cities of the Dead proposes a new way to think about the relationship between history and memory as well as between document and performance. It details patterns of remembrance and forgetting, of communities forging their identities and imagining their futures.
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Mexican Masculinities

Author: Robert McKee Irwin

Publisher: U of Minnesota Press

ISBN: 9781452906010

Category:

Page: N.A

View: 2287

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Everynight Life

Culture and Dance in Latin/o America

Author: Celeste Fraser Delgado,José Esteban Muñoz

Publisher: Duke University Press

ISBN: 9780822319191

Category: History

Page: 366

View: 3999

The function of dance in Latin/o American culture is the focus of the essays collected in Everynight Life. The contributors interpret how Latin/o culture expresses itself through dance, approaching the material from the varying perspectives of literary, cultural, dance, performance, queer, and feminist studies. Viewing dance as privileged sites of identity formation and cultural resistance in Latin/o America, Everynight Life translates the motion of bodies into speech, and the gestures of dance into a provocative socio-political grammar. This anthology looks at many modes of dance—including salsa, merengue, cumbia, rumba, mambo, tango, samba, and norteño—as models for the interplay of cultural memory and regional conflict. Barbara Browning’s essay on capoeira, for instance, demonstrates how dance has been used as a literal form of resistance, while José Piedra explores the meanings conveyed by women of color dancing the rumba. Pieces such as Gustavo Perez Fírmat’s "I Came, I Saw, I Conga’d" and Jorge Salessi’s "Medics, Crooks, and Tango Queens" illustrate the lively scope of this volume’s subject matter. Contributors. Barbara Browning, Celeste Fraser Delgado, Jane C. Desmond, Mayra Santos Febres, Juan Carlos Quintero Herencia, Josh Kun, Ana M. López, José Esteban Muñoz, José Piedra, Gustavo Perez Fírmat, Augusto C. Puleo, David Román, Jorge Salessi, Alberto Sandoval
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Strange Affinities

The Gender and Sexual Politics of Comparative Racialization

Author: Grace Kyungwon Hong,Roderick A. Ferguson

Publisher: Duke University Press

ISBN: 082234985X

Category: Social Science

Page: 371

View: 7118

Collection of essays that use queer studies and feminism as a lens for examining the relationships between racialized communities.
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A Genealogy of Queer Theory

Author: William Benjamin Turner

Publisher: Temple University Press

ISBN: 9781566397872

Category: History

Page: 256

View: 3925

Who are queers and what do they want? Could it be that we are all queers? Beginning with such questions, William B. Turner's lucid and engaging book traces the roots of queer theory to the growing awareness that few of us precisely fit standard categories for sexual and gender identity. Turner shows how Michal Foucault's work contributed to feminists' investigations into the ways that power relates to identity. In the last decades of the twentieth century, feminists were the first to challenge the assumption that a claim to universal identity -- the white male citizen -- should serve as the foundation of political thought and action. Difference matters. Race, ethnicity, class, gender, and sexuality interact, producing a wide array of identities that resist rigid definition and are mutable. By understanding the notion of transhistorical categories -- woman, man, homosexual, and so forth -- feminist and gay male scholars launched queer theoretical work as a new way to think about the politics of gender and sexuality. A Geneology of Queer Theory probes the fierce debates among scholars and activists, weighing the charges that queer readings of texts and identity politics do not constitute and might inhibit radical social change. Written by a historian, it considers the implications of queer theory for historical inquiry and the distinction between philosophy and history. As such, the book will interest readers of gay/lesbian/bisexual/transgender studies, intellectual history, political theory, and the history of gender/sexuality.
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Welcome to the Jungle

New Positions in Black Cultural Studies

Author: Kobena Mercer

Publisher: Routledge

ISBN: 1135204772

Category: Art

Page: 352

View: 1583

Welcome to the Jungle brings a black British perspective to the critical reading of a wide range of cultural texts, events and experiences arising from volatile transformations in the politics of ethnicity, sexuality and "race" during the 1980s. The ten essays collected here examine new forms of cultural expression in black film, photography and visual art exerging with a new generation of black British artists, and interprets this prolific creativity within a sociological framework that reveals fresh perspectives on the bewildering complexity of identity and diversity in an era of postmodernity. Kobena Mercer documents a wealth of insights opened up by the overlapping of Asian, African and Caribbean cultures that constitute Black Britain as a unique domain of diaspora.
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Against the Closet

Identity, Political Longing, and Black Figuration

Author: Aliyyah Abdur-Rahman

Publisher: Duke University Press

ISBN: 0822352419

Category: Literary Collections

Page: 200

View: 6671

Aliyyah I. Abdur-Rahman argues that from the mid-nineteenth century through the twentieth, black writers used depictions of transgressive sexuality to express African Americans' longings for individual and collective freedom.
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Latining America

Black-Brown Passages and the Coloring of Latino/a Studies

Author: Claudia Milian

Publisher: University of Georgia Press

ISBN: 0820344354

Category: Social Science

Page: 320

View: 8795

With Latining America, Claudia Milian proposes that the economies of blackness, brownness, and dark brownness summon a new grammar for Latino/a studies that she names “Latinities.” Milian’s innovative study argues that this ensnared economy of meaning startles the typical reading practices deployed for brown Latino/a embodiment. Latining America keeps company with and challenges existent models of Latinidad, demanding a distinct paradigm that puts into question what is understood as Latino and Latina today. Milian conceptually considers how underexplored “Latin” participants––the southern, the black, the dark brown, the Central American—have ushered in a new world of “Latined” signification from the 1920s to the present. Examining not who but what constitutes the Latino and Latina, Milian’s new critical Latinities disentangle the brown logic that marks “Latino/a” subjects. She expands on and deepens insights in transamerican discourses, narratives of passing, popular culture, and contemporary art. This daring and original project uncovers previously ignored and unremarked upon cultural connections and global crossings whereby African Americans and Latinos traverse and reconfigure their racialized classifications.
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Tropics of Desire

Interventions from Queer Latino America

Author: Jose Quiroga

Publisher: NYU Press

ISBN: 0814769527

Category: Health & Fitness

Page: 286

View: 9286

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh. Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out. Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.
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Black Queer Studies

A Critical Anthology

Author: E. Patrick Johnson,Mae G. Henderson

Publisher: Duke University Press

ISBN: 0822387220

Category: Social Science

Page: 393

View: 9268

While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project. The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies. Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace
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Radio Reader

Essays in the Cultural History of Radio

Author: Michele Hilmes,Jason Loviglio

Publisher: Psychology Press

ISBN: 9780415928212

Category: Performing Arts

Page: 569

View: 3219

While cultural historians and media scholars have been looking at television for decades, they have only recently turned their eyes (and ears) to radio. Studies of television rarely acknowledge that many of its forms-soap operas, situation comedies, quiz shows, sportscasts, etc.-all evolved out of the earlier medium. The essays collected here demonstrate that radio set patterns that have effected all forms of media that have followed it, and also look at how it has survived the coming of media that supposedly made it obsolete.
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Next of Kin

The Family in Chicano/a Cultural Politics

Author: Richard T. Rodríguez

Publisher: Duke University Press

ISBN: 0822391139

Category: Social Science

Page: 270

View: 7689

As both an idea and an institution, the family has been at the heart of Chicano/a cultural politics since the Mexican American civil rights movement emerged in the late 1960s. In Next of Kin, Richard T. Rodríguez explores the competing notions of la familia found in movement-inspired literature, film, video, music, painting, and other forms of cultural expression created by Chicano men. Drawing on cultural studies and feminist and queer theory, he examines representations of the family that reflect and support a patriarchal, heteronormative nationalism as well as those that reconfigure kinship to encompass alternative forms of belonging. Describing how la familia came to be adopted as an organizing strategy for communitarian politics, Rodríguez looks at foundational texts including Rodolfo Gonzales’s well-known poem “I Am Joaquín,” the Chicano Liberation Youth Conference’s manifesto El Plan Espiritual de Aztlán, and José Armas’s La Familia de La Raza. Rodríguez analyzes representations of the family in the films I Am Joaquín, Yo Soy Chicano, and Chicana; the Los Angeles public affairs television series ¡Ahora!; the experimental videos of the artist-activist Harry Gamboa Jr.; and the work of hip-hop artists such as Kid Frost and Chicano Brotherhood. He reflects on homophobia in Chicano nationalist thought, and examines how Chicano gay men have responded to it in works including Al Lujan’s video S&M in the Hood, the paintings of Eugene Rodríguez, and a poem by the late activist Rodrigo Reyes. Next of Kin is both a wide-ranging assessment of la familia’s symbolic power and a hopeful call for a more inclusive cultural politics.
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Spaces Between Us

Queer Settler Colonialism and Indigenous Decolonization

Author: Scott Lauria Morgensen

Publisher: U of Minnesota Press

ISBN: 1452932727

Category: Social Science

Page: 292

View: 5502

Explores the intimate relationship of non-Native and Native sexual politics in the United States
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