Author: Sarah Howgate,Barbara Stern Shapiro,Mark Glazebrook,Marco Livingstone,Edmund White,Los Angeles County Museum of Art,National Portrait Gallery (Great Britain)
Publisher: Yale University Press
View: 8822David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life. This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Freud, Francesco Clemente, R. B. Kitaj, Helmet Newton, Lawrence Weschler, and W. H. Auden. The authors reveal how Hockney’s creative development and concerns about representation can be traced through his portrait work: from his battle with naturalism to his experimentation with and later rejection of photography, and from his recent camera lucida drawings to his return to painting from life. Featuring more than 250 works from the past fifty years, David Hockney Portraits illustrates not only the fascinating range of Hockney’s creative practice but also the unique and cyclical nature of his artistic concerns.
The Biography, 1937-1975
Author: Christopher Simon Sykes
Publisher: Nan A. Talese
Category: Biography & Autobiography
View: 5002Drawing on exclusive and unprecedented access to David Hockney’s extensive archives, notebooks, and paintings, interviews with family, friends, and on Hockney himself, Christopher Simon Sykes provides a colorful and intimate portrait of one of the most influential artists of the twentieth century. Born in 1937, David Hockney grew up in a northern English town during the days of postwar austerity. By the time he was ten years old he knew he wanted to be an artist, and after leaving school he went on to study at Bradford Art College and later at the Royal College of Art in London. Bursting onto the scene at the Young Contemporaries exhibition, Hockney was quickly heralded as the golden boy of postwar British art and a leading proponent of pop art. It was during the swinging 60s in London that he befriended many of the seminal cultural figures of the generation and throughout these years Hockney's career grew. Always absorbed in his work, he drew, painted and etched for long hours each day, but it was a scholarship that led him to California, where he painted his iconic series of swimming pools. Since then, the most prestigious galleries across the world have devoted countless shows to his extraordinary work. In the seventies he expanded his range of projects, including set and costume design for operas and experiments with photography, lithography, and even photocopying. Most recently he has been at the forefront the art world's digital revolution, producing incredible sketches on his iPhone and iPad, and it is this progressive thinking which has highlighted his genius, vigor and versatility as an artist approaching his 75th birthday. In this, the first volume of Hockney’s biography, detailing his life and work from 1937 - 1975, Sykes explores the fascinating world of the beloved and controversial artist whose career has spanned and epitomized the art movements of the last five decades. "The timing couldn't be better for this enjoyable and well-sourced book, which — like Hockney's own work — is both conversational and perceptive." —Los Angeles Times "To read Christopher Simon Sykes' David Hockney is to marvel at the artistic gifts of the eccentric Yorkshireman who rose from a sometimes pinched childhood to hobnob with poet Stephen Spender and novelist Christopher Isherwood, to party with Mick Jagger and Manolo Blahnik." —The Plain Dealer "Prodigiously entertaining." —Financial Times “A chatty, knowledgeable, insider's biography, full of anecdotes.” —The Guardian
Author: Paul Melia,Ulrich Luckhardt
Publisher: Prestel Pub
View: 8858This volume considers David Hockney's work from 1960 to the early 1990s. It reveals the major phases in Hockney's oeuvre, his early years as a student at the Royal College of Art in London, his ironic experimentation with different styles of painting, his images of life in southern California, his personal portraits, and more.
a drawing retrospective
Author: Ulrich Luckhardt,Paul Melia
Publisher: Chronicle Books Llc
View: 8116Published to coincide with the first major retrospective of David Hockney's drawings in 15 years, at the Los Angeles County Museum of Art, this volume brings together for the first time an exciting selection of the works on paper and in sketchbooks of perhaps the world's most widely celebrated contemporary artist. A chronology and select bibliography accompany the 145 color and 70 black-and-white illustrations.
Twenty-Five Years of Conversations with David Hockney
Author: Lawrence Weschler
Publisher: University of California Press
View: 3557Soon after the book's publication in 1982, artist David Hockney read Lawrence Weschler's Seeing Is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin and invited Weschler to his studio to discuss it, initiating a series of engrossing dialogues, gathered here for the first time. Weschler chronicles Hockney's protean production and speculations, including his scenic designs for opera, his homemade xerographic prints, his exploration of physics in relation to Chinese landscape painting, his investigations into optical devices, his taking up of watercolor—and then his spectacular return to oil painting, around 2005, with a series of landscapes of the East Yorkshire countryside of his youth. These conversations provide an astonishing record of what has been Hockney's grand endeavor, nothing less than an exploration of "the structure of seeing" itself.
Author: Chris Stephens
Publisher: Tate Publishing
View: 4913David Hockney (b. 1937) has been delighting and challenging art lovers for almost 60 years. Working in a wide range of media with wit and intelligence, his art has examined, probed, and questioned how the perceived world of movement, space, and time can be captured in two dimensions. This stunning monograph and the retrospective it accompanies explore Hockney's entire career, allowing an overview of his constantly evolving style and exploring his return to favored themes. From abstract expressionism to naturalism to his play with illusion and imagination, parody, and self-reflexivity, Hockney's preoccupation with looking, perception, and representation can be traced throughout. Showcasing more than 200 works in all media from across the six decades of Hockney's remarkable career, this book will delight existing fans of the artist while giving new audiences the fullest possible introduction to his life and work.
Author: Marco Livingstone
Publisher: Thames & Hudson
View: 8773Intelligent, conscientious, sensitive. –Burlington Magazine The relationship between art and life has been of overriding importance in the work of David Hockney, who has perhaps enjoyed greater popularity than any other British artist this century. Here Marco Livingstone traces those connections from the beginning of the artist’s career in the early 1960s through the more recent works that have contributed to Hockney’s international reputation. These include photocollages and highly acclaimed stage designs for the opera as well as his embrace of technology, which show the continuing preoccupation with invention and artifice that has made the artist’s work at once popular and enduring. The fourth edition of this best-selling World of Art title includes updated information on Hockney’s work in the past twenty years, such as his foray into the world of digital art including large-scale iPad drawings and video.
David Hockney ; [diese Publikation erscheint anläßlich der Ausstellung David Hockney - Exciting Times are Ahead - eine Retrospektive vom 1. Juni bis zum 23. September 2001 in der Kunst- und Ausstellungshalle der Bundesrepublik Deutschland in Bonn]