Comedy and Critical Thought

Laughter As Resistance

Author: Fred Francis,Iain MacKenzie,Krista Bonello Rutter Giappone

Publisher: N.A

ISBN: 9781786604071

Category:

Page: 246

View: 6194

First volume to reflect on both the comedy within critical theory and the role of comedians as practitioners of critique.
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The Idea of Comedy

History, Theory, Critique

Author: Jan Hokenson

Publisher: Fairleigh Dickinson Univ Press

ISBN: 9780838640968

Category: Literary Criticism

Page: 287

View: 2694

One of the few constants in Western critical though for over two millennia has been the inexhaustible fascination with comedy: what it is and how it works. Yet comedy has eluded every definition. Why have so many of the leading critics and philosophers of the West proposed theories and counter-theories of comedy while often admitting that it enthralls and baffles the mind in equal measure? The Idea of Comedy: A Critique assembles a rich corpus of materials from different languages and eras to construct a history of the commentaries and reflections, the theoretical postulates and conjectures, and the often acrimonious debates about comedy-through the centuries from Plato and Aristotle to our contemporaries. The aim is dual: to situate comic theories in their historical moment, as participants in the wider intellectual currents of their time, and to trace underlying types of consensus and dispute running through different theories and intellectual generations. The book brings into view the full landscape of comic theory as a field of ideas, a terrain of thought extending from antique to recent conceptions.
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The Origins of Modern Critical Thought: German Aesthetic and Literary Criticism from Lessing to Hegel

Author: David Simpson

Publisher: CUP Archive

ISBN: 9780521359023

Category: Literary Criticism

Page: 449

View: 9585

An exceptional resource, this 1988 book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing and Hegel. The texts are crucial to an understanding not only of the Romantic period itself, but also of the foundational arguments of literary theory.
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Humor and Latina/o Camp in Ugly Betty

Funny Looking

Author: Tanya González,Eliza Rodriguez y Gibson

Publisher: Lexington Books

ISBN: 0739197509

Category: Social Science

Page: 198

View: 5192

Humor and Latina/o Camp in Ugly Betty: Funny Looking expands the vista of critical approaches to comedy and representational politics on mainstream television from an interdisciplinary Latina/o studies approach. González and Rodriguez y Gibson examine how Ugly Betty uses humor and Latina/o camp to reframe socially charged issues on the show: representations of masculinity and familia, immigration, drag and queer subjectivities, Latina sexuality, and finally, a Latina feminist critique of the American Dream. Ugly Betty moves beyond the binaries of traditional representational politics and opens a vista of critical possibility applicable to all mainstream texts that portray people of color through comedy. This work will be of interest to scholars in media studies, Latina/o studies, and communication studies.
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Opera in the Development of German Critical Thought

Author: Gloria Flaherty

Publisher: Princeton University Press

ISBN: 140086836X

Category: Music

Page: 396

View: 4050

Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and against the operatic forms that dominated seventeenth- and eighteenth-century German theater. Included in her focus are the academic critics who denounced the failure of opera to comply with universally valid standards of beauty and the rules of drama; the various sermonizers who condemned opera's excessive emphasis on the senses and preached total abstinence; and the theatrical artists and patrons as well as the innumerable poets, philosophers, and writers who upheld the freedom to experiment and defended opera as a modern theatrical form with nearly unlimited artistic possibilities. As a result of these controversies, the defense of opera helped to shape a distinctively German version of the classical ideal, enriched German criticism with new vocabulary, promoted the study of the performing arts, and emphasized music and spectacle as essential components of theater. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Humor and the Good Life in Modern Philosophy

Shaftesbury, Hamann, Kierkegaard

Author: Lydia B. Amir

Publisher: SUNY Press

ISBN: 1438449380

Category: Humor

Page: 384

View: 827

An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications. By exploring the works of both Anthony Ashley Cooper, Third Earl of Shaftesbury, and Søren Kierkegaard, Lydia B. Amir finds a rich tapestry of ideas about the comic, the tragic, humor, and related concepts such as irony, ridicule, and wit. Amir focuses chiefly on these two thinkers, but she also includes Johann Georg Hamann, an influence of Kierkegaard’s who was himself influenced by Shaftesbury. All three thinkers were devout Christians but were intensely critical of the organized Christianity of their milieux, and humor played an important role in their responses. The author examines the epistemological, ethical, and religious roles of humor in their philosophies and proposes a secular philosophy of humor in which humor helps attain the philosophic ideals of self-knowledge, truth, rationality, virtue, and wisdom, as well as the more ambitious goals of liberation, joy, and wisdom.
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The Comedy of Errors (Annotated with Biography and Critical Essay)

Author: William Shakespeare

Publisher: BookCaps Study Guides

ISBN: 1610426193

Category: Drama

Page: 150

View: 3524

The Comedy of Errors, is of course, a comedy, and was possibly written as early as 1591 and is on record as being performed in 1594 in London. It is the shortest of Shakespeare’s works with just eighteen hundred lines. The playwright adapted the play from a work by the ancient Roman playwright Plautus called Menaechmi. The play is set in Syracuse, Sicily when it was part of the Roman Empire. The play’s action revolves around the unlikely scenario of two sets of identical twins that are separated as infants and are reunited years later in the city of Ephesus. Most of the play’s plot is taken up with the hilarity that ensues from the twins being mistaken for each other. This annotated edition includes a biography and critical essay.
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George Meredith's Essay On Comedy and Other New Quarterly Magazine Publications

A Critical Edition

Author: George Meredith,Maura C. Ives

Publisher: Bucknell University Press

ISBN: 9780838753491

Category: Literary Criticism

Page: 361

View: 2109

In this book, Meredith's prose is presented for the first time in a critical edition. Its goal is to present Meredith's words as he intended them to be read, without the errors of his publishers, and with a complete scholarly apparatus that allows readers to re-create the history of each work's transmission. Each text, originally published in the New Quarterly Magazine between 1877 and 1879, is accompanied by a textual history, a list of editorial emendations, a historical collation (showing how Meredith's texts changed over time), and additional lists and tables as determined by the special circumstances of each text.
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Comedy

A Geographic and Historical Guide

Author: Maurice Charney

Publisher: Greenwood Publishing Group

ISBN: 9780313327155

Category: Comedy

Page: 663

View: 2271

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Birds, Peace, Wealth

Aristophanes' Critique of the Gods

Author: Aristophanes

Publisher: Paul Dry Books

ISBN: 1589880781

Category: Drama

Page: 223

View: 2750

THREE PLAYS TRANSLATED BY WAYNE AMBLER AND THOMAS L. PANGLE In these three raucous comedies, mortals outwit and even replace Zeus and other Olympian deities of the Greek Pantheon. As Aristophanes provokes laughter at the foibles of gods and men, he arouses wonder at our human need for the divine. * * * “The three comic heroes in the plays included here raise the questions of whether there are gods, who they might be, how powerful they are, and how they might be changed or eliminated. Although the precise form of such questions changes from age to age, these are questions that are inseparable from political life; and they certainly are powerfully present in our own day . . . great theorists and architects of the modern liberal state designed its contours partly with an eye on the goal of diminishing the role of religion in the public square. Not unlike our three comic heroes, they wanted to reduce dependence on “Zeus” and his priests. In his place, and like our three heroes, they sought peace, wealth, and human rulers liberated from exaggerated piety. And nowadays the so-called New Atheists are pressing the case that it is high time for a final defeat and elimination of the powers of darkness that, in their view, have cost us so much blood and treasure . . . Aristophanes was not a modern liberal; still less would he agree with the New Atheists’ advocacy of universal public atheism. He does, however, put dissatisfaction with the gods at the center of the three plays included here, does bestow victories on the human critics of those gods, and does invite us to think with him about the justice of their causes, the tactics behind their victories, and the limits of their successes.” – From the Introduction
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Politics and the American Television Comedy

A Critical Survey from I Love Lucy through South Park

Author: Doyle Greene

Publisher: McFarland

ISBN: 1476608296

Category: Performing Arts

Page: 275

View: 495

This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American television programs. Focusing on close readings of the work of Ernie Kovacs, Soupy Sales, and Andy Kaufman, as well as Green Acres and The Gong Show, the author provides a unique glimpse at the often subversive nature of avant-garde television comedy. The crisis in American television during the political unrest of the late 1960s is also studied, as represented by individual analyses of The Monkees, The Smothers Brothers Comedy Hour, Rowan and Martin’s Laugh-In, and All in the Family. The author also focuses on more contemporary American television, drawing a comparative analysis between the referential postmodernism of The Simpsons and the confrontational absurdity of South Park.
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Lawrence and Comedy

Author: Paul Eggert,John Worthen

Publisher: Cambridge University Press

ISBN: 9780521118699

Category: Literary Criticism

Page: 232

View: 6743

Lawrence's genius is unquestioned, but he is seldom considered a writer interested in comedy. This 1996 collection of essays by distinguished scholars explores the range, scope and sheer verve of Lawrence's comic writing. Comedy for Lawrence was not, as his contemporary Freud insisted, a mere defence mechanism. The comic mode enabled him to function parodically to undermine radically those forms of authority from which he always felt estranged. Lawrence's critique of the modern failure of the mystic impulse is present in all the comic moments in his writing where it is used to create an alternative cultural and social space. Lawrence used humour to distance himself from the dominant orthodoxy surrounding him, from the material of his fiction, from his readers, and, finally, from his own often intensely serious preoccupations. This book revises the popular image of Lawrence as a humourless writer and reveals his strategic use of a genuine comic talent.
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The Punk Turn in Comedy

Masks of Anarchy

Author: Krista Bonello Rutter Giappone

Publisher: Springer

ISBN: 3319728415

Category: Social Science

Page: 254

View: 1148

This book examines the interconnections between punk and alternative comedy (altcom). It explores how punk’s tendency towards humour and parody influenced the trajectory taken by altcom in the UK, and the punk strategies introduced when altcom sought self-definition against dominant established trends. The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore’s ‘Derek and Clive’, and discusses punk and altcom’s attitudes towards dominant traditions. The chapters demonstrate how punk and altcom sought a direct approach for critique, one that rejected innuendo, while embracing the ‘amateur’ in style and experimenting with audience-performer interaction. Giappone argues that altcom tended to be more consistently politicised than punk, with a renewed emphasis on responsibility. The book is a timely exploration of the ‘punk turn’ in comedy history, and will speak to scholars of both comedy and punk studies.
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New Tragedy and Comedy in France, 1945-1970

Author: Peter Norrish

Publisher: Rowman & Littlefield

ISBN: 9780389207467

Category: Literary Criticism

Page: 156

View: 2530

Contents: Introduction: New Tragedy and Comedy; The Background: From DEGREESR La Machine infernale to Huis clos; More Sartre and Camus: Drama, Tragedy and Philosophy; Henry de Montherlant: Tragedy and Morality; Samuel Beckett: New Tragedy; EugEne Ionesco: New Comedy; Arthur Adamov: Black Satire, Dreams and Politics; Jean Genet: Tragic Masquerades; Fernando Arrabal: Tragic Farce; Conclusion: The Death of Comody?; Select Bibliography;
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Tragedy and Comedy

A Systematic Study and a Critique of Hegel

Author: Mark William Roche

Publisher: SUNY Press

ISBN: 9780791435465

Category: Philosophy

Page: 450

View: 9620

The first evaluation and critique of Hegel's theory of tragedy and comedy, this book also develops an original theory of both genres.
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Culture, Class, and Critical Theory

Between Bourdieu and the Frankfurt School

Author: David Gartman

Publisher: Routledge

ISBN: 1136169768

Category: Social Science

Page: 194

View: 8911

Culture, Class, and Critical Theory develops a theory of culture that explains how ideas create and legitimate class inequalities in modern society. This theory is developed through a critique and comparison of the powerful ideas on culture offered by Pierre Bourdieu and the Frankfurt School thinkers, especially Theodor Adorno. These ideas are illuminated and criticized through the development of two empirical cases on which Gartman has published extensively, automobile design and architecture. Bourdieu and the Frankfurt School postulate opposite theories of the cultural legitimation of class inequalities. Bourdieu argues that the culture of modern society is a class culture, a ranked diversity of beliefs and tastes corresponding to different classes. The cultural beliefs and practices of the dominant class are arbitrarily defined as superior, thus legitimating its greater share of social resources. By contrast, the thinkers of the Frankfurt School conceive of modern culture as a mass culture, a leveled homogeneity in which the ideas and tastes shared by all classes disguises real class inequalities. This creates the illusion of an egalitarian democracy that prevents inequalities from being contested. Through an empirical assessment of the theories against the cases, Gartman reveals that both are correct, but for different parts of modern culture. These parts combine to provide a strong legitimation of class inequalities.
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The Cambridge History of Greek and Roman Political Thought

Author: Christopher Rowe

Publisher: Cambridge University Press

ISBN: 9780521481366

Category: Philosophy

Page: 745

View: 8600

This volume is the first general and comprehensive treatment of the political thought of ancient Greece and Rome ever to be published in English. It covers Plato and Aristotle at length, but also a host of other major and minor thinkers, from Thucydides and the Greek dramatists to Cicero and early Christian writers. It attempts both historical and philosophical assessment of the writers discussed and quotes them generously in translation. It will take its place as a standard work essential for scholars and students of classics, history, philosophy and theology.
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