Collaborative Intimacies in Music and Dance

Anthropologies of Sound and Movement

Author: Evangelos Chrysagis,Panas Karampampas

Publisher: Berghahn Books

ISBN: 1785334549

Category: Performing Arts

Page: 282

View: 8290

Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.
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Lullabies and Battle Cries

Music, Identity and Emotion among Republican Parading Bands in Northern Ireland

Author: Jaime Rollins

Publisher: Berghahn Books

ISBN: 1785339222

Category: Music

Page: 270

View: 5125

Set against a volatile political landscape, Irish republican culture has struggled to maintain continuity with the past, affirm legitimacy in the present, and generate a sense of community for the future. Lullabies and Battle Cries explores the relationship between music, emotion, memory, and identity in republican parading bands, with a focus on how this music continues to be utilized in a post-conflict climate. As author Jaime Rollins shows, rebel parade music provides a foundational idiom of national and republican expression, acting as a critical medium for shaping new political identities within continually shifting dynamics of republican culture.
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Staging Citizenship

Roma, Performance and Belonging in EU Romania

Author: Ioana Szeman

Publisher: Berghahn Books

ISBN: 1785337319

Category: Social Science

Page: 204

View: 2380

Based on over a decade of fieldwork conducted with urban Roma, Staging Citizenship offers a powerful new perspective on one of the European Union’s most marginal and disenfranchised communities. Focusing on “performance” broadly conceived, it follows members of a squatter’s settlement in Transylvania as they navigate precarious circumstances in a postsocialist state. Through accounts of music and dance performances, media representations, activism, and interactions with both non-governmental organizations and state agencies, author Ioana Szeman grounds broad themes of political economy, citizenship, resistance, and neoliberalism in her subjects’ remarkably varied lives and experiences.
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Singing Ideas

Performance, Politics and Oral Poetry

Author: Tríona Ní Shíocháin

Publisher: Berghahn Books

ISBN: 1785337688

Category: Music

Page: 214

View: 8705

Considered by many to be the greatest Irish song poet of her generation, Máire Bhuí Ní Laeire (Yellow Mary O'Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song. As an oral arts practitioner, Máire Bhuí composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society.
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The Routledge Handbook of Popular Culture and Tourism

Author: Christine Lundberg,Vassilios Ziakas

Publisher: Routledge

ISBN: 1317193415

Category: Business & Economics

Page: 500

View: 4460

This handbook provides a comprehensive overview and holistic analysis of the intersection between tourism and popular culture. It examines current debates, questions and controversies of tourism in the wake of popular culture phenomena and explores the relationships between popular culture, globalization, tourism and mobility. In addition, it offers a cross-disciplinary, cutting edge review of the character of popular cultural production and consumption trends, analyzing their consequences for tourism, spatial strategies and destination competitiveness. The scope of the volume encompasses various expressions of popular culture such as cinema, TV shows, music, literature, sports and heritage. Featuring a mix of theoretical and empirical chapters, the handbook problematizes and conceptualizes the ties and clusters of popular cultural actors, thereby positioning tourism within the wider context of creative economies, cultural planning and multimodal technologies. Written by an international team of academics with expertise in a range of disciplines, this timely book will be of interest to researchers from a variety of subjects including tourism, events, geography, cultural studies, fandom research, political economy, business, media studies and technology.
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Collaborative Creative Thought and Practice in Music

Author: Professor Margaret S Barrett

Publisher: Ashgate Publishing, Ltd.

ISBN: 1472415868

Category: Music

Page: 328

View: 3139

Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice.
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Anthropology of the Performing Arts

Artistry, Virtuosity, and Interpretation in Cross-Cultural Perspective

Author: Anya Peterson Royce

Publisher: Rowman Altamira

ISBN: 0759115656

Category: Performing Arts

Page: 272

View: 8141

Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.
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Pieces of the Musical World: Sounds and Cultures

Author: Rachel Harris,Rowan Pease

Publisher: Routledge

ISBN: 1317935020

Category: Music

Page: 292

View: 9870

Pieces of the Musical World: Sounds and Cultures is a fieldwork-based ethnomusicology textbook that introduces a series of musical worlds each through a single "piece." It focuses on a musical sound or object that provides a springboard from which to tell a story about a particular geographic region, introducing key aspects of the cultures in which it is embedded, contexts of performance, the musicians who create or perform it, the journeys it has travelled, and its changing meanings. A collaborative venture by staff and research ethnomusicologists associated with the Department of Music at SOAS, University of London, Pieces of the Musical World is organized thematically. Three broad themes: "Place", "Spirituality" and "Movement" help teachers to connect contemporary issues in ethnomusicology, including soundscape studies, music and the environment, the politics of identity, diaspora and globalization, and music and the body. Each of the book's fourteen chapters highlights a single musical "piece" broadly defined, spanning the range of "traditional," "popular", "classical" and "contemporary" musics, and even sounds which might be considered "not music." Primary sources and a web site hosting recordings with interactive listening guides, a glossary of musical terms and interviews all help to create a unique and dynamic learning experience of our musical world.
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Queer Dance

Author: Clare Croft

Publisher: Oxford University Press

ISBN: 0199377332

Category: Performing Arts

Page: 336

View: 5442

If we imagine multiple ways of being together, how might that shift choreographic practices and help us imagine ways groups assemble in more varied ways than just pairing another man with another woman? How might dancing queerly ask us to imagine futures through something other than heterosexuality and reproduction? How does challenging gender binaries always mean thinking about race, thinking about the postcolonial, about ableism? What are the arbitrary rules structuring dance in all its arenas, whether concert and social or commercial and competition, and how do we see those invisible structures and work to disrupt them? Queer Dance brings together artists and scholars in a multi-platformed project-book, accompanying website, and live performance series to ask, "How does dancing queerly progressively challenge us?" The artists and scholars whose writing appears in the book and whose performances and filmed interviews appear online stage a range of genders and sexualities that challenge and destabilize social norms. Engaging with dance making, dance scholarship, queer studies, and other fields, Queer Dance asks how identities, communities, and artmaking and scholarly practices might consider what queer work the body does and can do. There is great power in claiming queerness in the press of bodies touching or in the exceeding of the body best measured in sweat and exhaustion. How does queerness exist in the realm of affect and touch, and what then might we explore about queerness through these pleasurable and complex bodily ways of knowing?
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Popular Music, Stars and Stardom

Author: Stephen Loy,Julie Rickwood,Samantha Bennett

Publisher: ANU Press

ISBN: 1760462136

Category: Music

Page: 162

View: 6099

A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty‑first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music.
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Composing Japanese Musical Modernity

Author: Bonnie C. Wade

Publisher: University of Chicago Press

ISBN: 022608549X

Category: Music

Page: 272

View: 7994

When we think of composers, we usually envision an isolated artist separate from the orchestra—someone alone in a study, surround by staff paper—and in Europe and America this image generally has been accurate. For most of Japan’s musical history, however, no such role existed—composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture. Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them—or that they forged—during Japan’s astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.
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Intimacy Across Visceral and Digital Performance

Author: M. Chatzichristodoulou,R. Zerihan

Publisher: Springer

ISBN: 1137283335

Category: Performing Arts

Page: 267

View: 6284

Consisting of critical analyses, theoretical provocations and practical reflections by leading scholars/practitioners from the fields of performance studies, live art and creative technology, these essays examine the rise of intimate performance works and question the socio-historical contexts provoking those aesthetic and affective developments.
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Audible Traces

Gender, Identity, and Music

Author: Elaine Barkin,Lydia Hamessley

Publisher: Theodore Front Music

ISBN: 9783905323016

Category: Feminism and music

Page: 358

View: 4069

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Engaging Bodies

The Politics and Poetics of Corporeality

Author: Ann Cooper Albright

Publisher: Wesleyan University Press

ISBN: 0819574120

Category: Performing Arts

Page: 408

View: 8364

Winner of the Selma Jeanne Cohen Prize in Dance Aesthetics (2014) For twenty-five years, Ann Cooper Albright has been exploring the intersection of cultural representation and somatic identity in dance. For Albright, dancing is a physical inquiry, a way of experiencing and participating in the world, and her writing reflects an interdisciplinary approach to seeing and thinking about dance. In her engagement as both a dancer and a scholar, Albright draws on her kinesthetic sensibilities as well as her intellectual knowledge to articulate how movement creates meaning. Throughout Engaging Bodies movement and ideas lean on one another to produce a critical theory anchored in the material reality of dancing bodies. This blend of cultural theory and personal circumstance will be useful and inspiring for emerging scholars and dancers looking for a model of writing about dance that thrives on the interconnectedness of watching and doing, gesture and thought.
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Heartbeat of the People

Music and Dance of the Northern Pow-wow

Author: Tara Browner

Publisher: University of Illinois Press

ISBN: 9780252071867

Category: Music

Page: 200

View: 6506

The intertribal pow-wow is the most widespread venue for traditional Indian music and dance in North America. Heartbeat of the people is an insider's journey through the dances and music, the traditions and regalia, and into the functions and significance of these vital cultural events. Tara Browner comes to the pow-wow as a participant--she is a dancer of Oklahoma Choctaw heritage--as well as a scholar. Focusing on the Northern pow-wow, which derives from the northern Great Plains and Great Lakes region, Browner presents an in-depth discussion of the pow-wow's roots and traditions, protocols, and order of events. She also describes footwork, styles of singing, and the diversity of participants' regalia. Browner centers her discussion of the Northern-style pow-wow around the Lakota Sacred Hoop and the Anishnaabeg Sacred Fire. Browner traces the history of specific events such as the Grass and Jingle Dress dances and distinguishes among various dance types, including Traditional, Fancy, and "special" exhibition dances as well as ceremonial honor dances, giveaways, and memorials. She also discusses women's changing roles within pow-wow performance and thoughtfully examines how continually changing musical repertories, dance styles and regalia, and customs foster a vibrant state of transformation that coexists, often uneasily, with more traditional Native mores. She closes her study with a series of interviews with members of two families of pow-wow dancers, one Lakota and one Anishnaabeg.
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Intimacy from the Inside Out

Courage and Compassion in Couple Therapy

Author: Toni Herbine-Blank,Donna M. Kerpelman,Martha Sweezy

Publisher: Routledge

ISBN: 1134613644

Category: Psychology

Page: 206

View: 700

Couples in distress enter therapy holding two goals that they now experience as mutually exclusive: to feel loved and to feel understood. Toni Herbine-Blank’s powerful new brand of couple therapy, Intimacy from the Inside Out (IFIO), offers a comprehensive conceptual map for achieving both goals. In a tour de force of elegant case illustrations wrapped around clear instruction, this book shows the IFIO therapist working with the natural subdivisions – or parts – of the human mind in a dyad, guiding and supporting couples to understand how they project childhood injury into current relationships and then, feeling threatened, frustrated and angry, lose track of their underlying needs to feel safe, connected and loved. With a focus on generating internal attachment stability to sustain each partner through the moments when the other is unavailable, couples in IFIO therapy reconnect with their essential needs, change their conversations and learn to make requests that invite rather than threaten in order to get those needs met.
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Aloha America

Hula Circuits Through the U.S. Empire

Author: Adria L. Imada

Publisher: Duke University Press

ISBN: 0822352079

Category: History

Page: 374

View: 8383

Paying particular attention to hula performances that toured throughout the U.S. beginning in the late nineteenth century, Adria L. Imada investigates the role of hula in the American colonization of Hawai'i.
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Diasporic Intimacies

Queer Filipinos and Canadian Imaginaries

Author: Robert Diaz,Marissa Largo,Fritz Pino

Publisher: Northwestern University Press

ISBN: 0810136538

Category: History

Page: 288

View: 2272

Diasporic Intimacies: Queer Filipinos and Canadian Imaginaries is the first edited volume of its kind, featuring the works of leading scholars, artists, and activists who reflect on the contributions of queer Filipinos to Canadian culture and society. Addressing a wide range of issues beyond the academy, the authors present a rich and under-studied archive of personal reflections, in-depth interviews, creative works, and scholarly essays. Their trandsdisciplinary approach highlights the need for queer, transgressive, and utopian practices that render visible histories of migration, empire building, settler colonialism, and globalization. Timely, urgent, and fascinating, Diasporic Intimacies offers an accessible entry point for readers who seek to pursue critically engaged community work, arts education, curatorial practice, and socially inflected research on sexuality, gender, and race in this ever-changing world.
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Dance of Death

The Life of John Fahey, American Guitarist

Author: Steve Lowenthal,David Fricke

Publisher: Chicago Review Press

ISBN: 1613745222

Category: Music

Page: 240

View: 7890

John Fahey hovers ghostlike in the sound of almost every acoustic guitarist who came after him. He was to the solo acoustic guitar what Hendrix was to the electric: the man whom all subsequent musicians had to listen to. Fahey made more than forty albums between 1959 and his death in 2001, fusing folk, blues, and experimental composition, taking familiar American sounds and making them new. Yet Fahey’s life and art remain largely unexamined. His memoir and liner notes were largely fiction. His real story has never been told—until now. Journalist Steve Lowenthal has spent years talking with Fahey’s producers, friends, peers, wives, business partners, and many others. He describes how Fahey introduced pre-war blues to a broader public; how his independent label, Takoma, set new standards; how he battled his demons, including stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a new record label, Revenant, that won Grammys and remains critically revered. This portrait of a troubled and troubling man in a constant state of creative flux is not only a biography, but also the compelling story of a great American outcast. Steve Lowenthal started and ran the music magazine Swingset; his writing has also been published in Fader, Spin, Vice, and the Village Voice. He lives in New York City. David Fricke is a senior editor at Rolling Stone magazine.
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Wired for Sound

Engineering and Technologies in Sonic Cultures

Author: Paul D. Greene,Thomas Porcello

Publisher: Wesleyan University Press

ISBN: 0819565164

Category: Music

Page: 288

View: 8071

Wired for Sound is the first anthology to address the role of sound engineering technologies in the shaping of contemporary global music. Wired sound is at the basis of digital audio editing, multi-track recording, and other studio practices that have powerfully impacted the world's music. Distinctions between musicians and engineers increasingly blur, making it possible for people around the globe to imagine new sounds and construct new musical aesthetics. This collection of 11 essays employs primarily ethnographical, but also historical and psychological, approaches to examine a range of new, technology-intensive musics and musical practices such as: fusions of Indian film-song rhythms, heavy metal, and gamelan in Jakarta; urban Nepali pop which juxtaposes heavy metal, Tibetan Buddhist ritual chant, rap, and Himalayan folksongs; collaborations between Australian aboriginals and sound engineers; the production of "heaviness" in heavy metal music; and the production of the "Austin sound." This anthology is must reading for anyone interested in the global character of contemporary music technology. CONTRIBUTORS: Harris M. Berger, Beverley Diamond, Cornelia Fales, Ingemar Grandin, Louise Meintjes, Frederick J. Moehn, Karl Neunfeldt, Timothy D. Taylor, Jeremy Wallach.
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