Behind Bars

The Definitive Guide to Music Notation

Author: Elaine Gould

Publisher: Faber & Faber

ISBN: 9780571514564

Category: Music

Page: 676

View: 2174

Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. Supported by 1,500 music examples of published scores from Bach to Xenakis, this seminal and all-encompassing guide encourages new standards of excellence and accuracy.
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Hals über Kopf

Das Handbuch des Notensatzes

Author: Elaine Gould

Publisher: N.A

ISBN: 9781843670483

Category:

Page: 762

View: 5909

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Grundzüge der Morphologie des Deutschen

Author: Hilke Elsen

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 3110373637

Category: Language Arts & Disciplines

Page: 350

View: 5979

This book covers the full range of aspects concerning the inflection and formation of words in German. It also discusses the structure of the ‘small’ parts of speech and takes into account historical developments. The presentation is separated into introductory and advanced chapters. It is supplemented by numerous examples, discussions, exercises and sample solutions as well as references and an extensive glossary.
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Songwriting für Dummies

Author: James Peterik,Jim Peterik,Dave Austin,Cathy Lynn

Publisher: John Wiley & Sons

ISBN: 3527709770

Category:

Page: 408

View: 6704

This edition shows readers how to develop songwriting skills and take their skills to the next level. It addresses the new face of the recording industry and its shift from traditional sales to downloads and mobile music, as well as covering the numerous social media networking sites.
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Harmonielehre

Author: Arnold Schoenberg

Publisher: N.A

ISBN: N.A

Category: Harmony

Page: 516

View: 4105

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Sourcebook for Wind Band and Instrumental Music

Author: Russ Girsberger,Frank L. Battisti,William Berz

Publisher: Hal Leonard Corporation

ISBN: 1574631802

Category: Music

Page: 240

View: 2688

(Meredith Music Resource). This sourcebook was created to aid directors and teachers in finding the information they need and expand their general knowledge. The resources were selected from hundreds of published and on-line sources found in journals, magazines, music company catalogs and publications, numerous websites, doctoral dissertations, graduate theses, encyclopedias, various databases, and a great many books. Information was also solicited from outstanding college/university/school wind band directors and instrumental teachers. The information is arranged in four sections: Section 1 General Resources About Music Section 2 Specific Resources Section 3 Use of Literature Section 4 Library Staffing and Management
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HTML & XHTML

das umfassende Referenzwerk

Author: Chuck Musciano,Bill Kennedy

Publisher: O'Reilly Verlag DE

ISBN: 9783897213500

Category: HTML 4.0

Page: 698

View: 5095

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Gitarre für Dummies

Author: Mark Phillips,Jon Chappell

Publisher: John Wiley & Sons

ISBN: 3527709991

Category:

Page: 376

View: 5540

Von Akkord bis Zupftechnik Alles, was Sie Über das Gitarrespielen wissen mÜssen Wer wÜnschte sich nicht schon einmal, als Gitarrist auf der BÜhne zu stehen oder an einem idyllischen Lager - feuer mit seinem Gitarrenspiel zu glÄnzen? Die leidenschaftlichen Gitarristen Mark Philipps und Jon Chappell zeigen Ihnen den Weg: Hier lernen Sie schnell, Akkorde und Melodien zu spielen, selbst wenn Sie noch keine einzige Note lesen kÖnnen! Sie erfahren, wie man die Gitarre richtig hÄlt und den eigenen Sound verbessert. DarÜber hinaus lernen Sie alles Wichtige Über die Gitarre von Kauf, Pflege und Stimmen des Instruments bis hin zuden verschiedenen Stilrichtungen.
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Writing about Music

A Style Sheet

Author: D. Kern Holoman

Publisher: Univ of California Press

ISBN: 0520958810

Category: Music

Page: 136

View: 5140

Where do you place the hyphen in "Beethoven" if it breaks between two lines? How do you cite John Coltrane’s album A Love Supreme? Is it "premiere" or "première"? The answers and much more can be found in this definitive resource for authors, students, editors, concert producers—anyone who deals with music in print. Extending the principles devised for the classical repertoires, this revised and expanded edition now includes examples from world music, rock, jazz, popular music, and cinema. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, while others explain the requirements for submitting manuscripts and electronic files, and outline best practices for student writers. An appendix lists common problem words. Updates include greatly simplified citations of Internet locators, the recognition of multiple platforms, and the expectation of paperless transmission and storage of work. Cited as the authority by The Chicago Manual of Style, this classic handbook is the go-to source for anyone writing about music.
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Collaborative Creative Thought and Practice in Music

Author: Margaret S. Barrett

Publisher: Routledge

ISBN: 131716444X

Category: Music

Page: 328

View: 3729

The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.
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Music from Big Pink

Roman

Author: John Niven

Publisher: Heyne Verlag

ISBN: 3641075688

Category: Fiction

Page: 224

View: 5915

»„Music from Big Pink“ ist die Geschichte eines kleinen Drogendealers, der sich im Umfeld einer erfolgreichen Rockband auf der Höhe ihres Erfolgs rumtreibt. Als Dealer hat man häufig engen Kontakt mit Stars, man kommt in die Backstageräume, die Limos, die Privatjets – man hat überall Zugang. Ich fragte mich, ob ich so eine Figur wohl mit einer realen Rockband kombinieren und die Geschichte mit dem Entstehen eines Rock- Klassikers verflechten könne. Die Musik von The Band und die Zeit, welche sie Mitte der 1960er mit Dylan in Woodstock verbracht haben, schien mir dafür perfekt geeignet.« John Niven, 2011
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Handbuch der Blasmusik

Author: Willy Schneider

Publisher: N.A

ISBN: 9783795728144

Category: Bands (Music)

Page: 233

View: 7683

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Neue Jazz-Harmonielehre

verstehen, hören, spielen : von der Theorie zur Improvisation

Author: Frank Sikora

Publisher: Schott & Company Limited

ISBN: 9783795751241

Category: Music

Page: 589

View: 1556

Schott
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Inside out

Mein persönliches Porträt von Pink Floyd

Author: Nick Mason

Publisher: N.A

ISBN: 9783841902511

Category:

Page: 416

View: 5249

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Handbuch der Notationskunde

Author: Johannes Wolf

Publisher: Рипол Классик

ISBN: 5878622890

Category: History

Page: N.A

View: 9821

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Kontrapunkt I

Prima prattica

Author: Johannes Menke

Publisher: N.A

ISBN: 9783890078250

Category: Counterpoint

Page: 280

View: 8213

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