Art History

A Critical Introduction to Its Methods

Author: Michael Hatt,Charlotte Klonk

Publisher: Manchester University Press

ISBN: 9780719069598

Category: Art

Page: 250

View: 1789

This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates.
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Art History

A Critical Introduction to Its Methods

Author: Michael Hatt

Publisher: N.A

ISBN: N.A

Category: Art

Page: 250

View: 8707

Unique in its approach, by applying the different theories used in art history to one painting, Picasso's Les Demoiselles d'Avignon An ideal text for teaching, it provides a lively and stimulating introduction to methodological debates within the subject Offers a lucid account of approaches from Hegel to post-colonialism by explaining the philosophical and political assumptions behind each approach using clear examples Offers a sense of art history's own history as a discipline, from its emergence in the late-eighteenth century to contemporary practices
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How to Write Art History

Author: Anne D'Alleva

Publisher: Laurence King Publishing

ISBN: 9781856694889

Category: Academic writing

Page: 176

View: 2158

An invaluable handbook, enables students to get the most from their art history course, and empowers readers to approach their coursework with confidence and energy. The book introduces two basic art historical methods formal analysis and contextual analysis revealing how to use these methods in writing papers and in class discussion
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Art history and its methods

a critical anthology

Author: E. C. Fernie

Publisher: Phaidon Press

ISBN: N.A

Category: Art

Page: 384

View: 2713

Approaches to the history of art are probably more varied - and more debated than in any other branch of history, and a study of different historicalpproaches is becoming an increasingly important component of many academicourses. This anthology of art-historical writings from the Renaissance tohe present day has a particular focus, for key texts have been chosen inhich the authors themselves reflects on the nature of their subject and onheir own methods of inquiry. Included are texts by Vasari, Winckelmann,urckhardt, Wolfflin, Panofsky, Gombrich and Pollock, among others. Thentroduction gives a summary of art-historical methods, and each of the textss accompanied by a brief commentary which places it in context and discusseshe issues it raises. Also provided is a critical glossary of art-historicalerms, a brief biography of each of the historians, and a select bibliography.
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Art History's History

Author: Vernon Hyde Minor

Publisher: N.A

ISBN: 9780131946064

Category: Art

Page: 211

View: 5392

Covers the standard methodological approaches to art history, in an understandable way. This book is useful for undergraduates.
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The Art of Art History

A Critical Anthology

Author: Donald Preziosi

Publisher: Oxford University Press, USA

ISBN: 0199229848

Category: Art

Page: 591

View: 6534

What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? This work is a guide to understanding art history through a critical reading of the field's most influential texts over the past two centuries.
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Art History: The Basics

Author: Diana Newall,Grant Pooke

Publisher: Routledge

ISBN: 1134191499

Category: Art

Page: 288

View: 5334

Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university. It will give you answers to questions like: What is art and art history? What are the main methodologies used to understand art? How have ideas about form, sex and gender shaped representation? What connects art with psychoanalysis, semiotics and Marxism? How are globalization and postmodernism changing art and art history? Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives. Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.
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Art and Its Histories

A Reader

Author: Steve Edwards

Publisher: Yale University Press

ISBN: 9780300077445

Category: Art

Page: 336

View: 7513

Published with six accompanying books in the series 'Art and its Histories'.
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Theory for Art History

Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal

Author: Jae Emerling

Publisher: Routledge

ISBN: 1135871450

Category: Art

Page: 264

View: 1155

Theory for Art History provides clear and concise introductions to thirty key figures of contemporary theory: four essential predecessors – Freud, Marx, Nietzsche, and Saussure – and twenty-six major moderns from Adorno to Spivak. This book includes key concepts, biography, survey of work, bibliography of primary texts, and a bibliography of secondary criticism. Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal.
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Vision and Difference

Feminism, Femininity and Histories of Art

Author: Griselda Pollock

Publisher: Routledge

ISBN: 1136743898

Category: Art

Page: 368

View: 8332

Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt. Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction, Vision and Difference is as powerful as ever for all those seeking not only to understand the history of the feminine in art, but also to develop new strategies for representation for the future.
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A Short Life of Trouble

Forty Years in the New York Art World

Author: Marcia Tucker

Publisher: Univ of California Press

ISBN: 0520265955

Category: Art

Page: 215

View: 3837

Aside from meeting some of the most famous artists of our time, from Marcel Duchamp to Bob Dylan, Tucker's personal story involves a tragic family life and years as a starving artist, related poignantly but without pandering. Deftly edited by close friend and artist Lou, this is an arresting tour of a life devoted to new art, with a perfectly charming guide"--PW Annex Reviews.
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The Critical Historians of Art

Author: Michael Podro

Publisher: Yale University Press

ISBN: 9780300032406

Category: Art

Page: 286

View: 7708

Reviews the work of nineteenth-century German art critics and connects their writings with the basic philosophical problems of aesthetics considered by Kant, Schiller, and Hegel
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The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss

Author: Richard Shone,John-Paul Stonard

Publisher: Thames & Hudson

ISBN: 0500771499

Category: Art

Page: 208

View: 8887

An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
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A Critical Introduction to the Study of Religion

Author: Craig Martin

Publisher: Routledge

ISBN: 1315474395

Category: Religion

Page: 214

View: 2542

A Critical Introduction to the Study of Religion introduces the key concepts and theories from religious studies that are necessary for a full understanding of the complex relations between religion and society. The aim is to provide readers with an arsenal of critical concepts for studying religious ideologies, practices, and communities. This thoroughly revised second edition has been restructured to clearly emphasize key topics including: Essentialism Functionalism Authority Domination.? All ideas and theories are clearly illustrated, with new and engaging examples and case studies throughout, making this the ideal textbook for students approaching the subject area for the first time.
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A Critical Introduction to Knowledge-How

Author: J. Adam Carter,Ted Poston

Publisher: Bloomsbury Publishing

ISBN: 1472509870

Category: Philosophy

Page: 256

View: 724

We know facts, but we also know how to do things. To know a fact is to know that a proposition is true. But does knowing how to ride a bike amount to knowledge of propositions? This is a challenging question and one that deeply divides the contemporary landscape. A Critical Introduction to Knowledge-How introduces, outlines, and critically evaluates various contemporary debates surrounding the nature of knowledge-how. Carter and Poston show that situating the debate over the nature of knowledge-how in other epistemological debates provides new ways to make progress. In particular, Carter and Poston explore the question of what knowledge-how involves, and how it might come apart from propositional knowledge, by engaging with key epistemological topics including epistemic luck, knowledge of language, epistemic value, virtue epistemology and social epistemology. New frontiers for research on knowledge-how are also explored relating to the internalism - externalism debate as well as embodied and extended knowledge. A Critical Introduction to Knowledge-How provides an accessible introduction to the main arguments in this important and thriving debate suited for undergraduates and postgraduates in philosophy and related areas. A strength of the book is its methodology which places a premium on placing the debates over knowledge-how in a broader conversation over the nature of knowledge. This book also offers an opinionated discussion of various lines of argument which will be of interest to professional philosophers as well.
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Photography: A Critical Introduction

Author: Liz Wells

Publisher: Routledge

ISBN: 1317539737

Category: Art

Page: 420

View: 8408

Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses, this fully revised edition provides a coherent introduction to the nature of photographic seeing. Individual chapters cover: Key debates in photographic theory and history Documentary photography and photojournalism Personal and popular photography Photography and the human body Photography and commodity culture Photography as art This revised and updated fifth edition includes: New case studies on topics such as: materialism and embodiment, the commodification of human experience, and an extended discussion of landscape as genre. 98 photographs and images, featuring work from: Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah Höch, Karen Knorr, Dorothea Lange, Chrystel Lebas, Susan Meiselas, Lee Miller, Martin Parr, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman and Jeff Wall. Fully updated resource information, including guides to public archives and useful websites. A full glossary of terms and a comprehensive bibliography. Contributors: Michelle Henning, Patricia Holland, Derrick Price, Anandi Ramamurthy and Liz Wells.
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New Media

A Critical Introduction

Author: Martin Lister

Publisher: Taylor & Francis

ISBN: 0415431603

Category: Language Arts & Disciplines

Page: 446

View: 7321

New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which 'new media' really are new, assesses the claims that a media and technological revolution has taken place and formulates new ways for media studies to respond to new technologies. The authors introduce a wide variety of topics including: how to define the characteristics of new media; social and political uses of new media and new communications; new media technologies, politics and globalization; everyday life and new media; theories of interactivity, simulation, the new media economy; cybernetics, cyberculture, the history of automata and artificial life. Substantially updated from the first edition to cover recent theoretical developments, approaches and significant technological developments, this is the best and by far the most comprehensive textbook available on this exciting and expanding subject. At www.newmediaintro.com you will find: additional international case studies with online references specially created You Tube videos on machines and digital photography a new 'Virtual Camera' case study, with links to short film examples useful links to related websites, resources and research sites further online reading links to specific arguments or discussion topics in the book links to key scholars in the field of new media.
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Critical Terms for Art History, Second Edition

Author: Robert S. Nelson,Richard Shiff

Publisher: University of Chicago Press

ISBN: 9780226571690

Category: Art

Page: 540

View: 3087

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
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Seeing Through Paintings

Physical Examination in Art Historical Studies

Author: Andrea Kirsh,Rustin S. Levenson

Publisher: Yale University Press

ISBN: 9780300094084

Category: Art

Page: 328

View: 7686

This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. “An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together.”—John Walsh, former director, J. Paul Getty Museum “Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject.”—Kenneth Baker, San Francisco Examiner & Chronicle “A long overdue book with direct relevance for modern students of the history of art.”—Libby Sheldon, Burlington Magazine
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The Methodologies of Art

An Introduction

Author: Laurie Schneider Adams

Publisher: Routledge

ISBN: 0429974078

Category: Art

Page: 312

View: 4949

Since the nineteenth century, when art history became an established academic discipline, works of art have been ?read? in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here?formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender?reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.
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